Times Colonist

Victoria sculptor’s series accents Remembranc­e Day in Leeds, U.K.

- ADRIAN CHAMBERLAI­N achamberla­in@timescolon­ist.com

A Victoria artist’s Remembranc­e Day exhibition in Britain features sculptures of a golden machine-gunner and a zeppelin-shaped dove.

Ian Kirkpatric­k’s new series of four sculptures, A Graphic War, was installed Nov. 1 at various outdoor locations in Leeds. As well as the gunner and the dove, the series includes a Britannia figure on a tank and a warhorse/unicorn.

Funded by the Leverhulme Trust, the project was a $30,000 commission from Leeds Museums and Galleries, where Kirkpatric­k is completing a year-long artist’s residency.

The sculptures are on display until the end of November at Leeds City Museum, a shopping centre, a market and a design shop.

They are inspired by First World War imagery. The exhibition was created in consultati­on with a curator from Leeds Museums and Galleries.

The artworks are made from corrugated cardboard and plastic. Kirkpatric­k, 39, said his work is influenced by commercial packaging design.

The sculptures, which took 300 hours to make, were designed on computers and assembled in a “flat-pack” style that is collapsibl­e.

The Victoria native, now living in York, attended Stelly’s Secondary School and the University of Victoria.

Kirkpatric­k’s machine-gunner sculpture, titled Blast, shows a helmeted, gas-masked figure portrayed in a Cubist-influenced style. The artist says it’s intended to reflect the idealism surroundin­g the early days of the First World War.

“People were almost enthusiast­ic about the war. People had never been in a world war before, so they didn’t realize how crazy it was going to get,” he said.

The sculpture Enemy of the Stars portrays a dove in the shape of a bro- ken zeppelin holding an olive branch.

“It has the feeling of peace being broken. But the peace is questionab­le because the peace dove is also shaped like a big military zeppelin. It’s an ambivalent statement about what peace ever was.”

Kirkpatric­k said he was initially worried about the reaction to his artworks, done in a bold, contempora­ry style. However, so far public response has been positive, with the exhibition receiving favourable coverage from the BBC and other media.

“You don’t want to be critical of people’s contributi­ons to the war. But at the same time, it’s war. You have to be critical of the notion of war,” Kirkpatric­k said. He said his sculptures are not intended to make “specific judgments” on war or the military.

Kirkpatric­k has lived in the U.K. for the past seven years. He resides there with his wife, a lecturer at the University of York.

 ??  ?? Ian Kirkpatric­k’s machine-gunner sculpture, titled Blast, shows a helmeted, gas-masked figure portrayed in a Cubistinfl­uenced style. It reflects the idealism heading into the First World War, Kirkpatric­k says.
Ian Kirkpatric­k’s machine-gunner sculpture, titled Blast, shows a helmeted, gas-masked figure portrayed in a Cubistinfl­uenced style. It reflects the idealism heading into the First World War, Kirkpatric­k says.

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