The Hamilton Spectator

Dior invokes #MeToo in latest show

- THOMAS ADAMSON

“Consent, Consent, Consent” flashed the neon set lights at Dior’s latest ready-to-wear show in Paris.

It signalled that the house’s first-ever female designer, Maria Grazia Chiuri, would continue to explore her touchstone of feminism for her fall-winter 2020 designs.

The set, the fruit of a collaborat­ion with artist Claire Fontaine, made a strong impact on VIP guests — including actress Sigourney Weaver and singer Carla Bruni. Some paused for thought, especially as the show was delayed, in discussion­s of the #MeToo era and its influence on art — one day after Harvey Weinstein was convicted of rape and sexual assault and led off to prison in handcuffs.

The designs themselves cleverly riffed off the empowermen­t idea at the start: such as the Dior signature bar jacket, reimagined as ribbed and angular, and twinned with a men’s shirt and business tie on a female model with a short pixie hairstyle. It was the show’s strongest fashion statement.

The feminist and androgynou­s musing sadly faded quickly in the 84-look show, suggesting that for Chiuri it was more of a marketing gimmick than a developed creative idea.

The rest of the show featured diverse silhouette­s that delved in and out of the rich Dior archives — checks, polka dots, knitwear in jackets, shirts and pants — with varying degrees of success. The checks, which evoked Marc Bohan — Dior’s longtime head and designer during that retro era — appeared in beige and occasional­ly in a total look style.

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