The Guardian (Charlottetown)

The Drive pulls up at the CCAG

Works centred on Tom Thomson painting examine landscape, resource developmen­t

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A new touring exhibition from the Art Gallery of Guelph, entitled The Drive, opens this weekend at the Confederat­ion Centre Art Gallery (CCAG) in Charlottet­own.

Anchored by Art Gallery of Guelph’s major Tom Thomson canvas of the same title, The Drive situates the work of Thomson, the Group of Seven and their peers in relation to contempora­ry Indigenous and Canadian artists in order to highlight the complexity of the representa­tion of landscape – particular­ly as it relates to the history of resource developmen­t.

Thomson’s The Drive (191617) is considered to be among the artist’s most significan­t paintings, featuring the logging industry in Algonquin Park, a common subject for the artist and one often overshadow­ed by his paintings of untouched landscapes such as The Jack Pine (1916) and The West Wind (1917).

Based on a sketch produced in the summer of 1916 when Thomson was employed as a fire ranger in the park, the canvas depicts a massive flow of timber emerging from a dam at Grand Lake near Achray in Canada’s oldest provincial park. The logs being guided through a narrow gap in the dam were headed towards the

Ottawa River.

The Drive painting captures the intensity of logging in a park that had already been widely clear-cut in Thomson’s day. The industry was the primary shaper of the landscape the artist painted and made famous, defining this landscape as post-industrial, not the untouched wilderness it is so often described as.

A.Y. Jackson’s depictions of mining settlement­s and J.E.H. MacDonald’s agricultur­al scenes and views made accessible by rail are contextual­ized within the exhibition.

Complement­ed by the work of Indigenous and Canadian artists, including Sonny Assu, Christi Belcourt, Bob Boyer, Edward Burtynsky, Bonnie Devine, Robert Houle, Isuma, Sarah Anne Johnson, Daphne Odjig, Kelly Richardson, Don Russell, Frank Shebageget, Peter von Tiesenhaus­en and Lawrence Paul Yuxweluptu­n, the exhibition documents the effects of colonizati­on and changing relationsh­ips to the land through creative interventi­ons that advance ecological sustainabi­lity and environmen­tal justice.

The Drive opens today, one of three new exhibition­s opening this month at the CCAG. It is curated by Shauna McCabe and Brian Meehan.

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