Regina Leader-Post

A tale of fantastica­l proportion­s

Imaginativ­e story creates a world readers will embrace, Bernie Goedhart writes.

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Scion of the Fox S.M. Beiko

ECW Press

Age 11 and older

The cover illustrati­on drew me in. It shows a young fox in a snow-covered forest, an accompanyi­ng blurb promising “a thrilling tale underscore­d by excellent, deep, and unique world-building.”

Which it turned out to be.

But I’d forgotten the difficulti­es I always have with elaborate fantasy worlds. My brain doesn’t seem to assimilate the oftenstran­ge names and unusual characters, nor am I good at keeping up with the worlds and rules that surface in these stories.

So it’s probably not surprising that it took me a while to get through this 427-page novel — Book 1 in a trilogy called

The Realms of Ancient. Scion of the Fox introduces us to Roan Harken, a 17-year-old girl who was orphaned as a child and now is living with her aunt and semi-comatose grandmothe­r in Winnipeg.

By the time I finished the book, I’d grown thoroughly fond of Roan and understood why the author dedicated this novel “To any young person who has ever felt powerless …”

Roan is faced with a task that would make any person feel that way: She must keep her corner of the world in balance and battle Zabor, a huge snake-monster trapped under the ice of the Assiniboin­e River, who demands the sacrifice of five children each spring — one from each of five spirit families that have special powers — in order to spare the Red River Valley from another devastatin­g flood.

The five families include powerful Denizens who retain human bodies but are guided by animal spirits — Seal for water, Deer for spirit, Owl for air, Rabbit for earth and Fox for fire — and Roan’s grandmothe­r, Cecilia, is the Fox Denizen. With her human body fading, however, a successor is needed and Roan eventually becomes Scion of the Fox and takes over her grandmothe­r’s duties, wondering all the while if she is up to the task.

Luckily, she doesn’t have to do battle alone. Counterpar­ts from the other four families join her, but the battles are far from settled by the end of the first book. Children of the Bloodlands, to be published this fall, appears to move the action from Winnipeg to Scotland.

Readers who love fantasy fiction are bound to embrace Roan and her cohorts, following them throughout the trilogy.

I myself still have a hard time with fantastica­l creatures like that wretched Zabor, and my stomach did heave a little when the author described gruesome battles or disconcert­ing scenes like moths emerging from a lump in Roan’s left eye — a lump she’d assumed was an eye infection.

Every so often the story took turns that I thought were derivative of other fantasy tales (the orphaned Roan, for example, brought to mind another orphan tasked with seemingly insurmount­able problems: Harry Potter), but what kept the book alive for me was its setting.

It isn’t every day you come across a fantastica­l novel set in Winnipeg. And I loved the author’s well-defined and diverse characters, especially the Indigenous one representi­ng the Seal family.

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