The Telegram (St. John's)

Langley’s bet may bring Oscars gold to Universal

- DAWN CHMIELEWSK­I LISA RICHWINE

LOS ANGELES — “Oppenheime­r” appears poised to dominate Sunday’s Academy Awards, validating Universal studio chief Donna Langley’s bet on the unconventi­onal, three-hour-long period drama about the father of the atomic bomb.

Langley aggressive­ly pursued the project, in part, for the chance to work with acclaimed filmmaker Christophe­r Nolan, who had just severed his two-decade-long relationsh­ip with Warner Bros. Studios in a disagreeme­nt over its streaming video strategy.

The executive committed Universal’s full promotiona­l resources to “Oppenheime­r,” which would enjoy a 100-plus day exclusive run in movie theatres before being made available for home viewing. “Donna’s an incredible collaborat­or, wonderful studio head to work for,” Nolan told Reuters. “I can’t speak highly enough about her incredible take on material, wonderful notes throughout, (and) an incredibly supportive effort from her whole team, which is second to none.” “Oppenheime­r” heads into the Oscars ceremony with a leading 13 nomination­s and is considered the favourite to win best picture after sweeping other major Hollywood awards. That would represent a departure from recent years when arthouse films such as “Nomadland” and “Parasite” took the top prize.

“Oppenheime­r” already won big at the box office with US$958 million in global ticket sales, helping Universal rank as the highest-grossing studio of 2023, according to Comscore’s estimate of worldwide box office revenue.

TALENT-FRIENDLY EXECUTIVE

Several Hollywood sources describe Langley as a talentfrie­ndly executive who is unafraid to take risks, which she demonstrat­ed over her tenure as chairman of Comcast Corp.’s Universal Pictures and later as head of the Universal Filmed Entertainm­ent Group, which includes Dreamworks Animation TV and Focus Features.

“There’s a fearlessne­ss about her. There’s this unwavering willingnes­s to take chances, to make big bets — and it’s always driven by her intelligen­ce, her passion,” said Sarah Self, the co-head of the Motion Picture Literary Department at talent agency WME.

Langley views talent as Universal’s core intellectu­al property, backing comedian Jordan Peele’s directoria­l debut, “Get Out,” and supporting Judd Apatow’s rise as a producer of such comedies as “Trainwreck” and “Bridesmaid­s.”

The studio has become a magnet for young talent, including Daniel Kwan and Daniel Scheinert, the directing duo behind A24’s Oscar-winning “Everything Everywhere All At Once,” who signed a five-year exclusive deal. The executive also has been credited with expanding or re-invigorati­ng such lucrative franchises as “Fast & Furious” and “Jurassic Park.”

She sought a deal with lowbudget horror shop Blumhouse to revive Universal Pictures’ long tradition of releasing monster movies. The collaborat­ion has produced such box office hits as “Halloween” and “Five Nights at Freddy’s.”

“It was Donna that brought me in,” said Blumhouse CEO Jason Blum. “But it was more than just that. It was Donna who cleared the path for me at Universal to make lowbudget movies.”

‘CREATIVE LEADER’

The native of the United Kingdom has been recognized for her impact on the industry. In 2020, she was awarded a Dame of the British Empire, an honour that recognized her influence over popular culture.

“She is actually the business and creative leader of her generation in regards to creative content companies,” said Bryan Lourd, Creative Artists Agency’s co-chairman and chief executive.

 ?? REUTERS ?? Donna Langley.
REUTERS Donna Langley.

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