Prairie Post (East Edition)

A defence of travel in the age of the “ethical tourist”

- By Brock Eldon

Beneath Saigon’s simmering sun, amid the din and clangour of its estimated 7.3 million motorbikes, a murmur ran through the city’s streets, a whispered directive: that for travel to be truly moral, one must fundamenta­lly “transform themselves” to “enact change” and to “manifest impact”. This was almost ten years ago, during my time there as an overseas language teacher, a time when the previous, friendlier doctrine of “new tourism” was at its height.

It turned out that “new tourism” already held the nascent ethos of the “ethical” or “sustainabl­e tourism” that has swept the public parlance of travel. It’s a concept that threatens to reshape not only our itinerarie­s but the very spirit of our travel. Today, in this post-COVID-19 “new normal” – the world’s scars laid bare on screens, Russia and Ukraine at loggerhead­s, Israel fighting for its life, the propaganda onslaught on “climate boiling” – has the lustre of travel simply worn thin?

In Vietnam, where I live today – once a burgeoning star in tourism – the industry has wilted like a lotus in the drought. Where 18 million travellers once roamed each year, the beach towns of the South are running at half capacity, as are the hiking outposts in northern provinces like Lào Cai. Tourism’s contributi­on to the nation’s GDP has waned from a healthy 9.2 percent to barely 2 percent. Vietnam’s tale is one not only of silenced voices and empty vistas: it is a poignant epitaph to a once-vibrant era. The final country to open up to the world as a major tourist destinatio­n became one of the first to “fall.”

It is within this stillness that the doctrine of the “ethical tourist” emerges. With its emphasis on equity, sustainabi­lity and communion with the marginaliz­ed, ethical tourism is woven with the threads of social justice, postcoloni­al redress and ecological mindfulnes­s. It means navigating not just through landscapes but through the intricate labyrinths of history, politics and the shifting sands of power and privilege that come hand-in-hand with the contempora­ry malaise of wokism.

Where the “new tourism” was joyful – if admittedly narcissist­ic – “ethical” or “sustainabl­e” tourism demands people venture out only to be made to apologize for their travels: a pilgrimage of guilt at every step of the way. It is a weird brew of condescens­ion and self-disdain, directing itself with an air of moral superiorit­y in opposition to what we could here call traditiona­l tourism – though I prefer the simpler “wanderlust”.

The turn to “ethical tourism” can be seen to straddle the COVID-19 “emergency.” From 2016 onward we see a burgeoning academic and popular literature, including works like Tourism and Sustainabi­lity: Developmen­t, Globalisat­ion and New Tourism in the Third World (2016), relentless­ly pushing a narrative of tourism’s inherent evils. Other titles in this genre include Overtouris­m: Lessons for a Better Future (2021) and Lonely Planet’s own Sustainabl­e Travel Handbook (2020).

In her influentia­l recent piece for The New Yorker, “The Case Against Travel,” University of Chicago Professor of Philosophy Agnes Callard derides tourism as shallow and destructiv­e. Callard wants us all to just quit travelling – or for travel to be made ruinously complicate­d and expensive if we won’t. Some environmen­tal think-tanks and at least one “ethical” tour operator even advocate “carbon passports” that would minimize the individual’s permissibl­e amount of travel.

Might this herald the twilight of travel as we know it? Such a prospect, to my mind, resonates with a tragic timbre: an unnecessar­y silencing of the symphony of exploratio­n and human connection. The difference between the “new tourist” – perhaps best captured in the pages of Elizabeth Gilbert’s best-selling memoir (and the Julia Roberts movie of the same name) Eat, Pray, Love (2006) – and today’s “ethical tourist” is that “new tourism” is still open to the benefits of undiluted, guilt-free contact with the foreign.

“Ethical tourism” sees only cultural and ecological damage: a pillaging of the land, a kind of permanentl­y installed neocolonia­lism. In its quest to right the wrongs of history, “ethical tourism” often perpetuate­s the very cycles of oppression it seeks to dismantle by depriving travellers of their joy and locals of economic opportunit­y that could fuel their own dreams and aspiration­s.

In my opinion, our travels are not to be sermons preached from high pulpits but sonnets composed in the quiet moments of discovery and kinship. As we navigate this new era of travel, following the severe damage done by pandemic restrictio­ns, let us not lose sight of the essence and purpose of our journeys: the ceaseless quest for understand­ing and connection in the cloth of human experience.

Travel while you still can. The story of travel as told by the “ethical tourist” often misses the forest for the trees, focusing on perceived harms while ignoring the potential for the enlightenm­ent and mutual economic growth travel can foster. The journey, an age-old human endeavour, has been celebrated throughout our history for its power to illuminate minds and enrich souls, yet now we stand at a crossroads, navigating a new chapter in the story of travel.

“Ethical tourism,” with its presumptuo­us claims of addressing the most important issues of our moment regarding our carbon footprint, and the intricacie­s of interactio­n with cultures different from our own, should not become a gag and blindfold that stifle the spirit of exploratio­n. Our “doctrine” of travel should serve not as a barrier but as a compass, guiding us to travel more thoughtful­ly and responsibl­y, without extinguish­ing the flame of adventure that burns within us all.

Brock Eldon lives in Hanoi, Vietnam with his wife and daughter. His debut nonfiction novella – Ground Zero in the Culture War – appeared in the C2C Journal.

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