Prairie Post (East Edition)

Reality series with Indigenous values looking for contestant­s

- By Theodora MacLeod

Alberta creatives are being given the chance of a lifetime thanks to an unidentifi­ed woman known as the Sugar Mama.

Applicatio­ns have opened for the opportunit­y to participat­e in the second season of an unscripted reality show titled “The Sugar Mama,” that puts 12 creatives together at a secluded retreat where they will participat­e in creative challenges and exercises designed to build character and promote personal growth.

In the end, the Sugar Mama herself decides who will receive $100,000 to help launch their career in the arts.

Though the first season has yet to be released, executive producer and retreat facilitato­r, Lolly de Jonge says the show is about doing things differentl­y and is rooted in Indigenous values.

“In Season One we brought a number of different ceremonies to the participan­ts, and really, it’s about developmen­t and it’s about making the world a better place.” Adding, “it’s the kind of show that will make you laugh and make you cry.”

The unscripted reality show emphasizes authentici­ty. With challenges built on a foundation of Indigenous knowledge and cultural practices, participan­ts are asked to express themselves through their chosen artistic specialty.

The cast of Season One included visual artists, musicians, comedians, and a drag performer, but the show is open to applicatio­ns from creatives of various mediums and practices.

Unlike most reality competitio­n series, The Sugar Mama doesn’t build its plot on underhande­d ‘game moves’ or strategic cruelty.

There is no head-to-head battle pitting players against each other for the chance to change their lives.

Instead The Sugar Mama focuses on character, and a collective self-discovery in the name of artistic pursuits. Of course, there’s that chance to be awarded $100,000 by the anonymous benefactor, but even the prize is awarded based on those merits.

“We wanted to give the participan­ts a lived experience of working and living and being in a values driven environmen­t that supported them being their greatest self,” de Jonge explains.

Little is known about the namesake of the series. de Jonge describes the Sugar Mama, whose only real identifier is that she is Métis, as “an older women, doesn’t have any children, has been supporting creatives for many years.”

There’s a tongue-in-cheek nature to the title, which de Jonge calls “decidedly provocativ­e,” acknowledg­ing the social context of the term – often used to refer to an older woman who financiall­y supports the leisure of her often much younger partner – and adding that the unrevealed woman also has a bit of a sweet tooth, playing into the title.

Described as “an intentiona­l act of reconcilia­tion,” the show places a strong emphasis on representi­ng diversity and encourages creatives from the 2SLGBTQ+, BIPOC and/or disabled communitie­s to apply.

“The things that we really look at is that we really want them to have exceptiona­l talent, outstandin­g character, and a really meaningful story. We know that a lot of artists, why they’re called to that work is usually because it’s rooted in their story,” explains de Jonge, adding, “what we want to do is bring 12 people together from a variety of different discipline­s and really work on giving them opportunit­ies to let their talent shine, and then to develop as individual­s as well.”

A far cry from the likes of Big Brother, Survivor, and the various other competitio­n shows, The Sugar Mama is the first of its kind to decolonize reality television and incorporat­e Indigenous values with the opportunit­y to win life-changing prize money.

Applicatio­ns for season two of The Sugar Mama close Jan. 24. Participan­ts must reside in Alberta and be 18 by the time of filming. For more informatio­n visit http://www.sugarmama.tv/casting

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