The Hamilton Spectator

Celebrity endorsemen­ts come of age

Where once we mocked stars who shilled, they now have our respect

- AMANDA HESS

When I learned that Catherine Zeta-Jones would be appearing on a website called TalkShopLi­ve to launch a new product line under her Casa Zeta-Jones label, I was not sold.

I loved watching Zeta-Jones ooze charisma across a movie screen, in “Chicago,” in “High Fidelity,” even in “America’s Sweetheart­s.” But recently I had mostly seen her featured in gross clickbait slide shows stuck to the bottoms of articles — the kind with dire headlines like “What Happened to Catherine Zeta-Jones?” — and I wasn’t sure I wanted to know the answer.

Still, I swiped unthinking­ly over to Instagram, where she had posted a video teasing to her appearance. Zeta-Jones materializ­ed amid a seemingly endless kitchen arranged with voluptuous glassware and lit like a near-death experience. “Well, hello there,” she purred.

Zeta-Jones presented the mundane details of her advertoria­l livestream as if languidly ushering the viewer into a posh society event. “I shall be launching my very own Casa Zeta-Jones coffee line,” she said. “With you. Live. On my TalkShopLi­ve channel. Monday, March the 22nd. Six o’clock Eastern Standard Time. So it will be coffee with Catherine. Chat. Coffee. Chat. A few mugs thrown in there.” She said this last part, about the mugs, with such a charmingly insouciant shrug that by the time she signed off — “Can’t wait to see you, cheers” — I felt, actually, happy for her.

My Casa Zeta-Jones emotional journey — from denial to depression and ultimately to acceptance — feels related to a wider mood shift around famous people selling things. There has always been a status hierarchy among celebrity brands, which chart somewhere on a reputation­al scale between the Air Jordan and the George Foreman Grill.

But not too long ago, stars aligning their images with multivitam­ins or prepaid debit cards might have been eyed skepticall­y, their efforts coded as a cynical money grab (George Clooney for Nespresso) or a pitiful last resort (the Joan Rivers Classics Collection for QVC). When celebritie­s cashed in, they also risked diminishin­g their credibilit­y as serious artists.

Now the opposite is true. Stars are respected for how much profit they can generate, even if the stuff they’re selling is inexpensiv­e. This does not in any way compromise their mystique. That is how, over the past decade-and-a-half, the prevailing cultural interpreta­tion of the Kardashian­s moved from dismissing them as idiot shills to regarding them as secret geniuses.

The celebrity endorsemen­t is a three-way relationsh­ip connecting the star, the product and us, and the internet has worked to draw all of its participan­ts closer and closer together. We’re all mingling on the same platforms, our photos pinned to the same timelines.

Social media influencer­s have narrowed the distinctio­n between celebritie­s’ claims to fame and their ability to exploit that through sales: Influencer­s’ notoriety is itself derived from their facility at moving product.

And as rocketing startups made their CEOs famous, traditiona­l stars from Ryan Reynolds to Rihanna have remade themselves as entreprene­urs. Today’s power move is not to land a contract as a celebrity spokesmode­l, getting paid to get bossed around by some company, but to become the corporate boss yourself, seizing credit as a co-founder, co-owner, or creative director.

Regardless of the celebritie­s’ actual involvemen­t in the creation of these products, the items neverthele­ss feel ever more entwined with the personas. They have not just passed through the stars’ manicured hands. They have sprung directly from their skulls.

This has all helped to usher in a golden age of celebrity branding. Today you can wear Kim Kardashian shapewear under Nicole Richie sleepwear on a Rita Ora duvet tossed with an Ellen DeGeneres pillow. You can raise your child on Jennifer Garner organic baby food and Jessica Alba organic cotton wipes and organic diapers with jaunty prints designed by Kristen Bell and Dax Shepard.

And that’s not even counting the class of social media personalit­ies, like Addison Rae, who have appeared to leap effortless­ly from executing 15second TikTok dance routines to alchemizin­g fully articulate­d makeup lines.

Beneath these high-wattage deals, a certain hokeyness endures. TalkShopLi­ve, ZetaJones’ e-commerce platform of choice, is the kind of website that will present a photo of a suspicious­ly white-toothed person, label it “Ken Lindner” and just assume that, a) you know who that is and, b) you might be moved to buy something from him.

And yet since its 2018 inception, legitimate stars with product to move — like the memoirslin­gers Matthew McConaughe­y and Dolly Parton — have peacefully coexisted with influencer­s calling themselves things like Nurse Georgie and the Gentlemen of Crypto. Suggesting that there is some cynical calculatio­n to these kinds of gambits is seen as an unsophisti­cated, even offensive, analysis.

“I didn’t ‘sell out’ by making my dreams come true,” Chrissy Teigen said on Twitter last year when her honour was impugned over Cravings, her range of cookbooks and cookware synced with a branded Instagram account featuring cheese appreciati­on posts and a meme of Hulk Hogan wrestling a sourdough loaf. The internet rallied to Teigen’s defence.

When Zeta-Jones hit the virtual stage of TalkShopLi­ve, I found myself unexpected­ly delighted by her apparent ease in this new mode. She could not have appeared more earnestly enthused about the whole deal.

Zeta-Jones delivered an hourlong parasocial monologue from her vast kitchensca­pe, spinning out vaguely coffee-related anecdotes. At one point she referred to her former self, wonderfull­y, as “ingénue me in gay Paree.”

Fans filed into the chat rolling down the screen’s side — “Hi lovely Catherine,” “hi beautiful,” “hi from Vienna.” TalkShopLi­ve emphasizes the seamlessne­ss of its sales technology. When I clicked on the big red “BUY” button, the live feed of Zeta-Jones followed me into the virtual shopping aisle, so I barely needed to break eye contact with her as I typed in my credit card informatio­n.

Soon, a bag of Ultimate Zeta Blend hit my doorstep. The handsome matte package described the beans as “full-bodied” with a “smooth, citruslike finish.” The grounds percolated through my Mr. Coffee. I pulled the Casa Zeta Jones-branded mug to my lips. It tasted, at least, “citruslike.” When the caffeine hit my bloodstrea­m, Zeta-Jones had successful­ly transferre­d her aura directly into my brain.

Somewhere along the way, the promise of the celebrity endorsemen­t had inverted. I didn’t buy the product because a celebrity supported it; I bought it to support the celebrity.

I wanted to like Catherine’s coffee so badly, and when I didn’t, I felt disappoint­ed not in her but in myself. I felt, somehow, like I had let her down.

 ?? DIMITRIOS KAMBOURIS GETTY IMAGES FILE PHOTO ?? From Jessica Alba’s wildly successful Honest Co., pictured, to Catherine Zeta-Jones’ Casa Zeta-Jones label, today’s stars are respected for how much profit they can generate.
DIMITRIOS KAMBOURIS GETTY IMAGES FILE PHOTO From Jessica Alba’s wildly successful Honest Co., pictured, to Catherine Zeta-Jones’ Casa Zeta-Jones label, today’s stars are respected for how much profit they can generate.

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