The Province

The best local CDs of the year

No shortage of great sounds from both new discoverie­s and old favourites

- The Garage LOCAL MUSIC WITH TOM HARRISON tharrison@postmedia.com

PLUS! For more B.C. music news, follow Tom’s Garage online at THEPROVINC­E.COM/BLOGS

Feb. 9: 54-40: La Difference

For nearly 40 years, Neil Osborne and Brad Merritt, the dual hub of 54-40, have reliably been producing incisive melodic rock. It’s tried all kinds of things in the name of business, but wherever that’s taken the band, 54-40 has always come back to a simple, warm rock. La Difference is kind of proof of its consistenc­y and its growth over those years.

May 3: Bad Beats: His Vengeful Hand

A lot of music starts in the garage and then moves out when it’s ready, but, over the years, garage rock has become a term in itself with loads of implicatio­ns. Bad Beats are unapologet­ically garage rock, which manifests itself in dirty but simple guitar hooks, trashy rhythm, snotty sentiment and the wails of the disenfranc­hised. It’s also fun. Fun tends to be missing from modern music.

May 10: Black Mountain: IV

This is hip despite itself, meaning songs based on science fiction, pagan ritual or religious mysticism should be passe, but Black Mountain makes them cool again. Relegated to the psychedeli­a of the late ’60s or progressiv­e rock of the early ’70s, nobody is doing this kind of rock these days, which makes IV audacious.

July 19: The Top Boost: Turn Around

To some people, pop-rock is a dirty term, too light to truly be rock, but just heavy enough not to be fluffy and inconseque­ntial. So it doesn’t satisfy. Enter The Top Boost and its EP. It’s clearly, blatantly based in ’60s pop-rock, with strong melodies and lots of reference points — Byrds, Associatio­n and The Beatles.

July 26: White Lung: Paradise

Streaming this album and looking at White Lung’s videos reveals a band that’s still exploring its range. It’s tempting to refer to the band’s music as punk, as it’s fast and abrasive, but there is an intelligen­t awareness at the base of it that enables the band to experiment.

Aug. 30: Petunia And The Vipers: Dead Bird On The Highway

There is irony here. The album was heard via a link sent by Petunia’s publicist, but the music was rooted in something much older. It was a modern situation easily predating it and got new life because of it. Petunia’s songs go back to old-timey country, delta blues, the roots of folk and ragtime jazz. Petunia thrives in a mystical environmen­t dating from the 1930s.

Oct. 11: CR Avery: All The Angels Didn’t Scare Me

Avery knows his music history, which is why the current album isn’t one but several things mashed up. He first was known as a rapper, but throw in blues, country, theatre and the dynamics of the spoken word, and an adept, gripping storytelle­r emerges.

Nov. 8: Harpdog Brown: Travelin’ With The Blues

The Garage played a lot of blues CDs this year — see below — and most of them were good, but Brown’s was a little better because it was tied to a tradition. Brown is a classicist and therefore his blues are timeless. He isn’t adding anything new, but still finding novel ways of expressing the old. Yep, it’s old-fashioned, but there’s something comforting in that.

Nov. 29: Zombie Roof: Zombie Roof

For a number of reasons reunions can be disappoint­ing, but here’s one that is as good as the Whistler band ever did. Perhaps because Zombie Roof wasn’t successful the first time it doesn’t have to meet expectatio­ns. About a dozen years later, the band surprises by sounding like it’s just getting started. This is plain-old rock rife with guitar riffs and bristling

with attitude.

More than most, blues is an establishe­d, standardiz­ed genre. The better CDs rise above the standard. The Garage received a lot of blues CDs this year and all were above standard, but ultimately had to be judged for other reasons — of personalit­y, believabil­ity, skill and versatilit­y, etc.

Take a bow Michael Kaeshammer and Colin James, but hear (Sept. 13) Bill Johnson whose Cold Outside had all those things; (June 7) David Vest whose Devestatin’ Rhythm was less inhibited than previous releases by him; and (June 14) Kenny (Blues Boss) Wayne, whose Jumpin’ And Boppin’ bore a stamp of authentici­ty. He’s earned his nickname.

 ??  ?? Vancouver punk band White Lung’s new album Paradise demonstrat­es an awareness of the genre that leads to experiment­ation.
Vancouver punk band White Lung’s new album Paradise demonstrat­es an awareness of the genre that leads to experiment­ation.
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