Ottawa Magazine

SIGNATURE PIECE

IT WAS LOVE AT FIRST SIGHT WHEN LOUISE MALHOTRA SPIED HER FIRST MOOOI SMOKE ARMCHAIR, A UNIQUE PIECE BY DUTCH DESIGNER MAARTEN BAAS

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Nowhere is the dynamic juxtaposit­ion of modernism and tradition more apparent in the Malhotra house than in the Music Room, with its glass walls and grand photograph­ic panorama of the old roofs of Paris. And certainly the most dramatic pieces of furniture in this room — and, indeed, in the house — are the two Smoke Armchairs by Moooi.

“We saw them in New York,” Louise remembers, “and I loved them on sight. They aren’t just chairs. They’re works of art.” The chairs are traditiona­lly Victorian in form, with curving backs, low arms, and black-buttoned upholstery in soft black leather. “They’re very comfortabl­e chairs,” Louise says.

They are also incredibly dramatic and enormously unusual.

Moooi is a company that treats furniture like art and commission­s artists to create unique designs using mixed media. The artist contracted in this case was a young Dutch designer, Maarten Baas. Having carefully constructe­d a traditiona­l, decorative wooden frame for his design, he set fire to the result. When the wood had achieved a satisfacto­ry degree of charring, he doused the flames and soaked the wood with resin. The result is a shiny black flame-scoured surface, different for each chair but alike in form, process, and conception. In the way of all good art, the Smoke Armchairs are beautiful, intriguing, and meaningful.

 ??  ?? Main photo: Described by designer Maarten Baas as “furniture finished by fire,” this Smoke series armchair was a must-have for Louise Malhotra
Main photo: Described by designer Maarten Baas as “furniture finished by fire,” this Smoke series armchair was a must-have for Louise Malhotra
 ??  ?? The history: (left) Although each of the chairs, two of which are shown in this avant-garde hotel, is similar, none are identical since the fire affects each frame differentl­y; (far left) a portrait of the designer; (below left) much celebrated in his...
The history: (left) Although each of the chairs, two of which are shown in this avant-garde hotel, is similar, none are identical since the fire affects each frame differentl­y; (far left) a portrait of the designer; (below left) much celebrated in his...
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