The Peterborough Examiner

GET IN THE HOLIDAY MOOD Diana Ross, “Wonderful Christmas Time” (Ross Records)

with Diana Ross, John Legend, more

- THE ASSOCIATED PRESS

Here’s a collection of holiday albums reviewed by The Associated Press.

Are you in the mood for jolly, singalong Christmas music? Diana Ross has you covered.

Looking for something more serene, with religious tones? Diana Ross has you covered.

Or are you looking for inspiratio­nal music that doesn’t necessaril­y have anything to do with the holidays? Again, Diana Ross has you covered.

Her new Christmas album, the 20-track “Wonderful Christmas Time,” may actually have a track for every mood of the season with the exception of the bah-humbug crowd. Ross’ silky, smooth soprano takes on a wide variety of songs, from “Ave Maria” to “Let It Snow! Let It Snow! Let it Snow!”

She also goes outside the Christmas arc with songs about peace and love, like Stevie Wonder’s “Overjoyed.”

While there’s something for everyone here, the downside is the lack of cohesivene­ss: Even though “What the World Needs Now” is given a sweeping, classical approach, to go from that to “Amazing Grace” is still a bit of head scratcher, despite a near seamless transition.

Of course, it’s a small quibble, like complainin­g that you were offered too many pie options at the holiday meal. In the end, you’ll be deeply satisfied.

John Legend, “A Legendary Christmas” (Columbia Records)

If anyone needs a model for how to put out a successful Christmas album, look no further than everyone’s latest EGOT winner — John Legend.

On the modestly titled “A Legendary Christmas,” the singer mixes old chestnuts and new tunes, switches tempos from jazz to blues, and adds a few perfectly cast cameos. (Only Legend could get Stevie Wonder to play a little harmonica work on “What Christmas Means to Me”).

Legend teams up with veteran producer Raphael Saadiq for new takes on classics, including an uptempo “Silver Bells” and a lush “Have Yourself a Merry Little Christmas” with guest Esperanza Spalding. “Christmas Time Is Here” gets the lounge treatment and he’s nicely unearthed Marvin Gaye’s “Purple Snowflakes.”

Legend shows off his own songwritin­g with the delicious throwback “No Place Like Home” and co-writes the bustling “Bring Me Love” with Meghan Trainor. “Waiting for Christmas” is classic piano Legend, “Wrap Me Up in Your Love” is a smoky R&B standout and “By Christmas Eve” — a promise to get home, like an update on Brenda Russell’s “Get Here” — is simply sublime.

The album’s cover features Legend in a Santa hat and bow tie, emulating one of Bing Crosby’s iconic Christmas albums. Bold move, Mr. Legend — but earned.

This Christmas album is an instant classic.

Eric Clapton, “Happy Xmas,” (Bushbranch/Surfdog)

Guitar god Eric Clapton may have been an unlikely rock star to cut a Christmas record, but for music fans looking for a bluesy alternativ­e to the typical holiday dredge it’s as welcome as a steaming cup of hot chocolate on a wintry night.

“Happy Xmas” steers clear of the typical holiday playlist, and thankfully has more hits than misses.

“White Christmas” and “Lonesome Christmas” benefit from Clapton’s distinctiv­e slowhand blues guitar style. The lone new song from Clapton, “For Love on Christmas Day,” will comfortabl­y find a slot into soft rock holiday playlists but may turn off fans who prefer their Clapton with a little less schmaltz.

The most un-Clapton song, “Jingle Bells (In Memory of Avicii),” is a tribute to the late EDM DJ-producer Avicii, whom Clapton admired. It may be the first time “Jingle Bells” has ever been re-imagined as a tribute to a DJ, but whatever. It bears little resemblanc­e to the holiday standard, or anything Clapton has done before, making it a curiosity at the very least, and a standout track for those who treasure Christmas music that’s not just outside the box, but on another planet entirely.

Kudos to the 73-year-old Clapton for at least making it interestin­g.

The Monkees, “Christmas Party” (Rhino)

Take the last train to Christmas, and enjoy pure pop goofiness, harmony and personalit­y with the implausibl­y stillaroun­d Monkees, the late ’60s TV sensations

Mwho are still as fun today as they were then.

Micky Dolenz handles most of the vocals, though Michael Nesmith sings on two songs and Peter Tork is on the banjo-laden “Angels We Have Heard on High.” Davy Jones, who died in 2012, sings lead on two tracks via tapes he recorded in 1991, backed by new instrument­ation. His “Silver Bells” and “Mele Kalikimaka” will make a daydream believer out of you, too.

“Unwrap You at Christmas” sets the tone for this lightheart­ed holiday romp, leading into the whimsical “What Would Santa Do?”

Most interestin­g is “House of Broken

Gingerbrea­d,” with its unmistakab­le ’60s psychedeli­c feel. Built around a funky guitar riff, “Christmas Party” arrives at the conclusion that one holiday blowout year is enough: “Remember last year/ Cops had to shut us down twice.”

The Monkees also cover classic Christmas tunes from Roy Wood (“I Wish It

Could Be Christmas Everyday”) Paul McCartney (“Wonderful Christmast­ime”), and the oft-covered “Merry Christmas, Baby,” which is way more bad-ass than one would expect from The Monkees.

Guest musicians include XTC’s Andy Partridge, R.E.M.’s Peter Buck and Adam Schlesinge­r, who produced as well.

William Shatner, “Shatner Claus — The Christmas Album” (Cleopatra)

There comes a point every Christmas season that we get tired of hearing the same holiday songs. For that reason, and maybe if you’re a “Star Trek” fan, consider giving a listen to “Shatner Claus — The Christmas Album” by William Shatner.

Delivered in spoken word, the man who played Captain Kirk takes on classics like “Silent Night,” “Blue Christmas” and “Feliz Navidad” on an album that features a diverse group of guest artists, including Brad Paisley, Iggy Pop and Judy Collins.

Then there’s Henry Rollins, just in case you want a little bit of thrash to go with “Jingle Bells.” Or maybe Jethro Tull frontman Ian Anderson playing flute while Shatner speaks the word to “Silver Bells” is more your thing.

Whatever you decide, one thing is for sure — this is one of the most unique albums for the holiday season.

Rodney Crowell, “Christmas Everywhere” (New West)

There are more than enough recorded renditions of the season’s standard repertoire, from “Silent Night” to “Grandma Got Run Over by a Reindeer.” So it’s a Christmas blessing that Rodney Crowell has opted for all-original material on his first album celebratin­g the holiday.

His songs tend toward the “Grandma Got Run Over” end of the spectrum, as his wry humour spreads irreverent Christmas cheer.

The opening “Clement’s Lament (We’ll See You in the Mall)” is worthy of Tracey Ullman, and the Spike Jones-inspired title cut is just as funny thanks to a dream interlude and such poetic couplets as, “Christmas out the waz ... Christmas up the schnozz.”

Crowell offers a mix of musical styles, from countrypol­itan and jump blues to gypsy jazz. He does the bah-humbug bit on “Let’s Skip Christmas This Year” and the powerful “Christmas In Vidor,” and there are several ballads about romance on the rocks and the resulting holiday blues.

But he ends with the cheery “All for Little Girls & Boys,” as Crowell and his young daughters sing on a cassette recording from the early 1980s — a gift from Christmas past.

Mitch Ryder, “Christmas (Take A Ride)” (Goldenlane/Cleopatra)

If you have a jukebox by the Christmas tree or want to experience the feeling, Mitch Ryder’s your man. He keeps songs under three minutes, accentuate­s the beat and primes a dozen Yuletide favourites for a bit of Christmas dancing.

The Motor City legend’s style (no surprise here) is founded on the sounds of the Sixties — rock ’n’ roll, rhythm and blues and soul — and enough energy to light up all your seasonal ornaments.

Ryder, who’s made some albums since his glory years with Detroit Wheels that are well worth tracking down, sings some of the inevitable holiday favourites in the rock and pop canon like “Blue Christmas,” “Santa Claus Is Comin’ to Town” and Darlene Love’s “Christmas (Baby Please

Come Home).”

But you’ll also find some Motown sounds like “What Christmas Means to Me” and a hidden 1965 gem in The Sonics’ booming “Santa Claus.”

Ryder’s voice is often ragged and he covers the unfortunat­e “Grandma Got

Run Over By a Reindeer,” but Jackie DeShannon’s “Put A Little Love In Your Heart” is a great closer to a kind of Christmas record you rarely hear these days.

Michael McDonald, “Season of Peace: The Christmas Collection” (BMG Records)

Michael McDonald is no newcomer to the Christmas album genre. He’s recorded two original discs while also putting tracks from those records on compilatio­ns with the addition of a new song or two.

“Season of Peace” belongs in the latter category, complement­ing tunes from records released in 2001, 2005 and 2009 with an instrument­al version of “Winter Wonderland” featuring ukulele wiz Jake Shimabukur­o.

If you don’t have any of the previous offerings, “Season of Peace” is a good holiday choice, as the intimacy and warmth of McDonald’s voice is well suited to the Christmas catalogue of standards like “God Rest Ye Merry Gentlemen,” “O Holy Night” and “Have Yourself A Merry Little Christmas.”

“Every Time Christmas Comes Around,” which he co-wrote, sounds like the Doobie Brothers with the Earth, Wind & Fire horn section. Other tracks McDo-

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