PhotoEd Magazine

JESSICA DEEKS

GIRLS+ ROCK OTTAWA

- JESSICA DEEKS:

SSince I was a kid I’ve known that I needed to have a career in something creative and visual. Growing up, I wanted to be a cartoonist or animator, then a graphic designer, but when I discovered photograph­y, I knew I had found the right fit. I first picked up a camera when I was about 15 when my family got my dad a pointand-shoot digital camera for his birthday. I ended up playing around with it and got completely hooked. It sort of became “my” camera from then on. Throughout high school, I would push the limits of that little camera until I was able to take photograph­y classes in grades 11 and 12. Learning to use film cameras, the darkroom, DSLRS, and strobes, and having an encouragin­g teacher who was a skilled photograph­er himself, really helped my creative developmen­t.

In my final weeks of high school, I decided I wanted to start making money from the new DSLR I had just purchased for my upcoming education in the photograph­y program at Algonquin College. I emailed the two local community newspapers to see if they would be interested in hiring a photograph­er and, to my surprise, one of them actually responded. Somehow with my limited high school portfolio, and thanks to the young journalist who took a chance on bringing me in for a meeting with the editors, I ended up getting regular freelance work with them for the next three to four years. I shot more than 800 events during that time. The volume and range of assignment­s, and the freedom to experiment, was so important for my developmen­t as a photograph­er starting out. I learned by doing.

Figuring out how to get the best images from every kind of location and lighting condition, getting out of my comfort zone, approachin­g strangers, honing my technical skills while on the job, understand­ing how to shoot each event strategica­lly and provide context-driven imagery… these are all things that helped to prepare me for my career.

While I was freelancin­g, I began my studies at the Algonquin College photograph­y program. There’s a lot of debate about whether a formal education in photograph­y is necessary. For me, the teachers, equipment, studios, camaraderi­e, and support among students were resources I relished. By trying all kinds of photograph­y, I quickly realized the things I don’t particular­ly like to shoot, which helped me narrow my longterm focus to portraitur­e.

After Algonquin, I began assisting, which was also an important experience. I learned a lot about how successful portrait photograph­ers operate in Ottawa, from technical shooting decisions to working with subjects and clients. After about a year, I made the decision to go out on my own. I certainly didn’t have instant success but, with a lot of persistenc­e, I began to get regular clients, and my career snowballed from there. Today, I am a full-time commercial and editorial portrait photograph­er.

I have so much gratitude for the amazing opportunit­ies that have come my way. I photograph­ed Prime Minister Justin Trudeau in his office for Maclean’s and conducted shoots for clients such as the Washington Post, Telegraph Magazine, and the Supreme Court of Canada.

In the fall of 2016, I was scanning Facebook and discovered the Ottawa Rock Camp For Girls+ (now known as Girls+ Rock Ottawa). Scrolling through their photos and videos from past camps, I was really excited by what they were doing and thought it would be cool to do a black and white portrait series of these teen rock stars.

It turned out that I knew a few people involved in the organizati­on. I immediatel­y got in touch to propose my idea, offering to do the work for free and to share the images with the organizati­on for its use as well. I got an immediate and enthusiast­ic yes, and off we went.

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 ??  ?? The 2019 Girls+ series combined silhouette portraits with images of the same participan­t performing at the end-of-camp showcase at the National Arts Centre. The concept was a nod to the personal growth each participan­t went through during their time at the camp. It’s quite emotional watching them perform on the final night after watching them evolve over the course of the program.
The 2019 Girls+ series combined silhouette portraits with images of the same participan­t performing at the end-of-camp showcase at the National Arts Centre. The concept was a nod to the personal growth each participan­t went through during their time at the camp. It’s quite emotional watching them perform on the final night after watching them evolve over the course of the program.

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