The McGill Daily

Fast Fashion and Unsustaina­ble Practices

Overconsum­ption in the age of e-commerce

- Agathe Nolla Culture Contributo­r

Crochet brand Elixiay, who makes ethical, handmade, and

sustainabl­e clothing, wrote

“It’s quite dishearten­ing to see my hard work reduced to a machine made copy.”

Many influencer­s’ support of the ultra-fast fashion industry is but one insidious example of a culture of overconsum­ption.

From late 2000s Youtube, to Instagram, and later TikTok, fashion influencer­s have consistent­ly used their social media platforms to hook in audiences through a series of lookbooks, hauls, and challenges. Many influencer­s’ support of the ultra-fast fashion industry is but one insidious example of a culture of overconsum­ption. Brands spare themselves the trouble of making commercial­s and instead rely on influencer­s to promote their products. With their followers numbering from the thousands to millions, influencer­s hold tremendous power as they guide their fans into choosing specific brands. Meanwhile, social media companies bolster their success through algorithms, introducin­g online market places, and monetary investment­s. Through 2022, Facebook is dedicating a $1 billion USD budget to pay influencer­s and content creators because their content attracts new users and increases consumers’ average screen time. As a result, nowadays trends spread wider and saturate the market at a much faster rate. As the climate crisis gains more visibility, influencer­s face new criticism concerning the sustainabi­lity and ethics of the brands they support – but it is corporatio­ns who are the most culpable.

In the US, She in has grown rapidly in popularity in 2021 and is the most talked-about brand on Youtube, Instag ram, and TikTok. On fashion TikTok you can find several challenges consisting of a parade of different out fits all linked to a general theme (e.g. “how I would dress in cities a round the world.”) Another popular type of video is the #sheinhaul, in which TikTokers exhibit the excessive amount of clothing they bought and money they spent. In order to create daily content and stay relevant, influence rs feel obliged to buy more and more clothes. They t urn towa rds inexplicab­ly low prices, fast shipping, a nd trendy designs, in citing their followers to buy fast fashion for economic reasons.

Trending content and the rise of e-commerce accelerate trend cycles a nd fashion seasons. Fast fashion such as H&M and Zara release new collection­s every four to six weeks, compared to ultra-fast fashion, such as She in, who perpetuall­y post new designs to their website. The designs are often duped from high fashion runways and ripped off from small, independen­t brands. Designer Maria ma Diallo tweeted “Im SO over these major brands stealing from black designers. [Shein] STOLE my @ sincerelyr­iaxo designs to aT .” Crochet brand Elixiay, who makes ethical, handmade, and sustainabl­e clothing, wrote “It’s quite dishearten­ing to see my hard work reduced to a machine made copy.”

Shein has completely overcome its competitor­s during the past six months. Between 2019 and 2020, their annual sales revenue doubled to over US$10 billion. As the brand continues to gain popularity on social media, it made up 13 per cent of all fast fashion sales in January 2021. As of August 5, it accounts for 30 per cent of sales – dominating any other brand in retail. Shein lacks transparen­cy about their working conditions, wages, materials, and environmen­tal impact. As fashion has become globalized for cheaper production, fast fashion has outsourced production, able to exploit garment workers, the majority of whom are young women, by not paying a living wage, not allowing labour unions, and not implementi­ng policies that are specific to the safety of women workers. National government­s do not presently have the authority to impose laws on an internatio­nal market as it may impact foreign economic stability. However, consumers with the economic means should seek out and support brands with a sustainabl­e approach to the environmen­t and ethical labour rights and human rights to resist the ubiquitous nature of ultrafast fashion.

 ??  ?? Eve Cable | Illustrati­ons Editor
Eve Cable | Illustrati­ons Editor

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