The Hamilton Spectator

Expert explains why ‘In the Heights’ may yet have legs after dismal opening

- SONAIYA KELLEY

“In the Heights,” the feature film adaptation of Lin-Manuel Miranda’s Tony Award-winning Broadway musical, failed to topple “A Quiet Place Part II” from the top spot at the box office this weekend. Coming in below analyst projection­s of $20 million, it brought in a measly $11.4 million, according to estimates from measuremen­t firm comScore.

The result is particular­ly unexpected considerin­g the musical, which premiered simultaneo­usly in theatres and on streaming service HBO Max, earned an A rating on Cinemascor­e and a 96 per cent “fresh” score on the review aggregatio­n site Rotten Tomatoes.

How to explain the disappoint­ing opening? comScore senior media analyst Paul Dergarabed­ian, who has witnessed all kinds of box office twists and turns in his years observing movie releases, weighs in.

“We’re still in the middle of a learning process when it comes to the theatrical performanc­e of films that have a hybrid release strategy,” he said. “Musicals have a fairly mixed track record at the box office. Despite the high hopes and general enthusiasm for the film, this debut should not be the only metric for success.”

The “In the Heights” team can also take heart from the past example of the musical “The Greatest Showman.” Its opening weekend — without the competitio­n of a simultaneo­us streaming release — was just $8.8 million, below “In the Heights.” Yet the Hugh Jackman starring film went on to make $438 million worldwide.

Paramount’s “A Quiet Place” resumed its place atop the box office in its third weekend of release, adding $11.6 million for a cumulative $108.9 million. The John Krasinski film is the first pandemic-era blockbuste­r to cross the $100million mark in the U.S. and has grossed an impressive $183 million globally.

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