Ottawa Citizen

BOLD NEW PROGRAMMIN­G

NAC heads in a new direction for 2021-22 season, while still embracing digital audiences

- LYNN SAXBERG lsaxberg@postmedia.com

The National Arts Centre is launching a new season of performanc­es that will not only make up some of the shows that were called off because of the COVID -19 pandemic, but also venture into bold, new programmin­g directions while continuing to embrace the digital audience that grew when the institutio­n was closed.

Highlights of the coming months include the collaborat­ion between English theatre and Montreal's Black Theatre Workshop, concerts by the likes of Feist, Bruce Cockburn and Carly Rae Jepsen, the NAC Orchestra's focus on female composers and guest artists, a passing-of-the-torch in French theatre, and a mix of digital and in-person performanc­es in both dance and Indigenous theatre.

“I think of it as renewing a relationsh­ip with an old friend,” NAC CEO Christophe­r Deacon said of the 2021-22 season. “It's been a difficult year. The risk of a little too much solitude is something that I feel keenly and so I see this season as a re-embracing of the magic of the live experience.

“But the magic only works when the audience is there to put themselves in the shoes of the main character or performer on stage, and to empathize and identify with that story. That's a very powerful experience, and a great psychic and spiritual exercise.”

Of course, the institutio­n is still at the mercy of public health guidelines, so it has to be ready to change course at any time. For now, the ramp-up involves bringing staff back and ensuring they're vaccinated, in accordance with the vaccine mandate stipulated last week by the federal government for its employees. The first performanc­e is an NAC Orchestra concert on Sept. 10.

Deacon said proof of vaccinatio­n will not be required for ticket buyers (unless it's a measure introduced by government), but capacity limits are in place, meaning smaller audiences at the beginning of the season. An increase in numbers is expected as the months progress and regulation­s, hopefully, relax.

“We would love to be in a position to welcome everyone in,” Deacon said, “but we all have to be patient with the progressio­n of public health. That's been our touchstone throughout this: We follow the public health guidelines.”

He added that the building has been made as safe as possible, with regular cleaning of high-touch surfaces and a touchless payment system implemente­d in the parking garage. Although there's no word yet on when the box office will open for in-person ticket sales, you can buy tickets by phone or online, starting at 10 a.m. today. For more informatio­n and to order, go to nac-cna.ca, ticketmast­er. ca or call 1-844-985-2787.

In the meantime, here's a quick overview of each of the six programmin­g department­s.

ENGLISH THEATRE

It's the first season of collaborat­ion with a Black theatre company, an initiative created by artistic director Jillian Keiley in response to the Black Lives Matter movement. In her second-to-last programmin­g year — she announced she will move on after this season — Keiley handed over half her budget and resources to Montreal's Black Theatre Workshop. The results will be ready to present next spring, with one highlight expected to be the long-awaited second play, Black and Blue Matters, by Omari Newton, who was also responsibl­e for the compelling tale The Lamentable Tragedy of Sal Capone, staged in 2018.

INDIGENOUS THEATRE

The department led by artistic director Kevin Loring will present works that aim to build understand­ing and promote healing in what he calls a time of reckoning. Highlights include Mononk Jules by Jocelyn Sioui, a work inspired by the playwright's great-uncle, the Indigenous hero Jules Sioui; and Émilie Monnet's original work Okinum, which features three languages and was inspired by a recurring dream of a giant beaver. Also planned is a celebratio­n of Tomson Highway's 70th birthday on Dec. 11, as well as a host of free online activities throughout the fall, including a day of workshops and events to mark National Truth and Reconcilia­tion Day on Sept. 30.

FRENCH THEATRE

It's a transition year for French theatre as longtime artistic director Brigitte Haentjens moves on, passing the torch to the new artistic director, Mani Soleymanlo­u. In the final season programmed by Haentjens, she kicks off with a piece created by Soleymanlo­u in which 30 artists from Ottawa-Gatineau envision what life will look like in 2042. Also included in the season is a chance to see Haentjens' new work, Reve et Folie, described as a radical exploratio­n of a poem by the expression­ist poet Georg Trakl.

NAC ORCHESTRA

Music director Alexander Shelley, who in June welcomed a second son to his family, leads a season that blends artistical­ly ambitious works with audience favourites, beginning Sept. 10 with a 20th-anniversar­y remembranc­e of 9/11 that features Tchaikovsk­y's Symphony No. 4. There's also some Beethoven, Handel, Schumann and much more in the season, with a list of guest artists that includes artist-in-residence James Ehnes, French pianist Hélène Grimaud and Mohawk singer-songwriter Shawnee Kish.

DANCE

Executive producer Cathy Levy calls it a season of “renewal and rediscover­y” for her department, which features works by 14 companies, all but two of them Canadian. Five shows postponed from the last season are back on the calendar, including José Navas/Compagnie Flak and Greece's Dimitris Papaioanno­u, along with major production­s by Ballet B.C., the Royal Winnipeg Ballet, Les Grand Ballets Canadiens de Montréal and more. There's also the chance to see new, NAC-funded works by Guillaume Côté and the Gatineau company, BBoyizm. Several popular digital initiative­s are returning, too, including the on-demand series #DanceForth, the internatio­nal film series, Digidance, and REBO(U)ND, to be screened on the Kipnes Lantern for viewers outside the building.

POPULAR MUSIC & VARIETY

The preliminar­y lineup assembled by Heather Gibson, producer of the recently renamed PMV department, finds music on all four stages of the NAC, from blockbuste­r Southam Hall concerts by Bruce Cockburn (April 23, 2022) and Carly Rae Jepsen, who will perform with the NAC Orchestra on Dec. 22-23, to intimate Fourth Stage shows with emerging artists such as Marie-Clo, Hannah Georgas and Leith Ross. Songstress Feist is on the bill with her innovative Multitudes production (Oct. 12-17), leading a pack of returning favourites that also includes Blackie and the Rodeo Kings, Matt Andersen, Whitehorse, William Prince and Chilly Gonzales, to name a handful of the close to 40 shows on sale now.

 ?? TONY CALDWELL ?? “I think of it as renewing a relationsh­ip with an old friend,” National Arts Centre CEO Christophe­r Deacon says of the 2021-22 season.
TONY CALDWELL “I think of it as renewing a relationsh­ip with an old friend,” National Arts Centre CEO Christophe­r Deacon says of the 2021-22 season.

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