National Post

He’s so unusual

Charlie Kaufman’s road to Anomalisa

- By Bob Thompson

Charlie Kaufman is the wizard of odd.

The former TV c omedy writer establishe­d the Hollywood ranking by conjuring up a series of quirky movie scripts that include the Oscar- honoured Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind.

The 57-year-old continues the trippy trend as the writer and co- director of the stopmotion animated motion picture Anomalisa.

Indeed, the adult-oriented animation is more avantgarde than mainstream.

In the comedy- drama, a motivation­al speaker (voiced by actor David Thewlis) has an affair with one of his biggest fans ( Jennifer Jason Leigh) during a business trip to Cincinnati.

As usual, Kaufman’s dialogue is an ambivalent blend of humour and seriousnes­s underscore­d by the eccentric stop- motion puppets who populate this world of the mundane.

Providing a spaced- out entertainm­ent was not the writer’s goal, however.

“We tried to make the film honest and emotionall­y real,” says Kaufman with codirector Duke Johnson in Toronto recently.

Originally, the production was a stage play presented l i ke a radio drama with Thewlis and Leigh reading from scripts.

It was Dino Stamatopou­los (who knew Kaufman from their days as staff writers on The Dana Carvey Show) who suggested that colleague Johnson consider using the Kaufman play as the basis for an animated movie.

Initially, Kaufman and Johnson started the project with the crowdfundi­ng site Kickstarte­r. Eventually, they organized some private funding but the complicate­d production proved to be draining and difficult to pull off.

More than three years later, the movie is complete, and both Kaufman and Johnson are pleased with the results of meshing the words and the images.

“We did everything together,” says Johnson of their directoria­l efforts.

“And I liked the stop motion,” Kaufman says. “I was definitely fascinated by it.”

He admits the puppets might be “a distancing device” but the presentati­on also allows the audience to become more involved in the story.

Hit or miss, Kaufman and Johnson are savouring their creative victory.

“Nobody was telling us what to do, and we started out on our own,” says Kaufman. “And I am very proud of (Anomalisa) and what we ended up with.”

Anomalisa is in theatres in Toronto, Vancouver, and Montreal now, and opens Jan. 22 in Edmonton, Calgary and Ottawa, expanding to other Canadian markets Jan. 29

‘WE TRIED TO MAKE THE FILM HONEST’

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