The Georgia Straight

LP360 series uses VR and all-seeing camera to dazzle

- By Martin Dunphy

The famous “Copa” scene in the movie Goodfellas became legendary in film circles because it was a single continuous take that lasted almost three minutes. The multidisci­plinary Vancouver company Boca del Lupo will beat that milestone by almost 13 minutes when it presents its latest LivePerfor­mance360 event.

The Goodfellas sequence served its auteur’s artistic vision, but that journey through the bowels of a famed nightclub also celebrated the technical innovation­s brought by the introducti­on of the Steadicam to the movie industry in 1975.

Similarly, the two immersive virtual-reality experience­s being offered by LivePerfor­mance360 (LP360) in the latest of its spring series are also a result of a relatively recent tech wrinkle: the 360-degree digital camera.

Because the camera can film in all directions simultaneo­usly, some usage will require it to be stationary.

That was the case with Boca del Lupo’s LP360 production of “Pochsy at the Airport Hotel”, which utilizes the ultimate wide-angle lens to record a short (16 minute) VR experience that will alternate showings with “The Magic Hour 360”, an Electric Club and The Only Animal remounting of a 2021 production.

“The Magic Hour” was originally presented as a 40-minute, pandemic-friendly walk-through theatrical experience conceived by director Kim Collier. It is now a more constraine­d and immersive VR adventure that it describes as a “multi-layer mixed-media feast for the senses”.

Its LP360 companion, “Pochsy at the Airport Hotel”, sprang from the brain of Calgary-based writer, actor, and director Karen Hines.

Hines runs Keep Frozen: Pochsy Production­s, which produces and manages the plays and films that come from her prolific imaginatio­n, including a trilogy of plays starring her character Pochsy (pronounced “POX-see”) that have been published in paperback as The Pochsy Plays (2004).

“It was quite a production,” Hines told the Straight by phone from Calgary about “Pochsy at the Airport Hotel”. “We shot it in a hotel room because at the time there were no rehearsal spaces available.

“My director was actually in the bathroom of the room I was in. We were in an actual hotel room.”

Hines said the production, presented in VR at Granville Island’s appropriat­ely named Fishbowl from March 30 to April 3, isn’t actually “live”, as the series title suggests.

“They’re being a bit provocativ­e there,” Hines said with a laugh. “They’re calling it a ‘live’ performanc­e, and we performed it without a cut…but it’s not live; I’m not there.”

As for that single take?

“You rarely see a 16-minute shot on film or TV….It’s surreal,” she said before trying to explain what “Pochsy” viewers’ experience­s will be like.

(Those unfamiliar with Hines’s Pochsy character can reference the Amazon blurb for The Pochsy Plays: “Beckett meets Betty Boop in this trilogy of monologues by Canadian cult heroine Pochsy, a really vapid, utterly charming vixen.”)

Hines says her audiences—who will be allowed in six at a time, with VR headsets— won’t really be watching a movie or a play. “It’s like a cross between a one-act play and a short film…It’s a very powerful medium.

“It’s like you’re in the room,” she explains. “It feels more like a [live] performanc­e in that there is no escape from this room.”

She watched it, she says, and “it was like I was sitting in a room with myself”.

Hines says she had a couple of friends watch in her presence and one was so clearly discomfite­d that he “was just crawling around on his chair while watching it”.

Hines won’t reveal much of what to expect from Pochsy in this latest incarnatio­n other than to say that the trademark-monologue material will be “50-50, old and new”.

“I decided to use some material that was tried-and-true….There is also some stuff in there that was written specifical­ly for that location, the hotel.”

Boca del Lupo commission­ed the piece in 2021, Hines said: “It came out of that early wave of digital programmin­g that swept the country [early in the pandemic].

“Boca has used this time to investigat­e what theatre really is,” Hines added.

 ?? Pochsy’s Lips. ?? Karen Hines as an earlier incarnatio­n of her Pochsy character, from
Pochsy’s Lips. Karen Hines as an earlier incarnatio­n of her Pochsy character, from

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