PhotoEd Magazine

LYLE XOX: ABOUT FACE

Lyle XOX takes self-portraitur­e to a new level

- By Paul Gessell

IN THE WORLD OF FINE ART AND HIGH FASHION, HE’S KNOWN AS LYLE XOX. The XOX is a stand-in for the word “love.” But to the farmers of Wymark, a hamlet near Swift Current in southwest Saskatchew­an, he is Lyle Reimer.

“I always felt like an alien,” the Vancouver-based Lyle says of his prairie childhood. His schoolmate­s played hockey. Young Lyle rode around town on a unicycle. Even before primary school, he was designing costumes. He was into crafts and liked using recycled materials. He was ridiculed and misunderst­ood.

Lyle XOX and Lyle Reimer will become one later this year at the Art Gallery of Swift Current with the exhibition Head of Design, a collection of photograph­s of otherworld­ly creations in which Lyle’s shoulders serve as the plinth for a face and head layered with makeup, wigs, and a bizarre assortment of recycled bric-a-brac. The results are fantasy characters usually found only in fairy tales, science fiction, or childhood dreams. Pleasant dreams, not nightmares, because these androgynou­s “living sculptures” are never scary. Rather, they are surprising­ly approachab­le, with a sly sense of humour and loads of irony.

Lyle says he initially thought of refusing the invitation from the Swift Current gallery. He eventually decided to go home again and accepted the invitation. “I thought this is a time to reclaim a part of myself,” Lyle said in a recent interview. “I see it as a big moment and I’m excited about it.”

Lyle will not just be arriving as a boy from Wymark. He will be riding a wave of fabulousne­ss as the creator of the book Lyle XOX: Head of Design; an Instagram sensation; the subject of a CBC Gem documentar­y called Random Is My Favourite Colour, and a darling of Vogue magazine. (He has been named one of the Vogue World 100 for pushing the boundaries of art, beauty, and style.)

Kim Houghtalin­g, director of the Swift Current gallery, understand­s Lyle’s emotions: “I feel Lyle wants to show his work here because of his experience­s with disconnect­ion from his communitie­s here, and maybe a need to express himself loud and clear in a place where he, his self, was kept quiet as a child.”

People may think they have Lyle all figured out. Surely, he is a wild clubbing partier. Actually, he is more of a stay-at-home guy whose idea of a fun night is to invite friends over for dinner. His thrills come from finding beauty in the ordinary household objects most of us overlook. And no, Lyle’s creations are not all manifestat­ions of himself. Lyle says he simply wants to create objects of beauty and wonder. Think of an actor who can convincing­ly play roles totally different from his own personalit­y.

“It’s not like these characters are inside of my head and they’re trying to come out,” he says. He does not plan things out in advance. Instead, he sets out various objects that could potentiall­y be employed — such things as turkey bones, plastic utensils, coat hangers, cereal boxes, and fabric swatches. Think of Brian Jungen’s repurposed running shoes or lawn chairs. Each object alone is unimpressi­ve. Rearranged and combined in unique ways, they become art.

For Lyle, the makeup comes first, or sometimes a wig or other headpiece. Then he spontaneou­sly applies recycled objects to his face and head. He says he’s not even aware what his hands are doing and likens the process to an out-of-body experience.

Lyle began experiment­ing with “living sculptures” in 2013, after more than a decade in the fashion and cosmetics industry, by bringing together all his interests: art, makeup, recycling, and fashion.

Kim Houghtalin­g views Lyle’s creations through the lens of art history, starting with the portrait bust, “a clean, close-up look at a person’s face, their identifyin­g features down to their upper shoulders. Lyle XOX is using the portrait bust tradition, the model portrait bust and the self-portrait selfie, as known modes of expression of identity or symbolic identity — the expression of the self, the ideal self, or iconic identity. He then combines this with meaningful or symbolic constructe­d elements into a highly expressive force.”

To best appreciate Lyle’s work, read the backstorie­s accompanyi­ng each image in his coffee-table book Lyle XOX: Head of Design, which includes 62 large colour plates of his creations. Each is twinned with a short written fantasy.

Lyle XOX creates magical works of artful mischief. He leaves us smiling and full of wonder for the small-town alien who turned recycling into big-city glam.

 ??  ?? “Sorry About Your Face,” from the Legacy series, 2017.
21 x 16 inch edition available; two artist proofs.
© LYLE XOX
“Sorry About Your Face,” from the Legacy series, 2017. 21 x 16 inch edition available; two artist proofs. © LYLE XOX
 ?? LYLE XOX ?? “Pet Therapy” from the Head of Design series, 2020.
Three sizes available; two artist proofs.
LYLE XOX “Pet Therapy” from the Head of Design series, 2020. Three sizes available; two artist proofs.
 ?? LYLE XOX ?? “If Sconces Could Talk” from the Head of Design series, 2020.
Three sizes available; two artist proofs.
LYLE XOX “If Sconces Could Talk” from the Head of Design series, 2020. Three sizes available; two artist proofs.
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 ?? LYLE XOX ?? “Lifestyles of the Rich and Fragrant” from the Head of Design series, 2020.
Three sizes available; two artist proofs.
LYLE XOX “Lifestyles of the Rich and Fragrant” from the Head of Design series, 2020. Three sizes available; two artist proofs.

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