National Post

BEATLE MANIA

Charles Manson’s deranged obsession with the Fab Four.

- Jeff Guinn MANSON by Jeff Guinn. © 2013 by 24 Words LLC. Reprinted by permission of Simon & Schuster, Inc.

Though each tune on the White Album had prophetic significan­ce, Charlie explained, several songs were musical roadmaps to the immediate future, including the one that gave a name to the time

of chaos that was approachin­g

The White Album, released in 1968, consisted of 30 exceptiona­lly eclectic songs, ranging from ersatz music hall to frantic rock ‘n’ roll to a children’s lullaby.

Though their fans didn’t know it, the beatles were wracked by dissension throughout the entire recording process — at one point drummer ringo Starr actually quit the band, though his departure was never made public and he was coaxed back within weeks. Two vinyl discs resulted from the internal squabbling because none of the beatles allowed any of his songs to be cut in favour of compositio­ns by the others. critics generally praised the album — after all, it was by the beatles — but after embracing previous releases by the band as clear-cut social commentary, many listeners couldn’t find any consistenc­y or theme this time.

charles “charlie” Manson wasn’t confused at all. He gathered the Family — his followers — around at the Gresham Street rental house and had them listen to the White Album over and over. He demanded that they pay special attention to the songs “Piggies,” “blackbird,” “revolution 1,” “revolution 9,” and “Helter Skelter.” Though each tune on the record had prophetic significan­ce, charlie explained, these songs were musical road maps to the immediate future. “Piggies” described the disgusting sense of entitlemen­t enjoyed by the very rich and powerful, and concluded that they needed “a damn good whacking.” “blackbird” predicted an uprising of the downtrodde­n blacks — this was the moment for them to arise. “revolution 1” was a call to arms. “revolution 9,” a pastiche of electronic effects and sound bites including the clatter of machine guns and human screams, was the soundtrack of the coming fury, and “Helter Skelter” provided a formal name for the chaos soon to come.

In the best dale carnegie tradition, charlie made certain that his followers felt these interpreta­tions were theirs as well as his; he gravely asked everyone for comments about the songs, then wove whatever they said into a larger context. everyone should feel incredibly proud, charlie declared — not only was the White Album the beatles’ collective call to arms to the entire world, it was specifical­ly directed toward charlie and the Family. Sometime in 1969, the Family would return to barker ranch in death Valley, and the beatles would join them there. charlie determined this based on a line in the song “Honey Pie” that referred to crossing the Atlantic. With his usual assumption of superiorit­y and entitlemen­t, charlie felt certain that the beatles would come to him and his followers. To get the process under way he sent letters and telegrams of invitation to the beatles’ office in england. There was no response, but charlie wasn’t deterred. The beatles were only part of the truth he now revealed. He preached to the Family that a black uprising was imminent not just because the beatles said so, but also the bible. In fact, the bible prophesied not only the uprising, but also the beatles themselves, and charlie Manson, too. It was all in the final book of the New Testament.

The revelation to John, commonly misidentif­ied as revelation­s, concludes the christian bible on an unsettling, apocalypti­c note. John, the narrator, has been banished to an island by unnamed authoritie­s for preaching the gospel of Jesus, and as a reward for his faith Jesus has granted him an understand­ing or revelation about the signs that will herald christ’s return to earth. John, in turn, writes about what he has learned to a series of christian communitie­s so they will have some warning of what is about to happen.

For some christians, revelation is entirely symbolic and simply represents a promise that Jesus will come again; to others, it’s a literal account of what is going to occur, horned beasts and all. For imaginatio­ns fuelled by frequent, copious doses of LSd, it was all too easy to believe not only John’s apocalypti­c prophecies, but charlie’s unique interpreta­tion of them.

revelation, charlie explained, predicted that locusts would come, and locusts were, of course, beetles — the beatles. John said that the locusts would have “scales like iron breastplat­es”— according to charlie, these were the beatles’ guitars. And there was more: revelation also told of angels coming to earth, with the first four being the beatles. The fifth, “given the key to the shaft of the bottomless pit,” was charlie. The bottomless pit was a hole in the death Valley desert, one charlie had already told the Family about. revelation and the White Album, with assistance from charlie, made it clear: there was about to be an uprising of the oppressed in the world, mostly the blacks, who had been held down for too long. everybody had a turn in power, and now it was going to be black people’s turn. Something called Helter Skelter, an event or events still to be determined, would set off the battle. The blacks were going to kill most of the whites and enslave their surviving oppressors, which was only fair. Whites had made blacks their slaves and now roles would reverse. but here was the kicker: Just as the bible foretold — and the bible was always right — charlie would lead the Family to the bottomless pit, where they would remain in hiding as the world above descended into chaos. After a while — it didn’t matter how long, because time didn’t matter, hundreds of years, perhaps — the Family would expand to 144,000, the equivalent of the 12 tribes of Israel and the number specified in revelation 14:3. Meanwhile, blacks would discover that they lacked the intelligen­ce and organizati­onal skills to run the world. So charlie and the Family would emerge from the bottomless pit and become acknowledg­ed rulers, charlie of course the first among them. He’d already convinced many of his followers that he was Jesus reincarnat­ed. It didn’t take a much greater leap of faith to buy into this new vision. charlie stressed that everyone had all the proof that they needed — revelation and the White Album.

The Family was overwhelme­d by this news. charlie maintained rigid control with his usual methods of carrot and stick. The women in particular were reminded that if they remained loyal, while they were down in the pit living in a wonderful undergroun­d city there, they could change into any creature they wished. Several wanted to become winged elves, and charlie promised that, when the moment was especially near, they’d begin to feel budding wings growing on their backs. but a terrible fate awaited any- one trying to leave the Family now, he cautioned. All of them were white, and any deserters who weren’t killed in the coming racial cataclysm would undoubtedl­y be made into slaves serving black masters. Their choice was slave or ruler.

There was an unexpected defector. Tex Watson, previously one of charlie’s most compliant followers, suddenly found Family membership claustroph­obic and sneaked away. He stayed in the L.A. area, though, supporting himself by dealing drugs in tandem with a new girlfriend. Through the bikers, charlie had an excellent network of informers and probably soon knew exactly where Tex was. He was in no hurry to reclaim him; while most of the Family was preoccupie­d with the new prospect of Helter Skelter, charlie also had to concern himself with his longantici­pated breakthrou­gh as a musician. The beatles’ double disc set was fine but charlie’s album, the one that producers would beg him to record after the beach boys’ version of “cease to exist” was released, would surpass the White Album both commercial­ly and as a harbinger of the future.

 ?? APPLe cOrPS LTd. ?? From left, John Lennon, Ringo Starr, Paul McCartney and George Harrison of the Beatles.
APPLe cOrPS LTd. From left, John Lennon, Ringo Starr, Paul McCartney and George Harrison of the Beatles.
 ?? AFP / GeTTy IMAGeS ?? Charles Manson goes to hear his sentence in Los Angeles in 1971.
AFP / GeTTy IMAGeS Charles Manson goes to hear his sentence in Los Angeles in 1971.
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