National Post

STRAIGHT FROM THE HEART

Bryan Adams has achieved the seemingly impossible by aging gracefully as a rock star

- Jay Cridlin

Bryan Adams had five minutes to photograph the queen.

With so little time, you can’t worry about which of you is one of Canada’s most celebrated rock singers and which of you has occupied the throne of the Commonweal­th since 1952.

You’re the photograph­er. She’s the subject. You have five minutes.

“I directed t he whole thing,” Adams recalled by phone from a tour stop in Portugal.

Did Queen Elizabeth know who Adams was? Did she, like the rest of the world, know the year Adams bought his first real six- string? Did she know that after becoming a Canadian music icon, he’d built a pretty respected career as a celebrity fashion photograph­er, too?

“I didn’t really get into it at all,” he said. “But I’ve met her a couple of times since then, and she’s always been really gracious.”

It seems impossible that Adams has been at this 40 years. He’s only 56, his face still as rugged and appealing as his fraying, stonewashe­d howl.

He started out a teenage glam rocker in suburban Vancouver — his first concert was David Bowie, the Diamond Dogs tour — which didn’t exactly presage all the FM- friendly hits that would make him famous, songs that perfectly melded heartland passion and perfect power balladry.

His third album, 1982’s Cuts Like a Knife, made him famous. His fourth, Reckless — Summer of ‘ 69, Run to You, Somebody, Heaven — made him a superstar.

“There’s so many places that we were about to go back then that were sort of uncharted,” he said. “And things just got bigger and bigger through the whole ‘ 90s. People refer to the songs as being ‘ 80s songs, but I had more hits in the ‘90s than I did in the ‘80s.”

It’ s true: Adams’ one Grammy win ( amid 15 nomination­s) came in the ‘ 90s, for the omnipresen­t Robin Hood: Prince of Thieves ballad ( Everything I Do) I Do It For You. So did his three Oscar nomination­s for Best Original Song. At one point, he was in such high demand that Luciano Pavarotti called asking to duet. Adams hung up the phone.

“I thought it was a joke,” he said. “Your home phone number rings, and suddenly there’s this guy talking to you in Italian, and you think, ‘F--off,’ you know?”

Somehow, though, for all his instantly recognizab­le hits — the man has sold 65 million albums — Adams doesn’t feel overexpose­d in 2016. He’s aged more gracefully than many musicians his age, building a respected second career as a photograph­er and for the past 25 years, he’s lived in Europe, not Canada. He said he tours about 10 days a month now, but those 10 dates are spread all over the world.

Adams has done more solo tours in recent years, just him and that five- and- dime six-string. Something he noticed, especially in America, was that he’d often walk out on stage and find the audi- ence still in their seats, unmoved or unwilling to stand and cheer from the jump.

Why? Did they think Adams was shifting into oldman folk mode?

“I think they just didn’t know what to expect,” he said. “The music that I’ve always presented has always been fully orchestrat­ed with a band. So suddenly to tear it all down into the smallest denominati­on, it wasn’t expected.”

But by the end, they’d be on their feet, cheering.

“I never pushed anyone to get them up,” he said. “It would just happen. And that was cool.”

Adams i sn’ t as far removed from the top of today’s pops as one might think. He was close friends with Amy Winehouse; a photo he took graces the cover of her posthumous album Lioness: Hidden Treasures. And he’s one of the few artists who knows what it’s like to have a song as huge as Adele’s Hello. (Everything I Do) I Do It For You, which turns 25 this year, set chart records that exist to this day.

“I can relate, totally,” he said, pointing to the gruelling tours that accompany such massive success. “You basically won’t have much of a life for a few years. That’s what it comes down to. Unless you stay out of it. Unless you just become a hermit. Unless you stay out of the press.”

While he believes a song like Everything I Do could still be a hit today, his advice for up-and-coming rock singers isn’t so rosy.

“Get into software design,” he said. Not music? “You can’t make a living on it.”

Well, you can if you’re Bryan Adams. Right?

“If you’re establishe­d, it’s still OK. You can still putter around the globe and do gigs. But if you’re starting out, it’s really, really hard. You’ve got to be really clever because the way things are now in the record business, it’s not really set up for artists. It’s set up for the companies to make money.”

Still, Adams is nowhere close to retiring to his photograph­y and family. After 40 years, he can’t stop this thing he started. There are too many nights when even the old hits feel like new.

“With songs that are really well known, they sort of take a life of their own when you play them live,” he said. “Every night, it’s a different thing.”

Adams’ five minutes with Queen Elizabeth yielded a photo so lovely it ended up on a Canadian stamp. Maybe that resonated with Her Majesty, because after that, she didn’t forget Adams’ face.

“Once, in fact, she got to drop the puck at a hockey game in Vancouver, and then afterward, there was a reception,” he said. “She walked into the room and everyone was just standing there and no one said anything. And then she saw me and came over and talked to me.”

Adams cracks up at the memory.

“She recognized me! She came over and had a chat with me, and left everybody else in the room!”

Well, yeah. He’s Bryan Adams. A guy like that, you just don’t forget.

 ?? JEAN LEVAC / OTTAWA CITIZEN ??
JEAN LEVAC / OTTAWA CITIZEN

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