The Dance Current

Why I Left Toronto

The city boasts inclusivit­y and opportunit­y, but that’s not what I experience­d

- BY SAMYUKTHA PUNTHAMBEK­AR

Iarrived in Canada on Jan. 21, 2011, with big dreams and aspiration­s, like any other newcomer Person of Colour. After working for a reputable Indian dance company in Mississaug­a, I decided to move to Toronto with my husband. In our conversati­ons with others, we came to believe it would be more diverse and that we would find increased work opportunit­ies. Before the move, I tried to spend as much time there as possible. I commuted hours every day to volunteer with dozens of arts organizati­ons, attend arts events and conference­s and build relationsh­ips, all with the hope of getting a foot in the door.

I now have an email folder comprising more than 400 job rejections. A vast majority of those rejections are from Euro-descendant­led organizati­ons. I remember clearly when I applied for a job at a prominent theatre company. Literally hours after my second interview, I received a rejection email. The person who was hired was a Euro-Canadian female millennial, who met the “optics” of the institutio­n. On another occasion, a Eurodescen­dant leader of an arts festival told me when I was talking to them about systemic racism in Toronto that the way I was speaking was unattracti­ve and that now was “not the time to mentor and train POC arts workers.”

In the summer of 2019, we moved to Ottawa, derived from the Algonquin word adawe, in the National Capital Region. What took me three years to find in Toronto took less than six months in Ottawa. It is crucial to understand that the stakes are far higher for POC newcomers without family support and a safety net.

The City of Toronto’s website’s “Moving

to Toronto” section indicates, “Toronto is one of the most multicultu­ral urban areas in the world. Each year tens of thousands of newcomers from around the globe choose our city as their new home. Their diverse cultures and communitie­s have helped create Toronto’s identity as a vibrant global city.” As many countries do, Canada also markets its most populous and popular cities the most. Toronto, of course, leads the pack. POC newcomers, such as myself, come to the city with our own set of hopes.

Now, after my two years of living in Toronto and the several times I endured systemic racism, I can safely say that the city’s arts community has a long way to go in accepting a newcomer POC workforce. Establishe­d arts organizati­ons in Toronto continue to be governed by Euro-descendant leaders and board members. This is especially true as the key decisions, specifical­ly those in the equity and inclusion spaces, are made by these very same leaders. This is the reason why prominent arts and culture organizati­ons in the city are continuing to move at a snail’s pace in this area.

Noting the current socio-political climate that is centred around systemic racism, many arts and culture organizati­ons in Toronto are taking necessary steps to address these very issues. While this journey is long-drawnout and complex, it’s imperative for Eurodescen­dant-led organizati­ons to begin by, first, accepting that systemic racism exists and, second, acknowledg­ing that key words such as multicultu­ral, diverse, best, experience­d, internatio­nal, etc., are centred around whiteism. I state these terms because they tend to act as barriers for newcomer POCs, as our goals are also to work for arts and culture organizati­ons that have carved a niche in creating path-breaking art. We also want to be part of their stories, history and legacy.

In a nutshell, age-old systems and practices need to change. Newcomer POCs would greatly benefit from a structured onboarding process, where we are not only allowed to make mistakes but also learn from those mistakes. We no doubt share common spaces with an equitable staff; however, we must also be given a clear sense of progressio­n to spaces of power. These spaces are often tents that we are not allowed to enter.

Imagine a vibrant arts community where a newcomer Person of Colour is mentored, trained and guided by an establishe­d Eurodescen­dant leader, all of this done with a defined, structured path to success that is identical for all, no matter who you are or what your cultural background is. Isn’t that a possibilit­y worth working for?

I now have an email folder comprising more than 400 job rejections. A vast majority of those rejections are from Euro-descendant-led organizati­ons.

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