National Post

Oscar Peterson for jazzy little book worms

- By Anna Fitzpatric­k Anna Fitzpatric­k’s Scribbles column appears weekly.

The best way to introduce children to the works of jazz pianist Oscar Peterson — well, it’d probably be by playing them the music itself. The second best way would be to read them Bonnie Farmer’s picture book, Oscar Lives Next Door: A Story Inspired by Oscar Peterson’s Childhood (Owlkids Books, 32pp, $18, ages 4–8, with illustrati­ons by Marie Lafrance). The story of Peterson’s childhood is told through the eyes of a fictionali­zed neighbour girl. Young Millie is fascinated by the music that the Peterson family produces, but she is mostly interested in exploring the neighbourh­ood with her friend Oscar. Real biographic­al details are blended in with imagined moments, including most notably Peterson’s bout with tuberculos­is at the age of seven, the illness which forced him to give up playing the trumpet.

Like Peterson, both Farmer and Lafrance have lived in Montreal’s Little Burgundy neighbourh­ood. Though Little Burgundy has changed dramatical­ly since Peterson’s childhood in the 1930s, the book brings the neighbourh­ood to life, making it shimmer and hum on the page, and positing it as integral to Peterson’s developmen­t as a musician as learning to play any instrument. Calling Dasha Tolstikova’s book A Year Without Mom (Groundwood Books, 176 pp, $20, ages 10–14) a graphic memoir wouldn’t be inaccurate, but it might be a little simplistic. It’s a book told in quiet fragments, sewn together with ribbons of girlhood. The story begins in early ’90s Moscow, when 12-year-old Dasha’s mother leaves for work in America. Dasha stays behind with her grandparen­ts, and her immediate loneliness is punctured with moments of distractio­n brought on by nerve-racking crushes, schoolyard gossip, and pop songs courtesy of the Beatles. Tolstikova’s visual style is filled with shades of grey with the occasional dash of red or navy blue, but infused with a warmth and sense of humour that prevent it from becoming sterile. The Russia represente­d in Tolstikova’s illustrati­ons is dark and sparse but, as every page serves as a reminder, it is above all home.

 ?? Top: Excerpt ed from Das ha Tolstikova’s A Year Without Mom, Courtesy Groundwoo d Boks. Bottom : Excerpt ed from Bonie Farmer’s Oscar Lives Next Dor, Courtesy Owlkids Boks ??
Top: Excerpt ed from Das ha Tolstikova’s A Year Without Mom, Courtesy Groundwoo d Boks. Bottom : Excerpt ed from Bonie Farmer’s Oscar Lives Next Dor, Courtesy Owlkids Boks
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