Regina Leader-Post

FORMAL PLACE SETTINGS GET A MODERN MAKEOVER

With some creativity, that old fussy china that’s been sitting in your cabinets can fit your casual lifestyle

- JURA KONCIUS

The stacks of old family china sitting forlornly in sideboards, cabinets and boxes in many homes reflect the state of entertaini­ng today. Many millennial­s aren’t wild about their grandmothe­rs’ flowered formal plates, preferring their own plain white wedding dishes. Generation Xers and boomers, who often gravitate to dining at a kitchen island, rarely bother to pull out the “good stuff ” and are already trying to unload it.

The curators at Washington, D.C.’s Hillwood Estate, Museum & Gardens, the grand home of the late American socialite Marjorie Merriweath­er Post, thought about this lifestyle shift when they conceived their latest special exhibit. The Artistic Table: Contempora­ry Tastemaker­s Present Inspired Table Settings highlights Post’s collection­s of Russian imperial and 18th-century French porcelain and other luxurious tableware from her years of entertaini­ng.

Curators asked a group of interior designers to combine Post’s formal porcelains, glassware and silver with contempora­ry pieces, to showcase new ideas for table settings.

Post entertaine­d lavishly at Hillwood and her other estates, which include Camp Topridge, an Adirondack lodge. If there was one lesson to be learned from Post, it was not to be afraid of your nice things, according to Estella Chung, director of collection­s at Hillwood, the estate that Post bought in 1955 and owned until her death in 1973.

In this exhibit, Post’s historic tableware is displayed throughout the mansion, from a formal dinner featuring seven Russian services in the dining room to a breakfast tray with violet-sprigged dishes in her bedroom.

We asked the designers behind the exhibit to share a few entertaini­ng secrets that might help anyone find ways to incorporat­e old china into a less formal lifestyle.

DON’T SET YOUR TABLE LIKE YOUR GRANDMOTHE­R DID

“Play with what you have. If you have antique dishes, find a boldcolour­ed solid dish that looks nice with it and some funky modern flatware,” New York designer Alex Papachrist­idis says. “Throw in an unusual hand-painted glass from a vintage store.”

One of his go-tos: durable Caspari wipe-clean placemats, available in designs including a green leaf and blue-and-white chinoiseri­e.

Use something unexpected, such as a leopard-print tablecloth.

NEVER SET THE TABLE THE SAME WAY TWICE

If you pull out the same dishes, glassware and tablecloth for every event, it’s time to change it up, says designer Barry Dixon of Warrenton, Va. If you’re not having fun setting your table, it can seem like just another boring chore.

Think of accessoriz­ing a table as you do your wardrobe. Whether you are using basic white Ikea buffet plates or your mother-in-law’s vintage pink-and-brown Noritake, you can give them a new look by adding colour or pattern elsewhere on the table, Dixon says.

If you have old-fashioned floral china, add glass plates in jewel tones to update the table. Instead of white napkins, collect linen squares in different colours.

DON’T BE AFRAID TO

PUT YOUR CHINA IN THE DISHWASHER

Designer Timothy Corrigan who has offices in Los Angeles and Paris, uses his family and vintage porcelain collection daily and loads it all into the dishwasher. “I believe that every day is special,” he says. “Use your china. Don’t save it for an important day. Today is the day.”

Most gold on china can withstand 600 to 800 dishwasher washes before really fading.

He also puts his antique German sterling flatware in the dishwasher, a no-no in some circles, but he says that “using it all the time keeps it looking good; you don’t have to polish it.” But hand wash your fragile crystal.

REVIVE SUNDAY FAMILY DINNER

New York designer Charlotte Moss says families can benefit from an old ritual: the Sunday night dinner. “End your weekend and start your week with a little bit of civilizati­on,” Moss says. Everyone helps, and kids can learn basic table-setting skills and manners. “It doesn’t have to be formal,” Moss says. “Arrange fruit as a centrepiec­e.”

Being familiar with table manners makes you comfortabl­e and confident in many situations, Moss says. Your kids will appreciate the experience later, when they get invited to a special someone’s house to meet the family or when navigating business lunches.

“Whether your china is your grandmothe­r’s formal porcelain or your mother’s castoffs, you should use it,” says Moss, whose 10th book, Charlotte Moss Entertains, is due out in April. “Don’t be afraid.”

DON’T WORRY ABOUT MAKING FANCY FOOD

Some people fear entertaini­ng because they don’t enjoy or feel confident about cooking. That is no excuse for not using your good china, says Hutton Wilkinson, president of Los Angeles-based Tony Duquette. “It’s really more about the presentati­on. But of course, it helps if the food tastes good, too.”

Washington designer Josh Hildreth, who collaborat­ed with Wilkinson, says a table set with your best things shows family and friends how much you appreciate them. “Putting out plates and setting a nice table creates a different experience for guests,” Hildreth says.

“Buy china not because you eat off it, but because it’s beautiful,” Wilkinson says. The two designers like to decorate their tables with curiositie­s such as crystal frogs or bejewelled starfish napkin rings.

Wilkinson says people are meeting in restaurant­s because they are too busy to cook. But there are alternativ­es. He recalls a glamorous hostess who sent out for buckets of Kentucky Fried Chicken before a party and piled it onto her Georgian silver platters. Says Wilkinson, “It’s all about the presentati­on.”

UPGRADE FROM PLAIN WHITE TABLECLOTH­S

Yes, you can have a formal dinner without using a white tablecloth, says P. Gaye Tapp, a North Carolina-based designer.

Years ago, white linen tablecloth­s and napkins were the only choice for fancy meals. Not anymore.

Tapp says couples whose dishes are gathering dust should consider bringing them out and coming up with a plan to match them to a modern textile pattern.

You can pick out colours in your china and look for fabric to set it off. She loves the look of vintage batik napkins paired with a bold tablecloth made out of a tree-oflife Indian pattern in indigo and cream. “If you use a formal white tablecloth, like many people do, it just makes everything seem more formal,” Tapp says.

The same china settings, whether floral or gold-edged, put against a more contempora­ry fabric look fresh and different.

 ?? PHOTOS: KATHERINE FREY/THE WASHINGTON POST ?? Designer Timothy Corrigan’s table setting, which uses Marjorie Merriweath­er Post’s 1909 silver candelabra, celebrates French gardens.
PHOTOS: KATHERINE FREY/THE WASHINGTON POST Designer Timothy Corrigan’s table setting, which uses Marjorie Merriweath­er Post’s 1909 silver candelabra, celebrates French gardens.
 ??  ?? Charlotte Moss envisioned a weekend at Camp Topridge, Post’s Adirondack home, using Post’s Peony Service from China from about 1770. The glasses are by James Friedberg Glass.
Charlotte Moss envisioned a weekend at Camp Topridge, Post’s Adirondack home, using Post’s Peony Service from China from about 1770. The glasses are by James Friedberg Glass.
 ??  ?? This vignette by Hutton Wilkinson and Josh Hildreth is set for tea with a Russian dancer, and the table is filled with luxurious items including starfish napkin rings.
This vignette by Hutton Wilkinson and Josh Hildreth is set for tea with a Russian dancer, and the table is filled with luxurious items including starfish napkin rings.
 ??  ?? The table setting by Alex Papachrist­idis features Post’s French Sevres 1768 porcelain along with a custom tablecloth and monogramme­d napkins.
The table setting by Alex Papachrist­idis features Post’s French Sevres 1768 porcelain along with a custom tablecloth and monogramme­d napkins.
 ??  ?? In P. Gaye Tapp’s table setting, Post’s blue-and-white Chinese export porcelain from 1785 blend with Asian influences and Williams Sonoma glasses.
In P. Gaye Tapp’s table setting, Post’s blue-and-white Chinese export porcelain from 1785 blend with Asian influences and Williams Sonoma glasses.

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