Ottawa Citizen

Not waving. Drowning

How it feels to become a ‘wild statistica­l outlier’

- JEFF HEINRICH

Natural disasters not only wreak havoc, they concentrat­e the mind. In an instant, a familiar world is swept away, people are injured, people die and those who survive face the task of rememberin­g. Be it hurricane or earthquake, snowstorm or volcano or flood, what precipitat­es a human crisis is also what, ultimately, can bring people together in the long act of healing.

I recently listened, rapt, with an audience of 2,500 at Carnegie Hall to The Blizzard Voices, a book of poems by former U.S. poet laureate Ted Kooser set to music by composer Paul Moravec and performed by the Oratorio Society of New York. It told of a freak storm on a Midwest prairie in the winter of 1888 that killed 235 people, most of them schoolchil­dren.

“Do not stand at my grave and weep,” a ghostly tenor voice sang. “I am not there. I do not sleep.”

Somewhere in New York City that night, I imagined Sonali Deraniyaga­la was awake, listening. The British-Sri Lankan economist moved to Manhattan several years ago, ostensibly to do research in post-disaster economic recovery at Columbia University, but also to recover from a disaster of her own: She lost her entire family to the 2004 Indian Ocean tsunami.

I had emailed Deraniyaga­la asking for an interview, but never heard back. All I had was her book, a slim hardback called Wave, in which she recounts what happened.

It’s such an achingly personal story, I already felt I knew her.

Deraniyaga­la’s husband, their two sons, aged five and seven, her parents, a close friend — all died in the so-called Boxing Day Tsunami of 2004, which killed almost a quarter of a million people in Indonesia, Thailand, India and Sri Lanka.

It was the largest death toll from a tsunami and one of the worst natural disasters ever. Of her immediate family, only Deraniyaga­la survived.

Now, after years of psychother­apy, comes her memoir.

The double meaning of the title — a wave can be a movement of water or a salutation — recalls English poet Stevie Smith’s famous lines: “I was much further out than you thought / And not waving but drowning.”

“I thought nothing of it at first. The ocean looked a little closer to our hotel than usual. That was all,” Deraniyaga­la begins, recalling that fateful morning the day after Christmas.

“It was our friend Orlantha who alerted me. A short while before, she’d knocked on our door to ask if we were ready to leave. We almost were.”

Describing what happened next — the wave, the panic, the attempt at escape, sudden separation, a headover-heels spin through the surging sea, a lunge for a tree branch and, finally, rescue from the mud — takes all of 15 pages, beginning and ending in a beach resort in Yala National Park, on Sri Lanka’s southeast coast, where the family was vacationin­g.

The chapter ends, and the haunting begins.

For 230 more pages, Deraniyaga­la dips in and out of her family’s tragic story, recounting not just her own post-traumatic grief and anger, her suicidal thoughts and bouts with pills and alcohol, but also the “shame” that comes with survival and the need to keep her story secret from colleagues and acquaintan­ces so as not to live it all over, again and again.

Gradually, however, the memories seep back in. Returning to her parents’ empty house in Colombo, then back to Yala, then to her own empty house in north London, she lets the reader into the life she had before she became a victim, “this wild statistica­l outlier.”

From a wealthy family, Cambridgew­ife of a successful financial consultant, she had it all.

Immersing herself in family memories in the second half of the book, Deraniyaga­la succeeds in putting a human face — hers and her family’s — on history, as if to say, “This is what we were, too.” Husband: great cook. Elder son: mad about cricket and wild birds. Younger son: theatrical, loved costumes. Mother: sociable, but a bit of a gossip. Father: lawyer, kept to himself, huge library.

The author’s grief is diluted by these passages, and the book is better for it.

Rather than risk adding to the tsunami fatigue of YouTube survivor videos and disaster movies such as The Impossible, Deraniyaga­la has opted for a more interior approach that probes not only her psyche but the essence of what a family is. The truth is in the details, emerging like flotsam after a storm.

Helped by her “extraordin­ary therapist,” Mark Epstein (whom she lists first in her acknowledg­ments at the back of the book), and by her Sri Lankan-born countryman, the Canadian author Michael Ondaatje (to whom she submitted some early drafts, on Epstein’s prompting), Deraniyaga­la has crafted a riveting book now ranked as one of the Top 10 best of the month on Amazon.

By the end, she widens her perspectiv­e and sees that her story is but a drop in the ocean of human suffering. In March 2011, she goes whale-watching off Sri Lanka’s Mirissa coast, just five days after an earthquake and resultant tsunami in Japan killed 19,000 people. The horrific images were on every TV channel.

“So this is what got us, I thought, when I saw waves leaping over seawalls in Japan. This is what I was churning in,” Deraniyaga­la recalls. “I never saw the scale of it then. This same ocean. Staring at me now all blue and innocent. How it turned.”

It turns, too, in another marvellous new book, A Tale for the Time Being, by Ruth Ozeki. A dual Canadian-U.S. citizen who lives part of the year on remote Cortes Island in British Columbia, Ozeki had already written the novel, her third, and was about to send it to her publisher when the 2011 Japan tsunami struck.

It changed everything. Ozeki rewrote the book to incorporat­e the disaster into her semi-autobiogra­phical story, making it central to the mystery of the plot: The diary and family heirlooms of a suicidal Tokyo teenager wash up in a Hello Kitty lunch box on a beach in B.C., where they’re found by a novelist named Ruth.

She vows to find out who the girl and her family were. Did the tsunami send the mementoes Ruth’s way? With her husband, Oliver (his name in real life, too), she dives ever deeper into the story and explores a widening gyre of issues ranging from bullying to kamikaze pilots to quantum physics.

Ozeki, whose previous two novels were New York Times Notable Books, received a lot of advance praise for this new one. Chosen last year by The Atlantic (how appropriat­ely oceanic) as one of 15 books to look forward to in 2013, it has been published simultaneo­usly in the U.S., Canada and 10 other countries.

 ?? KRIS KRUG ?? Sonali Deraniyaga­la writes about the loss of her family in the 2004 Indian Ocean tsunami and the grief, anger and selfdestru­ction that followed. Ruth Ozeki, who lives part of the year on remote Cortes Island in British Columbia, rewrote her third novel...
KRIS KRUG Sonali Deraniyaga­la writes about the loss of her family in the 2004 Indian Ocean tsunami and the grief, anger and selfdestru­ction that followed. Ruth Ozeki, who lives part of the year on remote Cortes Island in British Columbia, rewrote her third novel...
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