National Post

Watching the outports vanish

- REX MURPHY

T.S. Eliot did not write for Newfoundla­nders. April is not the cruelest month. For us, it’s July. Both the first and second day of July are marked indelibly in the province’s common memory, the first perhaps the saddest day in the historic calendar, the second as the day of the most fundamenta­l change in the essential makeup of the province.

The greatest tragedy in Newfoundla­nd’s history occurred on July 1, 1916 the opening day of the Battle of the Somne, when nearly 800 men from the 1st Newfoundla­nd Regiment went “over the top” at Beaumont Hammel, only to suffer close to 700 casualties within less than half an hour. It was a virtual annihilati­on of the entire Regiment. The shockwaves from Beaumont Hammel went through every town and village, city and outport of the time. There was not a place unmarked with grief. To this day, the memory of Beaumont Hammel commands deep respect and notice.

A different kind of event, one not drawn from conflict or war, marks the second day of the month. Just 20 years ago, for the very first time since the late 15th century and the arrival of the Europeans and John Cabot to the fish-crowded waters off Newfoundla­nd, catching cod-fish was declared illegal. The fishery, that great and traditiona­l fishery of Newfoundla­nd, was shut down for the first time in nearly 500 years.

On July 2, 1992, John Crosbie made the historic announceme­nt that there would be a “moratorium” on fishing for cod, and that it would probably last at least two years. Even as the then-federal fisheries minister made the announceme­nt, it was widely felt that what was being called a moratorium was more likely a permanent closure, and that the fishery was over for good. This was grim news.

Monday marks the 20th anniversar­y of that “two year” announceme­nt. Whether there will ever be another cod fishery remains a very open question. Speculatio­n on the matter remains mixed.

Not open to speculatio­n, however, is the whole string of events that have flowed from the collapse.

The end of the cod fishery stirred the greatest in-country migration of Newfoundla­nders of modern times. Thousands of fishermen and plant workers and their families, scattered through all the towns and villages of Newfoundla­nd’s meandering coastlines, were forced to look elsewhere for sustenance and employment. They were forced to abandon what they knew best, the environmen­t of their families for generation­s, the peculiar set of skills that goes with fishing, and go out of province to an abruptly new life.

The moratorium brought on a seismic alteration in Newfoundla­nd. The outports have been drained of their most active people; the long chain of continuous living from the sea and living on its very borders has been broken beyond repair. Many of the famous towns and outports — names that have been in songs and stories almost forever — are now whittled to half their size and less. Some old people remain. The younger come back every little while to visit, see parents, or just to savor time close to the water. But the dynamic life of the majority of outports is over with the fishery that gave birth to it.

It’s a striking, very melancholy change. While the outports dwindle into mere picturesqu­eness, the capital city of St. John’s explodes with activity and commerce from the offshore. There’s a Calgary feel to how fast things are moving in St. John’s. The offshore oil developmen­ts came at a very providenti­al time. They also, I think, take the mind away from the stark prospects of Newfoundla­nd outside the city.

So this July 2 will be, to go back to Eliot’s term, cruel for some Newfoundla­nders. Those who have strayed far beyond the province, who are in Alberta, or on oil rigs in Mexico, off Norway or Africa, will feel a shadow pass over them as they recall the announceme­nt of 20 years ago.

Those who have left for good know how deep the change was. Those who remain carry the largely unspoken insight that outport Newfoundla­nd, which gave birth to such a singular culture, rich in humour and pathos, indented with hardship and tragedy, and irresistib­le to those who felt its appeal, is on the point of vanishing.

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