Times Colonist

Historic houses require delicate touch

Renovating an old property demands specialize­d skills and know-how — fortunatel­y, help is at hand

- MELISSA KOSSLER DUTTON

Dwain Livengood can save money on his home renovation project by doing the work himself. But he also knows that do-it-yourself projects in historic homes like his 100-year-old farmhouse require extra planning and research, and that mistakes can be costly.

“Self-awareness is pretty huge,” says Livengood, who grew up in the house in Lancaster, Pennsylvan­ia, and is the third generation of his family to own it. “Saving money isn’t worth it if, in the end, it looks like an amateur did it.”

He is planning the first major renovation­s to the property, including a new kitchen, hardwood floor restoratio­ns and window repair.

DIY failures in historic homes can do more than look bad. They can seriously damage a home’s structure and character, says Jody Robinson, historic preservati­on officer for the city of Bellevue, Kentucky. DIY has a place in historic home renovation, she says, but it should be well-researched.

If your home or neighbourh­ood has a historical designatio­n, there probably are restrictio­ns on what you can do, particular­ly to exteriors. Consult with local authoritie­s before initiating projects or hiring contractor­s.

“The difference with a historic home is the materials used and how they were constructe­d,” Robinson says.

Slate roofs, wood gutters, weight-and-pulley windows, plaster walls and old building materials require special attention, experts say.

Luckily, there are places where owners of historic homes can find informatio­n about which projects they should and shouldn’t attempt on their own.

Cities, preservati­ons societies, restoratio­n enthusiast­s, and even businesses that specialize in historic renovation offer workshops and classes. Window repair, plastering, basic fireplace fixes and tiling are among the most popular subjects.

Understand­ing your home’s constructi­on and appreciati­ng historic renovation methods are the first step, says Benjamin Curran, department head for historic preservati­on at Savannah Technical College in Georgia. Through its Historic Homeowners Academy, the school teaches classes geared to do-it-yourself enthusiast­s.

When homeowners try to apply modern solutions to old homes “a remodel can easily turn into a re-muddle,” Curran says. For example, using the wrong mortar can damage old bricks.

He recommends taking a class and consulting with a profession­al or historical preservati­onist.

“From there, it’s a question of what is achievable. What is the breadth of your skill set? Where might you stretch yourself and learn more?” Curran says.

Jim Wigton, president of the Monrovia (California) Historic Preservati­on Group, says it was formed nearly 40 years ago by residents who were restoring homes and wanted to share knowledge. “At the beginning of the organizati­on, we invited craftspeop­le in to share how to do things,” says Wigton, adding group also offers a home tour and works on city-wide preservati­on projects.

Livengood, who has experience restoring antique carriages and tractors, plans to repair the 40 wood windows in his foursquare house this spring. Using tips from a profession­al restoratio­n company, he will replace the rope that holds the cast-iron weights that allow the windows to move up and down, and will paint the windows’ interiors. He’s hired a profession­al to tackle the exterior. He expects the work will reduce the repair costs by $200 US per window.

Windows are a good DIY project because the work is more time-consuming than difficult, says Danielle Keperling, who, with her parents and husband, owns Historic Restoratio­ns in Lancaster. Her company is open to teaching the how-tos in order to reduce project costs, she says.

To maintain a home’s historical character, repairing old windows — rather than installing new ones — makes a big difference, Keperling says. “Windows show the age of the house,” she says.

Whenever Doug Heavilin hires a profession­al to work on his 1902 Queen Anne in Franklin, Indiana, he shadows the person, soaking up as much informatio­n as he can. “I’ve learned 90 per cent of what I know about plumbing by sitting there and watching a plumber,” says Heavilin, who is restoring the 4,700-square-foot house with his wife, Amy.

They’ve finished five of the home’s 22 rooms.

During their restoratio­n journey, they’ve learned to install tile, hang wallpaper and drywall, repair plaster, and match stain and paint. Doug Heavilin once engineered a solution to create rounded replacemen­t pieces for their home’s turret.

The Heavilins read books and magazines, watch videos, take classes and swap tips with other homeowners before starting a project. But they also know things might not go as planned, and say it’s important to be flexible. “You never know what you’re going to find,” says Amy Heavilin, recalling the time they discovered that their dining-room chandelier was wired to a pipe with a coat hanger.

“We’re at the point where I’m pretty comfortabl­e with whatever we find,” Doug Heavilin adds. “I’m not always happy, but I’m comfortabl­e.”

 ??  ?? Students of historic preservati­on at Savannah Technical College in Savannah, Georgia, paint in the college’s lab.
Students of historic preservati­on at Savannah Technical College in Savannah, Georgia, paint in the college’s lab.

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