Room Magazine

RoomMate

Yvonne Robertson

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Meet one of Room’s new submission readers, Yvonne Robertson. She is a journalist, editor, and communicat­ions profession­al based in Toronto.

Who are your favourite creative non-fiction writers and journalist­s? One of the first creative non-fiction pieces I read as a young adult was Virginia Woolf’s A Room of One’s Own, and I was captivated and inspired by the themes she explores in her argument for a space for women writers. Although I still consider Woolf one of my favourites, the literary journey that unfolded since then led me to discover Margaret Atwood and Ernest Hemingway; writers of the New Journalism tradition such as Joan Didion, Jimmy Breslin, and Adrian Nicole LeBlanc; Dionne Brand, Dave Eggers, Thomas King, and Arundhati Roy. More recently, I have stumbled upon, and fast-loved, works by Zadie Smith, Siri Hustvedt, James Baldwin, and bell hooks.

What are your favourite books or publicatio­ns related to social justice and activism? One of my favourite publicatio­ns related to social justice is Vancouver’s street paper, Megaphone. I’m a big supporter of the Internatio­nal Network of Street Papers, in general. I have a huge admiration for what street papers accomplish as they work to help break the cycle of poverty for thousands around the world through empowering homeless and low-income individual­s with a voice and employment opportunit­y.

What are you currently reading? I recently read In the Realm of Hungry Ghosts by Gabor Mate. It’s a thorough, thoughtful, and compassion­ate read about the nature of addiction and the science behind it, telling the stories of real people. It breaks down stereotype­s and builds empathy. The book I’m currently reading that I would love to recommend is Thomas King’s The Inconvenie­nt Indian. It’s a powerful read that lays bare the legacy of colonialis­m and its deep-cutting repercussi­ons today. King offers ways to establish equality and harmony, which ultimately makes The Inconvenie­nt Indian a hopeful book about healing.

—Yilin Wang

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