T3

Duncan Bell is an Apple fan…

…but with phones now over £1,000, it’s clear the brand doesn’t love him back

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This month saw the launch of something truly momentous. Something terrifying­ly expensive, admittedly, but also palpably, thrillingl­y A quantum leap forward from a brand with a long, proud history of innovation.

That was Miele’s Dialog oven, a triumph of Teutonic engineerin­g that cooks with ‘magnetic waves’ and will revolution­ise how we prepare food… once it costs less than eight grand, and we’ve all read the manual.

Apple? Oh, they put out a nice phone that costs £800 and a really nice phone that costs a grand.

One thing the two launches had in common was a very theatrical launch event. You can’t put out anything new and expensive these days without employing an elaborate mix of West End musical-grade lighting and FX, OLED screens the size of Windsor Castle and some buttock clenchingl­y awkward ‘banter’ between hosts who would really rather not be doing this.

No business…

I’ve been watching Apple’s iPhone events since the first one, and every year I go away thinking, “Well that was ridiculous­ly packed with hyperbole and faintly outrageous claims” …and then I usually go and buy the phone anyway.

This year’s one, on September 12, seemed particular­ly mad. There was genuine emotion at the start as Tim Cook reminisced movingly about Steve Jobs, but after that it tipped over into a strange mix of science and feelings – all of the feels, as today’s young people put it – that seemed a bit like robots trying to understand human emotions and maybe not getting it.

So the Apple Watch 3 wasn’t just a high-class wearable. No, the presentati­on made clear, through the reading out of letters from users, that it was here to save them – and YOU – from, variously, car crashes, heart disease and other hitherto undiagnose­d medical conditions, depression and, perhaps most terrifying of all, “a bit of a ‘dad body’.” Nooooo! NOT the dad bod!

Then there were the new Apple TV 4K – like the Apple TV but with 4K – and the iPhone 8 which, as ever, was like the last iPhone but a bit better.

The way Apple presents its new products does wind a lot of people up. You can easily play iPhone Event Bingo, filling up your card as speakers use certain Apple-y buzzwords.

Angela Ahrendts, Apple’s retail supremo, for instance, announced that Apple Stores should now be called ‘Town Squares’ and then delivered a speech that I swear to god literally went like this: “Soul… humanise… amazing… commitment… design… simple… beautiful.” So that was my bingo card filled, and she was the first speaker.

But although it’s easy to mock Apple’s rather magical, hippy-ish way of doing things, clearly it works. It appeals to people who don’t spend large chunks of their time commenting about tech online. You know: normal, regular, non-cynical people.

That’s because Apple has long understood that selling tech isn’t about flogging people a bunch of microchips strapped to some OLED. It’s about selling dreams and aspiration­s and excitement and nice things and feels.

That is more important than ever now that differenti­ating between tech products is so very hard. As I’ve complained before, gadgets – and phones in particular – are nearly all good, these days. Is the iPhone any better than the latest Samsung or LG phone? As a pile of chips with a screen on the front? No. As a desirable, sexy thing you feel unaccounta­ble loyalty towards? For a lot of people, yes.

But I do worry that the strain is beginning to tell on Apple’s spokesdroi­ds. This year’s big reveal was the iPhone X, a phone that features some very cutting-edge camera technology, is an aesthetic wonder, and also the priciest mainstream smartphone ever. How did Apple choose to show it off? By demonstrat­ing that you could use it to motion capture your face, talking, and map it onto a 4K-definition, sentient turd emoji.

It almost made me think that someone at Apple was trying to hint at a certain ironic detachment from its latest and greatest handset. Almost. But the defining feature of Apple is earnestnes­s and so I can only conclude the team there genuinely thinks a talking animatroni­c poo with your face mapped onto it is the future.

You can’t put anything new out these days without awkward ‘banter’ between hosts

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