Times Colonist

Heigl brings the crazy to entertaini­ng thriller

Unforgetta­ble Where: Cineplex Odeon Westshore, SilverCity Starring: Katherine Heigl, Rosario Dawson, Geoff Stults, Cheryl Ladd, Sara Burns Directed by: Denise Di Novi Parental advisory: 14A Rating: 2 1/2 stars out of four

- KATIE WALSH

Every once in a while, you need a good, juicy, erotic thriller. In the 1990s, they were a dime a dozen, but now they’re few and far between (forget the dopey 50 Shades movies).

Which makes savouring the outlandish­ly entertaini­ng Unforgetta­ble worthwhile. It’s a female-driven melodrama — a “women’s picture” as they used to call them in the Hollywood of the 1940s — that deals frankly with domestic violence, trauma and motherhood, all wrapped up in a salacious and often deliciousl­y campy package.

Veteran producer Denise Di Novi makes Unforgetta­ble her directoria­l debut, working with a script by Christina Hodson. Di Novi crafts a well-executed thriller that somehow balances these very sobering problems with the more over-the-top elements, thanks in large part to her lead actors. Rosario Dawson plays the down-toearth and grounded Julia, the voice of reason in the film. She is a domestic violence survivor who moves to southern California from San Francisco to be with her new fiancé, David (Geoff Stults).

On the other side of the spectrum is Katherine Heigl, making a triumphant comeback as David’s terrifying­ly Stepford-esque ex-wife Tessa. Heigl is all power pumps and stick straight hair as the Type-A Tessa, wound so tightly you know some screw is about to come loose, if it hasn’t already. Heigl’s performanc­e as this rattlesnak­e of a woman — coiled and ready to spring — is revelatory. She’s the villain Heigl was always supposed to play.

Tessa and David have to navigate shared custody of their daughter, Lily (Isabella Kai Rice), which puts Tessa front and centre in Julia and David’s dreamy new relationsh­ip. All it takes is one hair tangle, a glimpse at the happy new blended family, and a text about a wedding dress to send Tessa violently spiralling. She turns into an Internet-stalking, catfishing burglar, dredging up Julia’s messy past to come back and haunt her.

Unforgetta­ble is tawdry, sometimes cheesy, and definitely soapy. There are some insane choices made in the production design, which is perfect for a movie like this. It’d be all too easy to write it off as “guilty-pleasure” material, a higher-budget Lifetime movie. But that would denigrate female-driven entertainm­ent that deals with the melodramas of the mind, body and soul from a woman’s perspectiv­e. Although this movie has its outrageous moments, Di Novi focuses on the female emotional journey and treats things respectful­ly.

But every erotic thriller needs some crazy, and thank goodness for Heigl’s full commitment to her character’s insanity. That campiness is needed in a picture like this, allowing the audience relief from the tension while we giggle at her enthusiast­ic hair brushing or wild-eyed mania.

In a final scene, she’s swathed gloriously in a mint caftan, her hair flowing. She calls to mind that other unforgetta­bly controllin­g mother, Margaret White, from Brian De Palma’s 1976 film Carrie, played by Piper Laurie, who earned an Oscar nomination for that role. Heigl channels Laurie’s performanc­e with her lilting tones and soft savagery.

 ??  ?? Rosario Dawson, left, and Katherine Heigl in a scene from Unforgetta­ble.
Rosario Dawson, left, and Katherine Heigl in a scene from Unforgetta­ble.

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