The Telegram (St. John's)

Movie nappers have a time of it this awards season

- BY LEANNE ITALIE

Nancy Zwiers was genuinely psyched to see “Lincoln,” but something happened between the ticket purchase and the credits. Off screen, that is.

“Yes, I fell asleep,” confessed the 54-year-old marketing executive in Long Beach, Calif. “I only have two clear memories of the movie: a bunch of old white guys sitting around talking and Sally Field in a perpetual state of angst.”

That was shortly after its release in October. Fast forward to January and a dozen Academy Award nomination­s for the 150-minute epic and another accolade has emerged: nap worthy, with and without apologies from the snoozy to Steven Spielberg and Daniel DayLewis.

Movie napping is almost certainly as old as cinema itself. It strikes the overtired and the well-rested, film nuts and occasional theatregoe­rs. Some blame it on soporific popcorn. Others on the enveloping darkness and a comfy seat. The theatre is too hot. The theatre is too cold, too crowded, or not crowded enough.

Any which way, cinematic snoozing seems near epidemic proportion­s this awards season with buzz plus ZZZs for “Lincoln,” the 157-minute sung “Les Miserables,” the 169-minute “The Hobbit: An Unexpected Journey” and others cited as good for a snore, but not always due to extra minutes.

Forget the theory that movie watchers of a certain age are more heavily afflicted.

“I don’t realize I do it and I wake up 20 minutes later and then everyone’s, like, you were asleep,” said Rose Liu, 31, a program manager for a Los Angeles non-profit. “I snore and then it’s embarrassi­ng, but I really can’t control it. I wake up and I’m re-energized!”

Liu has movie dozed on dates and out with friends, some of whom have nudged her awake at the request of strangers sitting nearby.

She, too, was done-in by “Lincoln.” She’s not a fan, but she also caught some shuteye during the two-hour “Argo,” which she liked. A power napper in regular life and a moviegoer about once a month, Liu acknowledg­ed it would make sense to avoid late screenings, but that’s usually not possible.

Lay watchers aren’t alone. Profession­al movie-watchers fall victim, too.

One entertainm­ent writer, who asked — for obvious reasons — that his name not be used, once fell asleep at an intimate screening for the 1994 satire “Pret-a-Porter,” sitting right next to the director, Robert Altman. And not just a few winks but a 45-minute power nap about 10 minutes in.

“I don’t think he noticed,” the writer laughed.

Count psychologi­st Jennifer Thomas, 43, in Greensboro, N.C., as a nap person outside of theatres and in. With four kids at home, she watches a lot on Netflix, but gets out to the theatre about once every three months.

Thomas decided to take in “Life of Pi” in 3D on the recommenda­tion of friends who enjoyed the book. In a rare moment of parenthood, Thomas was alone — in the dark, in a cushy seat.

“It was somewhere with the boat and the water and the lion, and they had settled into the story, and I just had this feeling that, ‘I’m just going to listen to the movie for a while and I’m just going to close my eyes,’” she recalled of her 15-minute break from the largely symbolic action.

The last movie nap for Thomas before that was “Platoon,” of all things. “I slept right through the last half of that movie and I was in high school,” she laughed.

Who among us hasn’t been there, at least once?

Collin Roberts of Manhattan has seen four of the nine films nominated for a best picture Oscar: “Argo,” “Beasts of the Southern Wild,” “Life of Pi” and “Lincoln,” the latter defi- nitely not her thing but a favour to her husband.

“The soliloquie­s started. That was something I didn’t know about Lincoln, his tendency to give longwinded speeches at inappropri­ate times. The elderly lady next to me fell asleep and started snoring softly and before I knew it, I was nodding off, too,” she said.

Entertainm­ent Weekly has dubbed this the most thrilling race for Oscar in years, but the length of some contenders has earned attention. Over at “Saturday Night Live,” a recent skit suggests the next two “Hobbit” movies morph into 18 instead, including “The Elf Queen Tries to Pick an Outfit.”

The writers at SNL included this mock review from film critic Peter Travers: “I fell asleep for 45 minutes and when I woke up the dwarves were assembling an Ikea dresser.”

In real life, Travers liked parts of the “Lord of the Rings” prequel but hated the whole 48 frames a second thing and thought an hour could have been chopped.

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