Sharp

FOOD

Scott Conant may be a star chef, but he keeps the spotlight directed squarely at his dishes

- By Chef Tommy Mchugh TOMMY MCHUGH is the executive chef at STK in Toronto. Look for more of his conversati­ons with culinary legends in this column.

We talk to Scott Conant about cooking, TV, and the perils of celebrity.

JAMES BEARD AWARD WINNER Scott Conant is a regular on television shows like Chopped and Top Chef — but don’t call him a celebrity. The 46-year-old Connecticu­t native started off like most chefs: drawing influence from his cultural background — in this case, the meals cooked by his Italian grandmothe­r. After graduating from the Culinary Institute of America, he did stints cooking in New York and Munich. Then he returned to his roots, eating his way across Italy in a rental car and cementing his love of the country and its food. Upon returning to New York, he opened Scarpetta — the first in a string of highly acclaimed restaurant­s. We asked him to dish on recent culinary TV trends — and the kitchen tool he can’t live without.

Why was working in Europe an important part of your training?

Cooking with old-school chefs gave me a broader perspectiv­e. Back in the day, there was no glamour in this industry. Money was something you needed to get by — it wasn’t why we cooked. I started cooking strictly for the love of the game. In Italy, a chef I’d be working for would say, “I’ve got a friend in Puglia,” and then I’d spend my last dollars crossing the country to cook with him.

How has being a celebrity chef influenced your career?

Well, I never think of myself as a celebrity. I think of myself as a cook first and an entreprene­ur second, but never as a celebrity. The way I look at it, television is simply an advertisin­g platform. My real business is restaurant­s, and I work a lot to grow my company.

How has food television changed since the days of Julia Child?

The Food Network made culinary television and great chefs like Mario Batali and Bobby Flay a lot more mainstream. But everything is still in a constant state of change. Take, for instance, the rise of competitio­n shows — which are really more personalit­y based than food based. Another change is the rise of food personalit­ies, who tend to be interviewe­rs skilled at talking to people who cook, as opposed to chefs themselves.

Why are cooking shows so popular?

The feedback I get from people is that they’re the last form of family-friendly entertainm­ent. People of all generation­s can sit together and watch. You don’t have to worry about explicit content or foul language. They’re wholesome.

A Michelin-starred chef once told me that diners are more critical now, due to social media. Do you agree?

I’m not sure it’s only social media. The access we have to food and restaurant­s is at an all-time high. There’s no hiding behind things. People see food on TV, social media, Youtube, and they want to engage with it, they want to experience it, one way or another.

What’s the most important piece of equipment for a chef ?

I can’t work without a great spoon. I always have a Kunz spoon in my apron pocket. At a bigger scale than that, well, I have an Italian restaurant — so a pasta machine or an extruder.

What’s the most outrageous request you’ve ever received at a restaurant?

Somebody came in and wanted one of Eric Ripert’s dishes. I love Eric — he’s one of the best chefs in the world — but I’m not going to try to recreate his dish!

What’s your go-to late-night meal?

My waistline wishes it was an apple, but it’s a chicken cutlet on a hero, with lettuce, tomato, hot sauce, and plenty of mayonnaise. I could eat that every day of my life.

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