Ottawa Citizen

LABOUR OF LOVE

If Netflix series seems all too painfully familiar, that’s because it is, After a month of dating, Gus leaves for a three-week work trip, and they ponder how this time apart could make or break them.

- LISA BONOS writes Lisa Bonos.

The Netflix series Love is actually more about the stages of like. The second season, now streaming — spoilers ahead! — occupies the space between “I like you enough to date you” and “I like you enough to date only you.”

That space may seem narrow, but it’s quite vast. If you’re a millennial, you know every nook and cranny of this space. You’ve probably spent a lot of time there, as most early relationsh­ips don’t make it to exclusivit­y.

Love is highly aware of the fragility of early relationsh­ips, when two people are not yet committed to each other but are pondering it. Even in the best moments, on the best days, there can be a nagging sense that it could end at any moment.

Mickey (Gillian Jacobs) and Gus (Paul Rust) go into their relationsh­ip knowing it’s illadvised. Mickey begins the season by telling Gus, after their first kiss, that she’s a sex-and-love addict and an alcoholic, and that she was planning to spend a year not dating. (Those in Alcoholics Anonymous are often advised not to start new relationsh­ips while beginning recovery.)

And so the central tension of the season is not “will they or won’t they?” but “should or shouldn’t they?” Similarly, Lesley Arfin, Rust’s real-life wife and one of the show’s creators, said she was focused on what happens after the meet-cute.

Should or shouldn’t they stay together? The healthy answer might be: They shouldn’t. Mickey should work on herself and battling her addiction. Gus should go out with a well-adjusted woman who’s not going to selfsabota­ge. But that would make for boring television.

Instead, Mickey and Gus forge ahead. But even in their sunniest of moments — such as their daylong date that meanders from Silver Lake to Venice Beach — there’s uncertaint­y in the air. For example, on a bridge over the Venice Canals, Mickey says to Gus: “This is the best day I’ve had in a long time.”

“Yeah, me, too,” Gus says. “It’s funny, though. When something like this is going really well, I get like super-nervous, like: Oh, when is something bad going to happen and it’s all going to end?”

“Me, too,” Mickey says, turning the tables by asking Gus the worst thing he has ever done. It’s not that bad, and the viewer is left thinking that maybe these two will make it after all.

In the two months that follow, Mickey and Gus pass milestones that could have been tombstones for any other fragile early relationsh­ip. Mickey brings Gus to a work party, which can be more awkward than meeting the parents. Gus does meet Mickey’s father, and somehow everyone survives.

Mickey throws a party to celebrate one of Gus’s profession­al victories, and their friends awkwardly intermingl­e. They have their first fights, which get pretty brutal.

After just a month of dating, Gus leaves for a three-week work trip, and they ponder how this time apart could make or break them. And while he’s away, Mickey engages in behaviour that, if Gus found out, certainly could break them. He almost does find out. Faced with the prospect of losing Gus, Mickey commits to him. “I want to be in a relationsh­ip with you,” Mickey tells him. “I don’t want to do anymore nonexclusi­ve (BS). That ends today. I want to really try and work on this and be in a real adult relationsh­ip.”

“I want that, too,” Gus says. “I’m in.” It’s not as if anyone is saying “I love you,” moving in or proposing marriage, those traditiona­l hallmarks of a rom-com. But today, when it’s far easier to keep looking than to commit to any one person, Mickey and Gus’s stick-to-itiveness is quite romantic.

If Love is insufferab­le at times, and it is, that may be partly because, in the real world, the early stages of a relationsh­ip can be just as dizzyingly fun and boring and hard as they are for Mickey and Gus. Almost-couples go through the thrill of meeting someone, the intense probabilit­y of losing them, all before making a commitment.

Nobody commits just because they like each other, especially today, with so many other potential partners at our fingertips. They commit because they can see themselves being in love with each other soon.

 ?? SUZANNE HANOVER/NETFLIX ?? Mickey, played by Gillian Jacobs, left, and Gus, played by Paul Rust star in the Netflix series Love.
SUZANNE HANOVER/NETFLIX Mickey, played by Gillian Jacobs, left, and Gus, played by Paul Rust star in the Netflix series Love.

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