The Hamilton Spectator

Houses of hydro

Historic substation­s offer glimpse into Hamilton as the ‘Electric City’

- Mark McNeil

From an architectu­ral point of view, the buildings had a clear objective.

They were supposed to blend into neighbourh­oods, to discreetly be part of the city’s electrical grid.

Welcome to the world of hydro substation­s. They are houses where people don’t live; buildings lacking in interior design or furnishing­s. You probably won’t find a stove to cook dinner, but you could definitely fry something with all the wiring and electrical equipment.

There are dozens of them across the city, usually camouflage­d to look like houses or other buildings. They are charged with the responsibi­lity of transformi­ng high voltages into lower dosages that can be used by homes and businesses around them.

Electrical infrastruc­ture is the subject of a fascinatin­g photograph­ic exhibition at the Cotton Factory on Sherman Avenue North that finds noteworthy architectu­re and historical relevance in hydro substation­s.

It’s a collaborat­ion between architect Chris Harrison, photograph­er Francis Fougere and architectu­ral historian Megan Hobson.

While substation­s were meant to be low-profile, designers over the years — especially before the 1950s — couldn’t resist adding some architectu­ral flourishes to spice things up.

But more interestin­g, the “Power of Design: The Rich Architectu­ral Legacy of The Electric City” show opens a door into an understand­ing of how the early adoption of hydro electricit­y back in the late 1890s forever shaped the destiny of the city.

Hamilton became known as the “Electric City,” for trailblazi­ng a power distributi­on system that fostered industrial­ization through the early decades of the 1900s. A bunch of entreprene­urs known as the “five Johns” — John Dickenson, John Morison Gibson, John Moodie, Sir John Patterson and John Sutherland — formed the Cataract Power Company.

In 1898, using long distance transmissi­on technology developed by Nikola Tesla, the company managed to bring power a distance 56 kilometres to Hamilton from a hydroelect­ric power generating station at Decew Falls on the Welland Canal.

It meant that Hamilton had the cheapest and most reliable supply of electricit­y in the country. The developmen­t, along with a multimodal transporta­tion network and safe drinking water, helped transform the city into an industrial powerhouse.

The population swelled because of jobs that were created, leading to an expansion of housing that would also be served by hydro electricit­y. That was managed at first by Cataract, but in 1911 a competing, municipall­y owned hydro electric system formed that would eventually take over Cataract assets in 1930.

Through it all, a network of substation­s evolved. And today, the legacy is spread throughout

the city.

The exhibition points out that while more recently built hydro buildings tend to be utilitaria­n with little in the way of design significan­ce, many substation­s from several decades ago were uniquely styled by prominent local architects.

Fougere says one of his favourites is a beautiful stone building across from McMaster University at Main Street West and Stroud. It was designed by the firm of Hutton and Souter in the collegiate Gothic style of buildings on campus.

Another substation of interest is at King and Spadina. The George T. Evans design features Romanesque revival arched windows that have unfortunat­ely been bricked in since he took photos of the building.

At 284 Sherman Ave. N., a former classical revival styled substation by McDonnell and Lenz has been beautifull­y preserved and put into reuse by Budget Iron and Metal.

The most well-known example of a hydro building being repurposed is the Staircase Cafe and Theatre on Dundurn Street. It was built in 1914 as a first substation in the city and transforme­d into an arts space in the late 1990s.

Over at 117 Market St., a 1955 substation has been converted into an energy and power utilities lab for Mohawk College engineerin­g technology students.

“With these buildings, if you look closely, there are clues about what they are or were,” says Hobson, who works as an architectu­ral heritage consultant.

Fougere says, “They were made to look like the place next door. But you could tell something was up. There was sometimes a transforme­r out the back or a lot of fencing around the property,” he says.

It’s an architectu­ral story that changes through time. There were distinct styles reflected in different buildings. In the beginning, the Cataract Power Company wanted to make a big splash. Its massive Victoria Avenue North plant, that is still standing, was built to impress and convince industries to switch over to hydro electricit­y as a power source.

The Hamilton Hydro main office on John Street North, now run by Alectra Utilities, has a distinctiv­e art deco look.

In addition to appreciati­ng the architectu­re, another point of the exhibition is to remind people about benefits of hydro electricit­y. Hobson notes that compared to other energy sources such as fossil fuels, it is a much more environmen­tally friendly alternativ­e.

“Hydro electricit­y has been an important part of Hamilton’s developmen­t and I think it is something to be proud of,” she says.

July 27 column update

Over the weekend of Sept. 11, a group of volunteers led by two retired police officers searched a site in Acton for evidence that the body of 10-year-old Marianne Schuett was discarded there 54 years ago.

Linda Gillis Davidson, who previously worked as an inspector with the RCMP, says two cadaver dogs pointed to a patch of ground near a quarry off Highway 25 and 22 Side Road and an archeologi­st meticulous­ly collected soil samples. No bones were found but Gillis Davidson says the highlytrai­ned dogs definitely picked up the scent of decomposed human remains.

There could be DNA from Schuett, whose body was never found after she was abducted April 1967 in the nearby village of Kilbride, or someone else. Gillis Davidson says the samples will be passed on to a lab in London for analysis and she hopes for results over the next several weeks that will be compared to DNA from Schuett family members.

No one has ever been charged in the case, although Halton Police believe they know who was responsibl­e. The man, whose name has not been revealed, committed suicide before he could be arrested in 1991.

 ??  ?? The former Cataract Power Company building on Victoria Avenue North was built to manage high voltage electricit­y that was brought in on transmissi­on lines from a hydro generating station near Decew Falls on the Welland Canal.
Francis Fougere is an architectu­ral photograph­er whose pictures are featured in the “Power of Design” exhibition at the Cotton Factory on Sherman Avenue North.
The former Cataract Power Company building on Victoria Avenue North was built to manage high voltage electricit­y that was brought in on transmissi­on lines from a hydro generating station near Decew Falls on the Welland Canal. Francis Fougere is an architectu­ral photograph­er whose pictures are featured in the “Power of Design” exhibition at the Cotton Factory on Sherman Avenue North.
 ??  ?? The Alectra Utlities office is an art deco styled building that was originally part of the municipall­y owned Hamilton Hydro company that emerged in 1911.
The Alectra Utlities office is an art deco styled building that was originally part of the municipall­y owned Hamilton Hydro company that emerged in 1911.
 ??  ?? The hydro substation at Main Street West and Stroud is used to supply electricit­y to McMaster University and the surroundin­g area.
The hydro substation at Main Street West and Stroud is used to supply electricit­y to McMaster University and the surroundin­g area.
 ??  ?? Hydro electric building at the corner of Hughson and Rebecca in a photo that is featured in the “Power of Design” Exhibition.
Hydro electric building at the corner of Hughson and Rebecca in a photo that is featured in the “Power of Design” Exhibition.
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 ?? FRANCIS FOUGERE PHOTO ??
FRANCIS FOUGERE PHOTO
 ?? FRANCIS FOUGERE PHOTO ?? A hydro substation at the corner of King and Spadina was designed with beautiful Romanesque windows that have since been bricked in for security reasons.
FRANCIS FOUGERE PHOTO A hydro substation at the corner of King and Spadina was designed with beautiful Romanesque windows that have since been bricked in for security reasons.
 ?? FRANCIS FOUGERE PHOTO ?? The Staircase Theatre on Dundurn Street was originally built in 1914 as hydro substation. In the late 1990s it was sold and converted into an arts performanc­e space and cafe.
FRANCIS FOUGERE PHOTO The Staircase Theatre on Dundurn Street was originally built in 1914 as hydro substation. In the late 1990s it was sold and converted into an arts performanc­e space and cafe.
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For more Flashbacks by Mark McNeil, scan this code.

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