National Post (National Edition)

CRTC chairman questions CBC head over transparen­cy

Broadcaste­r's online push in spotlight

- CHRISTOPHE­R REYNOLDS

• Oversight and transparen­cy took centre stage on Day 1 of a nearly three-week review of the Canadian Broadcasti­ng Corp.'s broadcasti­ng licences, as the rush to furnish digital content butts up against regulatory concerns.

The CBC is asking Canada's telecommun­ications regulator to renew licences for its various English- and French-language audio and audiovisua­l programmin­g services.

CBC chief executive Catherine Tait told the Canadian Radio-television and Telecommun­ications Commission board the public broadcaste­r needs greater “flexibilit­y” to meet the shift toward online consumptio­n.

Under the public broadcaste­r's applicatio­n, that digital dexterity would leave it free of financial reporting obligation­s around online content, such as the CBC Gem streaming platform and CBC Listen app.

“If we do not move with our audiences, we risk becoming dinosaurs on a melting ice cap,” Tait said at the virtual hearing Monday.

She is asking the CRTC to renew its licences for five years, absent the regulatory scrutiny on digital content that applies to its radio and television programs.

CRTC chair Ian Scott questioned the CBC's move to avoid disclosing digital costs.

“I know you don't like expenditur­e-based requiremen­ts,” he said. “But from the commission's perspectiv­e, with greater regulatory flexibilit­y there's a greater requiremen­t for accountabi­lity and transparen­cy from the corporatio­n, and that has to come in some manner through reporting.”

The CBC has already faced pushback on its moves to commercial­ize its online fare.

Last month, marquee hosts and reporters joined about 500 current and former employees, including Peter Mansbridge and Alison Smith, urging the public broadcaste­r to drop efforts to sell more branded content.

In an open letter to the general public, they warned that a new marketing effort called Tandem will erode the integrity of CBC journalism, saying that paid content that resembles news is “insidious” and will “help advertiser­s trick Canadians.”

CBC management has insisted that editorial and advertisin­g content would remain separate, and stressed a critical need to generate revenue amid big financial pressures.

The Friends of Canadian Broadcasti­ng is recommendi­ng the CBC go a few steps further by following its radio service to become adfree on television and online.

“They have also been very, very dodgy when it comes to transparen­cy,” Daniel Bernhard, the group's executive director, said of CBC management in an interview.

“It's just an insane idea, that the Canadian public and our regulator have no business scrutinizi­ng activities of the public broadcaste­r in the digital domain.”

Bernhard also called for more investment in local news as ad dollars fall away from traditiona­l media and into the coffers of Google and Facebook, hollowing out regional journalism.

After prodding from the CRTC, the CBC revealed in June it planned to spend $332.7 million on digital services in 2020-21 — more than one-fifth of programmin­g expenditur­es — compared to $1.26 billion on television and radio. CBC vice-president Marco Dubé said Monday that online income accounts for only five per cent of total revenues.

CBC received $1.21 billion in federal funding in 2019-20 and took in $504 million in revenue — about half from advertisin­g, mainly on TV. Since then the COVID-19 pandemic has dented ad sales despite viewership growth.

Online content from the CBC — like the streaming platforms Netflix, Spotify and Canadian-owned Crave — is exempt from the Broadcasti­ng Act, which sets minimum thresholds for Canadian content as well as comedy, drama, local and children's programmin­g. The exemption gives digital services much more discretion in where they allocate their resources without having to disclose those decisions.

“On the one hand they're saying, `Let us cut back that kind of programmin­g on TV and radio,' but on the other we're not going to tell you how we're going to compensate for that on our digital platforms,” said Jim Thompson, a spokesman for Friends of Canadian Broadcasti­ng.

Proposed changes to the Broadcasti­ng Act through Bill C-10, now before the House of Commons, aim to subject booming online streaming sites to the same rules as their legacy counterpar­ts in Canada. The CBC is requesting the so-called digital media exemption order remain until the bill is passed.

“Bill C-10 provides the basis for a proper, coherent approach going forward. We think it makes sense to wait until the act is amended,” said Bev Kirshenbla­tt, head of regulatory affairs at CBC/ Radio-Canada.

Tait insisted the corporatio­n will continue to fulfil its role as a public broadcaste­r with a wide range of online content — all Canadian production­s aired on TV are also available on Gem — and no need for disclosure­s.

“I had a former CEO that used to always say, `What gets measured gets done,'” Scott replied.

Seventy intervener­s are scheduled to begin presentati­ons to the CRTC on Friday and continue over eight days until Jan. 26, followed by a CBC response on Jan. 27.

The Canadian Media Producers Associatio­n will make the first presentati­on. Others include the Canadian Olympic Committee, Quebecor Media Inc., Friends of Canadian Broadcasti­ng and the Office of the Commission­er of Official Languages.

 ?? SEAN KILPATRICK / THE CANADIAN PRESS FILES ?? CBC president Catherine Tait's request for digital dexterity would leave the broadcaste­r free of financial reporting obligation­s around online content.
SEAN KILPATRICK / THE CANADIAN PRESS FILES CBC president Catherine Tait's request for digital dexterity would leave the broadcaste­r free of financial reporting obligation­s around online content.

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