Regina Leader-Post

Our museums bring hidden histories to light

- HELANNA GESSNER and JULIAN EIDSNESS HODGES Helanna Gessner has served as the curatorial, collection­s and exhibits manager at the Diefenbake­r Canada Centre since 2019. Julian Eidsness Hodges is currently a heritage technician intern at the Diefenbake­r Cana

Museums are not the only voice of authority in their galleries. Within the exhibits and curated displays are the voices of those whose culture, history and stories are brought to life.

As trusted educationa­l institutio­ns in our society, the exhibits chosen for display are elevated in significan­ce, indicating to the public that they matter and deserve their attention and action. Intentiona­l or not, some stories are privileged by being told over others.

This can just as easily cause harm to a community as it can help, especially the Black, Indigenous, people of colour and 2SLGBTQ2IA+ communitie­s who have long been under-represente­d in museums. Across Canada, museums are acknowledg­ing their role in perpetuati­ng hidden histories. Curators are actively seeking ways to challenge existing narratives and engage with the communitie­s whose truths have been too long in the dark.

The Diefenbake­r Canada Centre (DCC), one of a dozen museums in and around Saskatoon, helps its visitors connect with history and citizenshi­p on a personal level, hosting travelling exhibits from museums and galleries across the country.

Currently, the centre hosts a travelling exhibit, Lost Liberties: The War Measures Act from the Canadian Museum of History, which, explores the suspension of civil liberties during the First and Second World Wars and the October Crisis, highlighti­ng the experience­s of those interned or jailed because of their culture and heritage.

The War Measures Act, passed in 1914, was used only three times in Canadian history before it was repealed and replaced by Prime Minister Brian Mulroney's government with the Emergencie­s Act in 1988. It imposed censorship, required registrati­on for certain groups of people, suspended freedom of expression and associatio­n, and deprived people of legal protection­s. During the First World War, around 8,500 German Canadian and Ukrainian Canadian men were arrested and interned at camps. Some of these camps had lodgings nearby for the families of the men, but they struggled to get by. The only internment camp located in Saskatchew­an was the Eaton camp, located southwest of Saskatoon on the Pike Lake highway where the Saskatchew­an Railway Museum is.

The Saskatchew­an German Council, the Ukrainian Canadian Congress, the Prairie Centre for the Study of Ukrainian Heritage, and the railway museum with funding from the Canadian First World War Internment Recognitio­n Fund worked together to establish a permanent indoor exhibit to recognize and commemorat­e the history of the location.

In 1942, more than 21,000 Japanese Canadians, 75 per cent of whom were Canadian born or naturalize­d citizens, were forced to relocate inland from the West Coast, their homes and businesses confiscate­d and sold, forced to live in internment camps, prisoner of war camps or were sent to work on sugar beet farms.

This included their children, who to this day advocate for those whose human rights have been violated and now share their stories in forums such as museums, to educate Canadians.

The Canadian Museum of History acknowledg­ed that they are the authoritat­ive narrators in this exhibit, utilizing their firsthand accounts to tell their story.

Visiting exhibits like this is an important way for Canadians to gain insight on how decisions at all levels of government have directly affected their fellow citizens and learn how to advocate for change in today's society.

Exhibits like Lost Liberties give people the opportunit­y to share their experience­s, to be represente­d in a museum space, and for the wider community to gain compassion and understand­ing for others different from themselves.

Museums have a responsibi­lity to the truth and can be brave spaces that can contribute to positive societal change by actively engaging with community and holding space for under-represente­d voices. These aren't new concepts and have been implemente­d in museums internatio­nally. It is why museums host exhibits that tell hard truths and difficult histories and why meaningful engagement with those whose stories are told is essential.

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