JAZZ GREAT BRUBECK DEAD AT 91.
HARTFORD, Conn. — Jazz composer and pianist Dave Brubeck, whose pioneering style in pieces such as Take Five caught listeners’ ears with exotic, challenging rhythms, has died, at age 91.
Brubeck died Wednesday morning of heart failure after being struck while on his way to a cardiology appointment with his son Darius, said his manager Russell Gloyd. Brubeck would have turned 92 on Thursday.
Brubeck had a career that spanned almost all American jazz since the Second World War. He formed The Dave Brubeck Quartet in 1951 and was the first modern jazz musician to be pictured on the cover of Time magazine on Nov. 8, 1954. He helped define the swinging, smoky rhythms of 1950s and ’60s club jazz.
The seminal album Time Out, released by the quartet in 1959, was the first ever million-selling jazz LP and is still among the bestsell- ing jazz albums of all time. It opens with Blue Rondo a la Turk in 9/8 time — nine beats to the measure instead of the customary two, three or four beats.
A piano-and-saxophone whirlwind based loosely on a Mozart piece, Blue Rondo eventually intercuts between Brubeck’s piano and a more traditional 4/4 jazz rhythm.
The album also features Take Five — in 5/4 time — which became the quartet’s signature theme and even made the Billboard singles chart in 1961. It was composed by Brubeck’s longtime saxophonist, Paul Desmond.
“When you start out with goals — mine were to play polytonally and polyrhythmically — you never exhaust that,” Brubeck said in a 1995 interview. “I started doing that in the 1940s. It’s still a challenge to discover what can be done with just those two elements.”
After service in the Second World War and study at Mills College in Oakland, Calif., Brubeck formed an octet including Desmond on alto sax and Dave van Kreidt on tenor, Cal Tjader on drums and Bill Smith on clarinet. The group played Brubeck originals and standards by other composers, including some early experimentation in unusual time signatures. Their groundbreaking album, Dave Brubeck Octet, was recorded in 1946.
The group evolved into the Quartet. The Quartet’s first album, Jazz at Oberlin, was recorded live at Oberlin College in Ohio in 1953.
Ten years later, Joe Morello on drums and Eugene Wright on bass joined with Brubeck and Desmond to produce Time Out. In later years, Brubeck composed music for operas, ballet, even a contemporary Mass. In 1988, he played for Mikhail Gorbachev, at a dinner in Moscow that then-President Ronald Reagan hosted for the Soviet leader.
“I can’t understand Russian, but I can understand body language,” said Brubeck, after seeing Gorbachev tapping his foot.
At the age of 88, in 2009, Brubeck was still touring, in spite of a viral infection that threatened his heart and made him miss an April show at his alma mater, the University of the Pacific.
More acclaim came his way when it was announced that he would be a recipient of the Kennedy Center Honors at a ceremony in late 2009.
Brubeck said the announcement would have delighted his late mother, Elizabeth Ivey Brubeck, a classical pianist who was initially disappointed by her youngest son’s interest in jazz. (He added that she lived long enough to come to appreciate his music.)
Born in Concord, Calif., on Dec. 6, 1920, Brubeck actually had planned to become a rancher like his father. He attended the College of the Pacific (now the University of the Pacific) in 1938, intending to major in veterinary medicine and return to the family’s 45,000-acre spread.
But within a year Brubeck was drawn to music. He graduated in 1942 and was drafted by the Army where he served — mostly as a musician — under General George S. Patton in Europe. At the time, his Wolfpack Band was the only racially integrated unit in the military.
Brubeck and his wife, Iola, had five sons and a daughter. Four of his sons — Chris on trombone and electric bass, Dan on drums, Darius on keyboards and Matthew on cello — played with the London Symphony Orchestra in a birthday tribute to Brubeck in December 2000.
“We never had a rift,” Chris Brubeck once said of living and playing with his father. “I think music has always been a good communication tool. We’ve always had music in common.”