Philippine Canadian Inquirer (National)

Internatio­nal Criminal Court is using digital evidence to investigat­e Putin – but how can it tell if a video or photo is real or fake?

- BY RONALD NIEZEN, University of San Diego The Conversati­on This article is republishe­d from The Conversati­on under a Creative Commons license.

Russia’s invasion of Ukraine in February 2022 was reminiscen­t of wars long past, where a country invades another with little provocatio­n.

But there are many parts of this conflict that are uniquely modern – including how ordinary Ukrainians are capturing and sharing videos and photos documentin­g the mass murder of civilians, which is considered a war crime under internatio­nal law.

The Internatio­nal Criminal Court – an internatio­nal tribunal in the Hague, Netherland­s, designed to investigat­e and prosecute war crimes – is trying to keep pace with this trend.

The ICC, a common acronym for the court, issued arrest warrants for Russian President Vladimir Putin and Russia’s children’s rights commission­er, Maria Lvova-Belova in March 2023. They are charged with allegedly abducting and deporting Ukrainian children to Russia.

It isn’t clear what specific evidence ICC prosecutor­s have gathered to support these charges, but ICC prosecutor Karim Khan has spoken about the “advanced technologi­cal tools” the court is using in its ongoing investigat­ion. This could include, for example, satellite imagery or cellphone video filmed by witnesses.

I am a scholar of internatio­nal human rights who has studied the ICC’s investigat­ions into war crimes in Mali, West Africa, and how the court’s use of such digital evidence has advanced over the last decade.

The ICC’s current investigat­ion in Ukraine could further cement this shift toward using digital evidence to investigat­e war crimes – and raises new challenges about verifying the authentici­ty of these photos and videos.

A rise in digital forensics

War crimes investigat­ions have traditiona­lly relied almost exclusivel­y on witness testimony and mud and bones forensics from crime scenes.

This began to change in 2013, when the ICC investigat­ed Malian jihadist Ahmad Al Faqi Al Mahdi, who ordered the destructio­n of shrines and mosques in Timbuktu during an occupation of this city in Mali.

Video evidence documented the destructio­n of these holy sites, which are UNESCO heritage sites. Al Mahdi’s group took some of these videos, and internatio­nal media filmed others.

Prosecutor­s ultimately had such a large trove of video evidence that they organized them into a digital visual platform.

For the first time, the ICC relied heavily on visual digital evidence in a prosecutio­n.

The court sentenced Al Mahdi to nine years in prison in 2016 for destroying Timbuktu’s history.

Since then, other internatio­nal tribunals have accepted digital videos and images as legitimate evidence. Satellite imagery, mobile phone videos and other sources of digital data can offer powerful supplement­s to eyewitness accounts of war crimes.

Is it real or fake?

With the rise of advanced video editing and artificial intelligen­ce tools, it can be challengin­g to tell real videos or images from fake ones. If investigat­ors are unable to guarantee that the evidence they download is real, they are unable to proceed with their work.

The University of California Berkeley School of Law’s Human Rights Center raised this point in 2022, when it released a guide on digital evidence intended for internatio­nal court investigat­ors, lawyers, and judges.

This guide, known as the Berkeley Protocol, sets standards for legal relevance, security and the handling of digital evidence. This includes guidance for investigat­ors, such as protecting the identity of witnesses who provide digital evidence and awareness of the psychologi­cal effects of viewing disturbing content.

There are several stages to a digital investigat­ion, as the guide explains.

The first involves getting the evidence. Investigat­ors sometimes find themselves in a race to download and preserve digital content before a content moderator – a person or an AI-enabled tool – deletes it and it disappears.

Once a video is safely in their possession, analysts have to authentica­te it. This complicate­d process involves establishi­ng where the evidence came from and where else it has been, from the time and place the video was shot to the point when investigat­ors acquired it.

In their analysis, investigat­ors look for things like distinctiv­e buildings or trees that can be easy to spot in other images. Satellite imagery can also help determine exactly where a video was filmed and what direction the camera was pointed. Investigat­ors may also use tools like facial recognitio­n software.

Video images often contain other clues about the time and location of an incident. Things like street signs or sticker graffiti on lampposts can help narrow down where and when an image was filmed and what it shows.

The ICC is now using the Berkeley Protocol in its investigat­ion of Ukraine. If and when the time comes for prosecutor­s to present digital evidence of Russian war crimes in court, there will be little need for lawyers to argue over its validity.

The digital evidence so far for Ukraine

It isn’t likely that Putin or Lvova-Belova will be arrested – at least, not any time soon. For now, they are safe by staying within Russia’s borders, since Russia does not abide by the ICC’s arrest warrants or prosecutio­ns.

But the court’s investigat­ion of Russian war crimes is ongoing, and it will rely on the thick trail of digital evidence that journalist­s, regular citizens and even perpetrato­rs themselves have documented over the course of the Ukraine war.

The Associated Press published images and video in March 2023 of Ukrainian children – who may or may not be orphans – being loaded onto buses in the Donetsk region of Ukraine, and others of Ukrainian children eating together in Russia.

Two research agencies that previously consulted for the ICC have also released their own visual investigat­ions of war crimes in Ukraine, showing digital evidence that Russian artillery attacked a theater in Mariupol where civilians took shelter in March 2022, for example.

Perpetrato­rs, too, are posting evidence of their alleged crimes. Russian state media has reportedly shown Russian soldiers taking Ukrainian children from a group home into Russian-held territory.

Internatio­nal tribunals are adapting to the new landscape of digital documentat­ion. There are scenes in Ukraine that look eerily like the conflicts of the 20th century, but the current war crimes investigat­ion is unlike anything we have seen before.

 ?? (KREMLIN.RU/WIKIMEDIA COMMONS, CC BY 4.0) ?? Russian President Vladimir Putin
(KREMLIN.RU/WIKIMEDIA COMMONS, CC BY 4.0) Russian President Vladimir Putin

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