National Post

Milestone of celebratin­g the past

More than a cable network, turner classic movies turns 25

- Rodney Ho

Turner Classic Movies (TCM) debuted humbly on April 14, 1994, in a handful of markets playing the 1939 classic Gone With the Wind, accessing a vault of more than 3,000 films from Turner Broadcasti­ng’s library.

A quarter-century later, TCM has survived three owners, the growth of the internet and multiple shifts in viewing habits to remain as it began: a 24/7, commercial-free showcase for older films, mostly from the 1930s through the 1960s.

Jennifer dorian, who joined TCM as general manager in 2014 and has worked with Turner for 19 years, is now the standard-bearer, nurturing a dedicated fan base with a popular film festival, an annual cruise and its own fan club. TCM is now considered a “lifestyle brand” more than a mere “cable network.”

I talked to dorian by phone Thursday hours before the launch of the 10th annual TCM Film Festival in Hollywood.

Q Why do you think TCM has endured despite all the changes that have happened in TV viewing since 1994

Dorian: I think TCM has endured because it’s never lost its way. It’s been focused on one specific unique propositio­n: to be the home for classic films and present them uncut and commercial free. We never strayed from that. The promise and execution has built a lot of goodwill. Fans know what to expect from TCM.

Q: Over the years, other cable networks strayed from their original mission. MTV started with music videos and now runs reality shows. The Learning Channel is now TLC with shows about little people. American Movie Classics, your closest competitor, is better known now for zombies as AMC. How have you stayed the course?

Dorian: I’ve been part of strategic planning at Turner for 19 years. I can vouch we’ve never questioned the TCM mission or strategy. By staying commercial-free, we offered something special to distributo­rs and fans.

Those other channels you mentioned all relied on advertiser­s and needed to pursue strategies that drew ratings. TCM was liberated from that. Our job was to build a home for classic films that provides distributo­rs a quality commercial-free movie service.

Q While I’m sure you have plenty of older viewers, it seems like you draw new

Dorian: TCM has appeal to many audiences, folks of all ages and geographie­s. We have a tribe of like-minded people. The film festival is one of the most lovely displays of our fan base. Our 25 guest fans in April offering dedication­s range in age from 14 to 84. New generation­s get into classic movies often because of an older relative who just enjoyed the relaxing nature of watching films. They get hooked by the great stars and stories.

Q How important was Robert Osborne in terms of building the reputation of the channel?

Dorian: robert was a critical personific­ation of everything we were doing. His credibilit­y of being in the Hollywood system in the 1950s onward. Being a historian of the Academy Awards. Being a writer for the Hollywood reporter. Plus, he had a charming personalit­y. His composure and warm personalit­y on air was so welcoming to people. He forged a personalit­y in the early days of being an expert without being a know-it-all. He brought expertise without pretension.

Q How were you able to create a team to effectivel­y replace him once he passed?

Dorian: With robert’s passing, it was an opportunit­y for us to think about the ideal roster of hosts, how we could develop a team that would have capacity to do more. Ben Mankiewicz is our primary host. He’s the voice of the network now. He shares a lot of the DNA with robert. They’re both former journalist­s who care about good research, writing and storytelli­ng. Ben also has that Hollywood history. But we didn’t want to overtax him. So we hired Alicia Malone and dave Karger last year as full-time hosts. Alicia is a breath of fresh air. She’s been a fan across the globe. dave is another academic expert and we love what he provides.

Q How have you kept the movie mix fresh?

Dorian: TCM is a definitely a network that licenses movies from all studios. We’ve decided not to declare a mark in time when something becomes classic. We reserved the right to create themes and pull movies from all of film history. Sometimes, we do air more modern movies. during our “31 days of Oscar,” we have movies from the 1920s to 2011. If we do a retrospect­ive of, say, Jane Fonda, we would want to feature some of her more recent work. About 15 per cent of our films are from the 1980s, 1990s and 2000s but a majority are from the 1930s to the 1960s. That’s our sweet spot.

Q: What did you bring to the equation when you took over in 2014?

Dorian: I’m complement­ary to the mix. I’m not a classic film aficionado the way the staff is. They are the experts, the film studies majors, the film festival runners. I bring brand marketing perspectiv­e and focus on fan needs. When I began working with TCM in 2009, we started plotting out this fan-centric strategy. Our fans want to eat, live and breathe movies. We’re a television network. How do we get involved in their day-to-day lives? We came up with the festival, the cruise, the movie screenings of classic films. I’m really proud of our fan club.

Q In the AT&T restructur­ing, TCM was placed in the same division as Cartoon Network and Adult Swim. Can you explain why?

Dorian: That was confusing. The ultimate answer is we’re excited to be tucked into the Warner Brothers corporate family. It’s great for us to move closer to the big film library. We’re connected to a movie studio that values films and understand­s films. They can help us achieve greater possibilit­ies growing worldwide and creating more fan experience­s.

Q Since AT&T has taken over, have you been at all worried about TCM’S long-term future? Has top management said anything directly to you?

Dorian: We feel support and enthusiasm from AT&T and from Warnermedi­a. TCM has never been stronger in the cable universe. Warnermedi­a appreciate­s a brand that consumers care about. They’ve been very positive and praising our connection with our fans.

Q Ted Turner started this network. What is his legacy 25 years later with TCM besides the name?

Dorian: Having been at Turner for 19 years, I’ve always been inspired by Ted’s vision and maverick spirit. Sincerely, we have been saying ... don’t lose your inner Ted. Keep the fierce flame alive. Stay hungry for new things. Keep inventing. ... He’s our godfather, our founder. We wouldn’t have existed without him.

 ?? Turner CLASSIC MOVIES VIA THE ASSOCIATED PRESS ?? Clark Gable and Vivien Leigh in a scene from Gone with the Wind, the first movie aired when Turner Classic
Movies debuted April 14, 1994.
Turner CLASSIC MOVIES VIA THE ASSOCIATED PRESS Clark Gable and Vivien Leigh in a scene from Gone with the Wind, the first movie aired when Turner Classic Movies debuted April 14, 1994.

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