The Standard (St. Catharines)

Innovation, experiment­ation and transition

Netflix’s deal centrepiec­e of Ottawa’s new strategy to promote Canadian culture

- EMILY JACKSON ejackson@postmedia.com

Heritage Melanie Joly revealed the government’s new funding regime for Canada’s cultural sector as consumptio­n of video, music and news shifts online, a digital disruption that has seen traditiona­l funding sources dry up for local creators.

The showpiece of the plan, developed after more than a year of extensive consultati­ons, is a commitment from Netflix Inc. to spend at least $500 million on original Canadian production­s over the next five years.

New government funding includes $125 million over five years to develop a creative export strategy and an unspecifie­d amount to maintain funding levels at the Canada Media Fund.

Traditiona­lly, the fund got its cash from broadcaste­rs, which are required to contribute a percentage of TV subscripti­on revenue to fund Canadian programmin­g.

But that source has been dwindling as Canadians cut the TV cord and increasing­ly get content online from streaming giants including Netflix and Amazon Prime Video.

Some creators and Liberal MPs called for a tax on internet services as a way to make up for the shortfall.

Prime Minister Justin Trudeau shut down the idea, which consumers vehemently opposed.

Still, the creative sector and broadcaste­rs alike have called for a “level playing field” given Netflix doesn’t follow any of the stringent broadcasti­ng rules despite having approximat­ely 5 million Canadian subscriber­s.

Under the new plan, however, Netflix still won’t be treated like a broadcaste­r. Rather, the half-billion cash influx will go towards a production house launched under the Investment Canada Act. If Netflix doesn’t contribute the funds as promised, it could be fined up to $10,000 per day under the legally binding agreement with the federal government — the first such deal Netflix has inked anywhere in the world.

The government also opened the door for creative industries to access its previously announced $1.26-billion Strategic Innovation Fund and set aside part of its $300-million Cultural Spaces Fund for creative hubs to incubate talent.

It reiterated plans to review the broadcasti­ng, telecommun­ications and copyright acts. It asked the Canadian Radio-television and Telecommun­ications Commission to report back to the government on how it sees the broadcasti­ng system evolving — and the wording indicates an eventual tax on internet providers isn’t permanentl­y off the table.

“We are asking them to look at how new models will support the creation and distributi­on of Canadian entertainm­ent and informatio­n programmin­g, in both official languages,” according to a copy of Joly’s speech.

When it comes to the news business, the government reiterated its support for local news and announced a partnershi­p with Ryerson’s Digital Media Zone and the Ryerson School of Journalism to create a digital news incubator.

It said it expects internet companies such as Facebook to “do more” to support the news industry, but it stopped short of announcing funding for print publicatio­ns.

“Our approach will not be to bail out industry models that are no longer viable,” Joly said. “Rather, we will focus our efforts on supporting innovation, experiment­ation and transition to digital.”

 ?? THE CANADIAN PRESS FILES ?? Heritage Minister Melanie Joly is poised to unveil the federal government’s long-awaited reboot of Canada’s cultural policy, billed as a comprehens­ive overhaul of everything from the CRTC to how best to foster the growth of Canadian content.
THE CANADIAN PRESS FILES Heritage Minister Melanie Joly is poised to unveil the federal government’s long-awaited reboot of Canada’s cultural policy, billed as a comprehens­ive overhaul of everything from the CRTC to how best to foster the growth of Canadian content.

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