REMEMBERING EMMETT TILL
NBC documentary looks at images that propelled civil rights movement
Gruesome images of a NEW YORK lynched Emmett Till were seared into the minds of many black Americans in 1955 and helped lead to the modern civil rights movement. But few whites knew of their existence at the time.
That reality is at the top of NBC’s two-hour documentary about how images propelled the civil rights effort. The film debuts Saturday as the 50th anniversary of the Rev. Martin Luther King ’s assassination approaches.
Till was the 14-year-old black Chicago boy visiting relatives in Mississippi, killed after a white grocery store clerk claimed he had treated her rudely. Decades later, she recanted her story. That was far too late to save Till from being bludgeoned, shot in the head and thrown into a river. Two men were acquitted of the crime, even though they later admitted to it.
Given a casket nailed shut, Till’s mother ordered it open and Jet magazine took pictures of his horribly maimed head, beaten beyond recognition.
“For a mainstream, news audience, my guess is a large number of people knew his name, but didn’t really know what happened, which is the best and highest calling for a documentary like this,” said NBC News chairman Andrew Lack. “Seeing these pictures underscores what happened, what really happened, why the murder of Emmett Till was such a shocking and important event in the civil rights movement.”
There’s no evidence that NBC ever showed the picture of Till’s body until a Today show story on the anniversary of his death in 1985, the network said. NBC wasn’t alone among the mainstream media.
“It was a different America,” Lack said.
As if to make amends, the documentary shows the image of a murdered Till seven times. NBC compared Mamie Till’s insistence that the brutal truth of what happened to her son be made visible to actions in 2016 by the girlfriend of Philando Castile, who streamed the aftermath of his shooting by a police officer outside of St. Paul, Minn., where he had been pulled over for a busted light.
Mamie Till went to Jet because, at the time, it was the top news source for black America, said MSNBC’s Joy Reid, who participated in the documentary. “If you were a mother in Mamie Till’s position, you wouldn’t go to NBC or CBS or even The New York Times,” Reid said.
The pictures “took the issue of lynching away from the grainy photographs of a body hanging in the woods,” she said. The anniversary of Till’s death was later chosen as the date of King ’s March on Washington, she said.
“The civil rights movement never forgot Emmett Till,” Reid said. “He was to that movement what Trayvon Martin was to Black Lives Matter, a symbol that remained incredibly potent.”
NBC’s documentary shows how King innately understood the power of images beamed by the still-infant medium of television. A peaceful march or sit-in could draw yawns from a general public, yet a march of well-dressed children set upon by police with dogs and fire hoses produced pictures that made many Americans recoil when they saw them on the evening news. King could count on racists to reveal themselves and provide the pictures he needed to give the movement momentum.
Many demonstrations were planned before noon to give enough time for film to be delivered to New York to be shown on the network evening news.
The documentary was initially made for MSNBC but Lack said he felt compelled to request a primetime window on the network.