Montreal Gazette

The Scandinavi­an design story behind the Volvo XC40 Recharge

Volvo Cars head of design Robin Page on the four-step process that leads to good interior design

- BY GRAHAM MICHAELS Postmedia Content Works

It’s ironic that the Archipelag­o of Gothenburg, just a few kilometres offshore from Volvo’s headquarte­rs in Sweden’s second-largest city, is entirely car-free.

This group of more than 20 islands served as the inspiratio­n for the interior design of the XC40 Recharge, in which horizontal decorative sections are the metaphoric­al bridges between the ‘islands’ of the air vents and central touchscree­n.

Robin Page, head of design for Volvo Cars, says that establishi­ng the island theme represente­d step one of the four-step process that leads to good interior design.

“Interiors should start with a simple theme – a clean architectu­re that you can sketch out in just two or three lines,” he explains. “The next step is to use materials in a way that complement­s the shapes. In the case of the all-electric XC40 Recharge, there’s a big focus on sustainabi­lity, so the door insert is made from recycled plastic bottles.”

The increased use of such materials represents one pillar of Volvo’s drive for greater sustainabi­lity. For the door-insert material in the XC40 Recharge, 97 per cent comes from recycled PET bottles (colour forms the remaining 3 per cent). Recycled PET also features in the floor carpet, on the sides of the console and in the headlining, parcel shelf and pillars, while the seats contain recycled polyester.

“Our future journey is not only about safety, but also sustainabi­lity, and the XC40 is a good example of where we’re heading,” says Page. “A big percentage of the interior has a recycled element. Our customers expect ethical, sustainabl­e materials from us.”

Stage three of the design process is about seamlessly integratin­g technology and other amenities. Central to the mix in the XC40 Recharge is the new, Android Automotive

Os-based infotainme­nt system, which is accessed through the 9-inch touchscree­n. It adds a new level of usability to the regular XC40’S ergonomica­lly elegant interior. Feedback from customers early in the design process led to thoughtful touches like the ‘curry hook’ for hanging take-out meals or a purse, the removable trash bin, and speakers relocated under the dashboard to make space for extra-large door storage pockets.

“The fourth stage adds the ‘delight’ features, what we call the ‘jewelry’,” continues Page. “Examples are the shifter, the air vents and the choice of decorative material, which in this

case is cutting-edge recycled aluminum. It’s the combinatio­n of those four layers together that creates a great interior.”

For Page, simplicity is the key to an interior that lives

up to the clean-cut tradition of Scandinavi­an design. For

the XC40, the team kept a 3D print of the original theme in view throughout the design process.

“It’s very easy to add to the original theme and complicate it,” he explains.

“A lot of Scandinavi­an design is about keeping to the simplicity and purity of the original design. You can easily solve engineerin­g problems by creating another feature or design element, but an interior is a bit like an art gallery: if you fill the wall with pictures, you don’t know what to look at. The beautiful elements should have room to breathe.”

Page says that at Volvo, the challenge of fulfilling engineerin­g requiremen­ts for the likes of occupant safety and packaging space can even lead to creative solutions that elevate the original design to new heights. “It means lots of reviews with engineerin­g, workshops, innovation and creativity. But part of the fun of the job is going through that to create something that will last forever.”

In the XC40 Recharge, simple, usable design extends to the digital interface, too. The new Androidbas­ed infotainme­nt system provides access to Google Maps, Google Assistant and the Google Play Store.

“The digital screen enables us to be really smart about what we show the user, based on the context,” says Thomas Stovicek, head of user experience at Volvo Cars. “Instead of putting a lot of buttons on the screen or over complicati­ng, we’re very thoughtful about how we present the informatio­n. We can be smarter about when we present things and make it even easier for people to use new systems such as Pilot Assist, which helps the driver with steering, accelerati­on and braking. If you design the interface the wrong way, it could just add complexity, confusion and distractio­n.”

Stovicek’s user experience team is drawn from background­s in both tech and automotive. He notes that Google Assistant is familiar to many customers from their homes, but that this robust voice interactio­n system also provides an easier way to communicat­e with a car, hands free. Assistant is at the heart of the XC40 Recharge because it simplifies access to a greater number of new functions, such as finding a charging point on the way to the driver’s destinatio­n,

without adding to driver distractio­n. Think of this human-machine interface as a digital extension of Volvo’s commitment to safety.

“One of the added benefits of the new Android system is that it is easier to update,” he adds. “We constantly test for usability and do eye-tracking tests to measure how distracted people are while they’re driving. As we get feedback, we can continue to improve those things over time, making sure that when we add new features, we continue to enhance the systems already in place.”

 ?? CREDIT: VOLVO CARS CANADA ?? Stage three of Volvo’s design process is about seamlessly integratin­g technology
and other amenities.
CREDIT: VOLVO CARS CANADA Stage three of Volvo’s design process is about seamlessly integratin­g technology and other amenities.
 ?? CREDIT: VOLVO CARS CANADA ?? At Volvo, the challenge of fulfilling engineerin­g requiremen­ts for the likes of occupant safety and packaging space can lead to creative solutions that elevate
the original design to new heights..
CREDIT: VOLVO CARS CANADA At Volvo, the challenge of fulfilling engineerin­g requiremen­ts for the likes of occupant safety and packaging space can lead to creative solutions that elevate the original design to new heights..

Newspapers in English

Newspapers from Canada