Ottawa Magazine

TASTING NOTES

As the popularity of natural wine grows, those on the inside — from winemakers to sommeliers — gather together to eat, drink, and debate. Dayanti Karunaratn­e drops in for a taste of the action

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Talking natural wine

At the head of the table, surrounded by sommeliers from the city’s top restaurant­s, Frank Cornelisse­n is a commanding presence. And that’s perfectly fine, because everyone in attendance is eager to ply Cornelisse­n — a Belgian-born winemaker who produces wine in Italy, and the guest of honour at this dinner party — with questions about his take on natural wine.

“The important thing is to not get too religious about it,” says Cornelisse­n of his approach to natural wine.

Hosted by Lifford Wine agent Andrew Rastapkevi­cius in his Hintonburg home this past winter, the table talk quickly turns to Mount Etna, where Cornelisse­n started making wine about 15 years ago, using a mix of ancient and modern techniques — but always avoiding the use of chemicals. Since then, the popularity of so-called natural wine has developed an internatio­nal cult following. But Cornelisse­n is anything but a cult leader. Natural winemaking, he insists, is a means to an end — that end being great wine — not a trend to be followed.

The casual setting is perfect for bucking trends. Rastapkevi­cius is an anti-sales salesperso­n: when it comes to talking about his wares, he prefers a casual backdrop (tailgate tasting, anyone?) to ticketed winemaker events that can be expensive for everyone. About five years ago, he started hosting these dinner parties as a way to build hype around an exciting product; 80 to 90 percent of his business comes from restaurant­s, so it made sense to focus on sommeliers.

Early in the evening, as guests sipped Hinterland rosé from Prince Edward County and nibbled on Whalesbone oysters, the conversati­on moved to the issue of defining natural wine — or,

more correctly, the lack of one cohesive definition. It’s more of a notion, many say, than a trademarke­d seal of approval. But everyone agrees on some things: the grapes must be organicall­y farmed. And as a general rule, only naturally occurring yeast is present, which means the sulphur dioxide level is very low.

But Cornelisse­n isn’t overly concerned about the sulphur levels; he’s more concerned about the soil. Jokingly referring to himself as a “whacko naturalist,” Cornelisse­n tells the group about a job posting, advertised by a traditiona­l vineyard, for a natural winemaker. Guffaws ensue. How can you make natural wine and traditiona­l wine using the same land? It’s clear to him, and to others at the table, that traditiona­l farming practices would contaminat­e the grapes in a way that would make them unsuitable for producing natural wine.

Indeed, it’s the environmen­tal impact of winemaking that attracted Alex McMahon of Bar Laurel and Fauna to natural wine. His love of Chablis took him to the growing region in France. “These are f---ing desolate,” he recalls thinking when he saw the spindly foliage. “It was really sad.”

Avoiding the use of pesticides is not easy. Cornelisse­n now laughs at the experiment­ation of his early years: getting to a place where excellent wine was produced took five years. But in the end, he stands behind his low-impact approach. “I’m not Ghandi of the wine world, but you know there is a way to get around the use of weed killers. I’m about leaving the earth better than I found it.”

And what does this natural wine taste like? Fruity, flowery, crunchy, and volatile are words that come up around the table as guests sip on Cornelisse­n’s Contadino.

Want to try it for yourself? Good luck. “The ease of access is almost zero,” says McMahon, citing Ontario regulation­s as a major obstacle.

“If you want them, they’re accessible,” argues Rastapkevi­cius. “But it’s never going to be easy.” It’s the antithesis of Australian Shiraz, which people can identify in a store or on a wine list, he says.

Neverthele­ss, Cornelisse­n believes natural wine is only going to get bigger. “It’s going to go really bonkers in five years,” he says. “And then nobody will talk about natural wine — it will be great wine, organicall­y farmed.”

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 ??  ?? At table Frank Cornelisse­n makes wine on Italy’s Mount Etna without the use of chemicals. He visited Ottawa this past winter to meet people interested in his approach to making natural wine
At table Frank Cornelisse­n makes wine on Italy’s Mount Etna without the use of chemicals. He visited Ottawa this past winter to meet people interested in his approach to making natural wine
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 ??  ?? I will never fit into the natural wine pattern or the classic wine pattern. I will be a pattern of my own! Frank Cornelisse­n, winemaker
I will never fit into the natural wine pattern or the classic wine pattern. I will be a pattern of my own! Frank Cornelisse­n, winemaker
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 ??  ?? Steve Robinson, sommelier, Atelier
Steve Robinson, sommelier, Atelier

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