The Province

Soundtrack of uncertain times

Said the Whale moves beyond its early years into a meditative state on new album

- STUART DERDEYN sderdeyn@postmedia.com twitter.com/stuartderd­eyn

Vancouver trio Said the Whale has changed a lot over the course of its 12-year history. From the bouncy pop of hit singles such as Camilo or I Love You, the band has moved into increasing­ly introspect­ive and mature subject matter lyrically and grown more lush and hushed with each release.

On its latest full length release Cascadia, Ben Worcester, Tyler Bancroft and Jaycelyn Brown are sounding more renewed than they did on 2017’s As Long As Your Eyes Are Wide. That can’t hide the fact that the album’s dozen tracks aren’t exactly feel-good party tunes.

The band has crafted a collection of songs that serve as a particular­ly prescient soundtrack to these times. Right down to the title, the album tries to be hopeful for the future, but there is a weight to the work that echoes the voices in the back of the heads of millennial­s (and the rest) facing uncertain futures.

Here are five things to know about the record: 1 UNAMERICAN

The debut single is a straight-ahead rocker that just screams radio, and it stands alone on this album. It’s louder, harder and more direct than any of the other material. Shout outs to the awesome video for the song, too. 2 “LOVE” SONGS

From the near-chanting of the chorus on Love Always to the hopeful positivity of Love Don’t Ask and many other points in the album’s lyrics, the band seems deeply focused on the variations of what love is, how it is shown and where it lands in respect to the passing of time. These are the concerns of artists who have moved beyond the wide-eyed excitement of the road, the stage and the studio and into a far more meditative mindset. The opener Wake Up, with its chantlike assertion “time makes all things fall together,” sets an album-long tone. 3 OLD SOUL, YOUNG HEART

A direct ode penned by Ben Worcester to thank labelmate and fellow Vancouver musician Dan Mangan for making art that moves him and connects to the audience. Honestly, it’s so good at channellin­g Mangan’s vibe that it could be performed by the man himself in concert. Hope that happens. 4 SHAME

A song about carrying shame withyouwhe­reveryougo due to past mistakes that is a pure honest declaratio­n. Rather than being a downer, it winds up being absolutely liberating with a pounding, driving chorus that descends into almost vintage Beach Boys harmony vocals and soft waves of piano midway before fading off in the distance. This might be the best song on Cascadia. 5 GAMBIER ISLAND GREEN

There has always been a definite West Coast nautical narrative line in this band’s material, which makes complete sense given some members’ time spent on the water. The closing tune on Cascadia is an homage to the sheer physical beauty of “Gambier Island/Our roots spanning deep/Overflowin­g with love/With life, overflowin­g.” Lovely imagery in a soft, sensitive tune.

Said the Whale is on tour with Mother Mother across Canada.

The band plays Feb. 7, Orpheum Theatre. Tickets: Ticketmast­er.

ALSO SPINNING THIS WEEK: BACKSTREET BOYS: DNA (SONY)

Has it been long enough since the group’s heyday to give them a fair listen? Because this collection of immaculate­ly produced vocal pop features some pleasant surprises. The doo-wop of the opener Breathe, the smooth pop of Is It Just Me and handclap and acoustic sprint of OK are all solid. Lyrically, um, they are still boys. At this stage, no one is expecting anything smarter than “as long as I’m with you I’m OK” and the like. That they are still around is a testament to something still working. DEATH WILL TREMBLE TO TAKE US: DEATH WILL TREMBLE TO TAKE US (FLUTTERY RECORDS)

The latest project from Portland-based musician James Randolph Fouty, who also records under the name Sleeping Horses, begins with lightly plucked acoustic guitar and what might be water flowing before merging into deliberate pounding drums, organ swells and reverberat­ing electric guitar that wouldn’t sound out of place on a U2 album, circa Unforgetta­ble Fire. Elsewhere, his sound ventures into pianobased space jams — When They Say Grow Up, They Mean Stop Growing — that are both inspiring and uplifting. KID KOALA: MUSIC TO DRAW TO: IO (ARTS & CRAFTS)

The always entertaini­ng turntable soundscapi­st returns with an album of 18 pieces ranging from wonky electronic drones to pop collaborat­ions with vocalist Trixie Whitley, who seems to be a perfect fit for his music. This is the second volume in the ambient/ vocal series of unfolding soundscape­s that have their inspiratio­n in the work of visual artists. More glorious sounds from a genius. THE SPECIALS: ENCORE (UMC) It’s the 40th anniversar­y of the formation of Coventry’s Two-Tone label legends, whose updated second wave ska scene produced probably some of the most enduring and important music to come out of the entire UK punk era. The band hasn’t put out any new original material since 1998’s Guilty ’til Proved Innocent! This latest release finds lead vocalist Terry Hall back in the unit with original members Lynval Golding, Horace Panter and drummer Kendrick Rowe and Ocean Colour Scene guitarist Steve Craddock rounding out the band, and to say they sound sharp is a gross understate­ment. Vote for Me is a snarky kiss-off to politician­s of all stripes, while Breaking Point is a hilarious dark lament about modern life that pulls no punches: The sales pitch from door to door/Says feed the rich and hang the poor/ twinkle-twinkle little star/ Point me to the nearest bar/ I’ll drown my sorrows with the rest/Do your worst, I’ll do my best/Here I am at breaking point. Back at the right time.

 ??  ?? Said the Whale members Tyler Bancroft, left, Jaycelyn Brown and Ben Worcester. The band is on a cross-Canada tour with Mother Mother.
Said the Whale members Tyler Bancroft, left, Jaycelyn Brown and Ben Worcester. The band is on a cross-Canada tour with Mother Mother.
 ??  ??

Newspapers in English

Newspapers from Canada