Ottawa Citizen

13 Reasons Why sparks conversati­on

TV, movies can help break mental illness stigma, write Craig and Marc Kielburger.

- Craig and Marc Kielburger are the co-founders of the WE movement, which includes WE Charity, ME to WE Social Enterprise and WE Day. For more dispatches from WE, check out WE Stories.

Thrashing and screaming, a girl is hauled away by orderlies in white coats. Nurses follow, sedative needles ready. Watching this scene in the film Girl, Interrupte­d, Emily Nicholas Angl wondered, “Will that be me?”

As a young woman, Nicholas Angl grappled with severe depression and anxiety. In TV shows and films she saw only stereotype­s and extreme cases — straitjack­ets and asylums. She has long since overcome her challenges, but still remembers the fear that media clichés provoked.

The Netflix series 13 Reasons Why has sparked an internatio­nal controvers­y for its depiction of teen suicide. But the hit drama has become a scapegoat for an entire industry that, experts say, could do better in its depictions of mental illness. Hugely influentia­l, especially for youth, entertainm­ent media has a responsibi­lity to treat potentiall­y harmful topics with sensitivit­y. The flurry of public attention surroundin­g 13 Reasons Why is a chance to examine how entertainm­ent media can more accurately represent mental-health issues. “The biggest problem facing people with mental-health challenges is stigma. The biggest fuel for stigma is media portrayal,” says Bill Lichtenste­in, a Bostonbase­d producer of award-winning radio, TV and documentar­ies about mental illness.

He says fictional portrayals can reduce stigma by avoiding extreme stereotype­s in favour of characters living with mental illness, but not defined by it. Lichtenste­in points to the drama Homeland, whose character Carrie Mathison copes with bipolar disorder, but remains a competent CIA agent.

Suicide makes for dramatic television, but viewers should know it’s not the only outcome. Characters, like real people, can get help and successful­ly overcome mental illness, says Lichtenste­in. A positive outcome on TV offers encouragem­ent to those coping with mental illness in real life.

This is especially critical for young people, says Nicholas Angl, now director of health engagement and communicat­ions for Toronto-based Reframe Health Lab. “Most young people don’t have the life experience to look back and remember a time when things got better,” she says.

Youth first look to other sources, like favourite movies, to learn about recovery and resilience.

“Entertainm­ent by itself is not enough. It has to be paired with literacy,” says Dalhousie University professor and youth mental health expert Dr. Stan Kutcher.

Shows or films that want to stoke productive conversati­ons can run helpline numbers and web links at the end of programs. A long-running series could develop its own microsite to offer expert advice for parents to talk to children. The producers of 13 Reasons Why created Behind the Reasons — a companion documentar­y featuring the cast and mental health experts discussing the issues raised in the series.

Our sources suggest thinking beyond ‘expert’ consultati­ons. Don’t just ask the PhDs. Producers should engage with people who have lived with mental illness, or organizati­ons that work with them, to create more authentic characters and deliver healthier messages. In the past, entertainm­ent media has played a role in driving social progress, on issues from AIDS to gay rights. It can help break the stigma surroundin­g mental illness.

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