National Post (National Edition)

BIG GIRLS DON'T CRY

DRY-EYED WOMEN FIGHT BACK AGAINST EVILS OF COLONIALIS­M IN THE POWERFUL THE WOMAN KING

- CHRIS KNIGHT

The Woman King

Cast: Viola Davis, Thuso Mbedu, Lashana Lynch

Director: Gina Prince-Bythewood

Duration: 2h 15m

The Woman King opens

Sept. 16 in theatres.

Remember when Viola Davis was known as the best, tearful-est, most blubbery crier in Hollywood? Well, you'd be advised to forget about that before heading out to see her in The Woman King. “To be a warrior you must kill your tears,” she advises a young acolyte. She also kills quite a few enemies of the Dahomey, a West African kingdom in the 1800s, now the nation of Benin.

Davis plays Nanisca, leader of a group of female warriors who helped protect the kingdom from bellicose neighbours as well as European and American slave traders.

But she's hardly the only strong female character in the newest film from director Gina Prince-Bythewood (The Old Guard, The Secret Life of Bees).

The trainee she's advising to kill her tears is Nawi, played by Thuso Mbedu (TV's The Undergroun­d Railroad).

A defiant orphaned teenager, handed over to the Dahomey king after refusing an arranged marriage, she is taken in by Izogie (Lashana Lynch), who becomes a kind of Jedi master to this impulsive but talented student.

The Jedi comparison is apt on several levels, including the fact the Agojie, as these warrior women are called, are not allowed to take husbands. But Nawi's head is turned by Malik (Jordan Bolger), who is half-white, half-Dahomey and all handsome. Oh, and he's also part of the slave trade, but he's conflicted about that.

The Woman King, from a screenplay by Maria Bello and Dana Stevens, quietly admits the uncomforta­ble historical fact that the Dahomey not only practised slavery themselves, but sold wartime captives into the American slave market. Also, their king (John Boyega, miscast and struggling with his African accent), has several wives. But he's at least willing to listen to Nanisca, who counsels him that to stoke the slave trade will harm all Africans, and that the Dahomey should consider trading palm oil instead.

Ah, but there are battles to be fought and won before they can turn to farming. Chief among the antagonist­s is Oda (Jimmy Odukoya), leader of the Oyo Empire, who is gathering a coalition bent on taking down the Dahomey. He's not happy about being bested by a bunch of girls, either.

The Woman King is a powerful story with some wicked battle scenes — Black Panther meets Braveheart, I can imagine the elevator pitch going. But while it excels as a tale of female and African empowermen­t, its bones are a little creaky. Nawi's infatuatio­n with Malik follows a wellworn path, and the story of her mysterious parentage and abandonmen­t also feels narrativel­y convenient.

No matter. The movie is a rip-roaring riposte to the evils of colonialis­m, and it had the boisterous crowd at last week's Toronto festival world premiere clapping and stomping in approval. And tears? There wasn't a damp eye in the house. ★★★1/2

 ?? PHOTOS: SONY PICTURES ?? The Woman King follows the epic journey of General Nanisca — Oscar-winner Viola Davis —
as she trains the next generation of recruits and readies them for battle.
PHOTOS: SONY PICTURES The Woman King follows the epic journey of General Nanisca — Oscar-winner Viola Davis — as she trains the next generation of recruits and readies them for battle.
 ?? ?? Oscar-winning actress Viola Davis and Lashana Lynch, on the right, with young recruits in The Woman King, a boisterous portrait of cruel historical realities that features emotional truths — and some wicked battle scenes.
Oscar-winning actress Viola Davis and Lashana Lynch, on the right, with young recruits in The Woman King, a boisterous portrait of cruel historical realities that features emotional truths — and some wicked battle scenes.

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