Ottawa Magazine

A sculpture park in Cumberland

• Anke Kausch, art detective • Going insta-retro in Prince Edward County

- By Patrick Langston • Photograph­y by Brendan Burden

It sounds improbable: Over 60 sculptures from such far-distant places as Zimbabwe, Vietnam, and Sri Lanka transporte­d to a woodsy east-Ottawa enclave with the ambitious objective of elevating human consciousn­ess and goodness. Yet that’s exactly what the Humanics Sanctuary and Sculpture Park in Cumberland is all about. It opened last summer and operates from the beginning of June to the end of October.

Inspiratio­n

The sanctuary and park is an inspired and inspiring collection of demanding trails, a snaking ravine, soaring maples and pines, and dozens of niches, terraces, and unexpected promontori­es where sculptures — some of stone, some of mechanical odds and ends including spark plugs and gears — remind us that such qualities as respect, mercy, and love unite mankind.

The 11-acre site also includes a meditation area of elemental rocks and trees, scattered stone benches, a pond with koi, and a large grassy area. Zones dedicated to major religions include areas for celebratio­ns, ceremonies, and religious services. It is at once serene, provocativ­e, and deeply rejuvenati­ng.

The price of admission? Five dollars and a willingnes­s to set aside for a while the daily round of must-dos and temporal distractio­ns.

Values and Stories

Ranjit Perera, a man with a talent for persuasion, created the site. “I wanted

to build it on the essential values we all share as Canadians,” he says. Promoting those values — non-violence, human developmen­t, social justice, and peace — is also the objective of the Humanics Institute, of which Perera is president and which rallied volunteers to help establish the sanctuary and park.

The values are rendered in an enticing assembly of sculptures that reach across countries, religions, and styles and tell both individual and collective stories. A touching piece by sculptor Eddy Nyagweta of Zimbabwe shows the Prodigal Son being welcomed home by his father, Christiani­ty’s message that everyone deserves respect and dignity clearly reflected in the father’s face. Abstract and naturalist­ic sculptures depict the Buddhist experience of rebirth and the Buddha’s own stages of spiritual progressio­n. Elsewhere, the distractin­g allure of false heroes, the wisdom of advancing age, and the complex relationsh­ip between humans and working animals such as horses take centre stage.

Collective Consciousn­ess

The sculptures and setting embody Perera’s belief in the oneness of reality, that all humans are born equal, and that an intrinsic relationsh­ip exists between humanity, the cosmos, and the natural environmen­t.

“I’ve been involved in human developmen­t throughout my career, so that sense of commitment to consciousn­ess of the whole has been with me all the time,” says Perera, whose profession­al life included a long stint with a Canadian internatio­nal developmen­t agency. Ironically, a successful lawsuit against his former employer for racial discrimina­tion gave him the financial means to launch his non-profit sanctuary and park as a way to foster equality and understand­ing.

Future-Focused

Perera is looking for sponsorshi­p so that he can acquire more sculptures and continue to operate the site. “I’m 76 years old, so I have to look at sustaining this,” he says. A believer in humanity’s potential for good, he has high hopes for his project. Among other outcomes, he envisions “busloads of students coming to explore the condition of man.”

 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from Canada