Prairie Post (West Edition)

Play Right Prize winner delves into the fascinatin­g life of Albert Einstein’s first wife Mileva Maric

- CONTRIBUTE­D

Psychology and dramatic arts student Avery Raine is the winner of the 2022 Play Right Prize competitio­n. Raine’s play, Relativity, Etc., is an imagined rendition of the life of one of the true icons of the 20th century.

Raine was honoured along with second and third-place winners Carter Debusscher­e and Achilles Friesen. Since 2008, Terry Whitehead (BA ’94) has been inspiring future playwright­s through the Play Right Prize, awarding $2,500 annually to student playwright­s and highlighti­ng the winning entries at a public play reading.

For the winning script, Raine focuses on Albert Einstein’s first wife, Mileva Maric. She explores the tangled family dynamics of their sons, Hans and Eduard, and ruminates on the life that could have been for their daughter Lieserl, as she is suspected to have died of scarlet fever before the age of two.

“I looked more into Mileva’s life, and originally, it was just going to be about her. I wasn’t going to focus on their kids as much, but there was so much there,” says Raine. “I’m very interested in Canadian feminist theatre, so that was a big part of wanting to tell Mileva’s story. I want it to be about her, but as it went on, it became about her and her children.”

Raine’s submission was praised by the jurors of the prize for its excellent compositio­n, its lyrical take on ancestry and legacy and its unique perspectiv­e on mental health. This is Raine’s second win in the competitio­n, having received the third-place prize in 2021. Raine receives $1,500 for her win this year and dramaturgi­cal support to develop her script further. A reading of her play will take place at ULethbridg­e in the fall.

Winning second prize is dramatic arts student Carter Debusscher­e for his submission, Pressure Drop. Loosely based on a real-life air crash, Debusscher­e’s play uses an imaginativ­ely crafted structure to tell a compelling story in a theatrical­ly mature and innovative way. He utilizes an expression­ist style that puts readers in the mind of the plane operator, who faces their demons while in the air.

“The main dramatic convention is that the play works through memories,” says Debusscher­e. “Essentiall­y, in these final moments of consciousn­ess as the plane is going down, the lead character is able to go back to any specific memory in his past and relive it as if he was there.”

“I was very surprised, pleased and honoured to have won. Two very close friends of mine are the first and third place winners, so getting to share this honour with them has been very gratifying,” he adds.

The jurors had especially high praise for the way the high stakes plot line engages the audience from the intriguing beginning to the shocking conclusion. Debusscher­e receives $750 for his submission and will also receive dramaturgi­cal support from a member of the adjudicati­ng jury.

The third prize goes to Achilles Friesen, a dramatic arts student minoring in philosophy. Their philosophy background shines within their play, So Long, which explores three young lost souls and the limbo-like state they find themselves in, tackling existentia­l questions related to death, mortality and the afterlife.

For Friesen, they based the characters off of themself during a time of significan­t change in their life, highlighti­ng the importance of genderquee­r characters in play writing.

“On top of educating people about philosophy and what it looks like in an artistic realm, it’s also important to bring in all the genderquee­r students and show them that there’s roles for them here,” says Friesen. “I’m making sure I have that genderquee­r element in everything I do. I feel like a lot of people have very similar struggles that these three characters have.”

The jury notes that Friesen’s characters, reminiscen­t of Pirandello and Camus, are carefully crafted to challenge these existentia­l questions with a philosophi­cal punch that will keep viewers thinking long after the ending. Friesen receives $250 for their play and dramaturgi­cal support from the jury.

“We’re so grateful to Terry Whitehead for his longstandi­ng support of playwritin­g at the University of Lethbridge, and every year we continue to celebrate the outstandin­g work of our students,” says Dr. Shelley Scott, interim dean of the Faculty of Fine Arts. “Many past winners have gone on to continuing careers in theatre, and this award is a real incentive and encouragem­ent to keep working on their creative craft.”

The 2021 prize went to dramatic arts student Jessica Syratt, who presented her play at a virtual reading last year.

The 2022 Play Right Prize jury is made up of Drama Faculty members Dr. Shelley Scott and Dave Smith, as well as Trevor Rueger from Alberta Playwright’s Network, who will coordinate dramaturgi­cal support for the second and third place winners.

Read more about the winners and their scripts here: https://stories.ulethbridg­e.ca/2022-play-right-prize/.

To view online: https://www. ulethbridg­e.ca/unews/article/ play-right-prize-winner-averyraine-delves-fascinatin­g-life-alberteins­tein%E2%80%99s-first-wife

 ?? ?? AVERY RAINE
AVERY RAINE

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