Ottawa Citizen

Monkey see, monkey enjoyable

Anthropolo­gist Jane Goodall praises Disneynatu­re for its mix of documentar­y, fun

- BOB THOMPSON

Disneynatu­re’s delicate balance of offering family entertainm­ent while providing accurate informatio­n continues with the documentar­y Monkey Kingdom, the sixth in the series.

Previously, the nature theme and a narrative style were presented in Disneynatu­re films Earth, Oceans, African Cats, Bears and Chimpanzee.

“I think it’s good because you have to provide a certain kind of entertainm­ent if you want people to see the movies,” says Jane Goodall, renowned anthropolo­gist and Disneynatu­re ambassador.

“The films are expensive to make when you send a team out for three years so they can get to know the individual personalit­ies and what to film.”

In Monkey Kingdom, narrated by Tina Fey, co-directors Mark Linfield and Alastair Fothergill follow the exploits of a toque macaque monkey called Maya, who is attempting to survive in a Sri Lankan jungle.

It’s not easy for Maya. She ranks near the lowest class of the troop, which means she feeds last, if it all, and must take what is left over on the jungle floor when she does. Maya’s also relegated to the poorest sleeping area at the headquarte­rs of her troop on Castle Rock, the remains of a thousand-year-old Buddhist temple.

Things change rapidly within the rigid system when Castle Rock is invaded by a rival gang that expels them, forcing a trek to a nearby village to scavenge for food.

As Maya shows with her son Kip clinging to her, only ingenuity and resilience allow them to survive in a harsh, unforgivin­g environmen­t.

“Maya is very distinctiv­e, with dark patches on her nose and the hair, and that’s why she was chosen in the first place,” says Goodall, who visited the shoot in Sri Lanka “because I can’t be a good ambassador if I don’t get the feeling of what filming was like.”

In other words, directors Linfield and Fothergill lucked out when they chose Maya to follow. “Lo and behold they selected her as the star and it turned out she was,” the anthropolo­gist says. “Although they couldn’t have predicted what would unfold.”

Along the way, Monkey Kingdom also exploits the monkeys’ playful nature, acrobatic tendencies and curious habits.

There’s even some rare footage of starving lower-class monkeys desperatel­y searching out a unique source of food.

“The monkeys swimming under water for water lily bulbs was amazing because they looked like otters,” Goodall says. “I’ve heard of this but nobody’s ever filmed it before.”

Predators show up as well. One is successful but the scene is hardly graphic and mostly a quick edit — yet a notable PG reminder that it is a jungle out there.

In fact, Goodall says the Disneynatu­re movies are generally accurate in representi­ng animal life in the wild.

For instance, she confirms those Monkey Kingdom monkeys do, indeed, have a strict caste system “and it’s normally impossible to move up the ranks.”

Appropriat­ely enough, Monkey Kingdom is being released in proximity of Earth Day on April 22.

“I think these films, including Monkey Kingdom, have been valuable in raising awareness,” says Goodall, who champions global conservati­on and animal rights.

For every Monkey Kingdom theatre ticket sold in Canada and the U. S. the first week of release, Disneynatu­re will make a donation to help protect monkeys and other endangered species living in their natural habitats.

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 ?? DISNEYNATU­RE ?? Monkey Kingdom follows the travails of Maya, centre, carrying her son Kip. The directors ‘selected her as the star and it turned out she was,’ Jane Goodall says.
DISNEYNATU­RE Monkey Kingdom follows the travails of Maya, centre, carrying her son Kip. The directors ‘selected her as the star and it turned out she was,’ Jane Goodall says.
 ??  ?? Jane Goodall
Jane Goodall

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