The Guardian (Charlottetown)

‘Kronborg: 1582’ ages quite well

Musical enjoys renewed interest at the Charlottet­own Festival; encore performanc­e planned for Sept. 5

- Sally Cole Sally Cole is an entertainm­ent writer with The Guardian. She welcomes comments about her column as well as suggestion­s for future columns from readers. She may be reached at sally.cole@TheGuardia­n. pe.ca or by phone at 902-629-6000, ext. 6054.

Canadian composer Cliff Jones had a few sleepless nights this summer.

He told me that in the days leading up to the July concert performanc­e of “Kronborg: 1582”, a rock opera that he had written in 1973, he had been worried.

Originally produced by the Charlottet­own Festival in 1975, it was one of the Confederat­ion Centre of the Arts most successful production­s. Starring Brent Carver and Beverly D’Angelo, the musical went on to play on Broadway.

“But my big concern about doing it again was, was it dated?” says Jones, who has a summer home in Stratford, P.E.I.

However, his fears subsided after meeting the performers, including P.E.I.’s Aaron Hastelow as Hamlet, Cam MacDuffee as Claudius, Kristen Pottle as Ophelia, Alana Hibbert as Gertrude and others too numerous to mention.

“First it was the enthusiasm and the really getting into it by this young cast. Then, the response at Indian River was overwhelmi­ng. So, I’m happy to say it still stands up,” says Jones, adding that after the sold-out show this past July, the Charlottet­own Festival Ensemble and orchestra is bringing the rock opera classic back to Confederat­ion Centre in an encore performanc­e on Sept. 5.

“I am elated.”

Based on the Shakespear­ean tragedy, “Hamlet”, it’s the story of a Danish prince who plots revenge on his uncle for killing his father.

Jones is no stranger to storytelli­ng for the Canadian stage and screen. He has written scripts for everything from political satire songs for the CBC radio show, “Inside from the Outside” to detailed scripts for “Mr. Dressup” and “The Tommy Hunter Show” and an “Anne Murray Special”.

As a creator, he’s discovered that working in one area often affects another area of his life.

“Because I was writing for the ‘Tommy Hunter Show’, I was influenced by his music. So the first song I wrote for ‘Kronborg: 1582’ was ‘He Got it In the Ear’. It’s a country and western song,” says Jones, with a laugh.

Now as he awaits the Sept. 5 show, his worry is gone.

“Hearing Craig Fair’s updated orchestrat­ions blow me away. He’s taking the musical to the 21st century.”

 ?? SALLY COLE/THE GUARDIAN ?? Cliff Jones holds a copy of the music for “Kronborg: 1582”. The Canadian composer is thrilled that a concert performanc­e for the musical he wrote will enjoy an encore performanc­e on Tuesday, Sept. 5, in the Homburg Theatre of Confederat­ion Centre of...
SALLY COLE/THE GUARDIAN Cliff Jones holds a copy of the music for “Kronborg: 1582”. The Canadian composer is thrilled that a concert performanc­e for the musical he wrote will enjoy an encore performanc­e on Tuesday, Sept. 5, in the Homburg Theatre of Confederat­ion Centre of...
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