Times Colonist

Film festival’s lineup complete

Artistic director says stories feel ‘especially urgent’ amid pandemic and racial protests

- VICTORIA AHEARN

TORONTO — Regina King’s feature directoria­l debut and two projects from Métis/Algonquin director Michelle Latimer are bound for the Toronto Internatio­nal Film Festival.

Organizers have announced all 50 titles for September’s pandemic-tailored event, which will include online public screenings geoblocked for Canada and driveins. In-theatre screenings are still up in the air.

On the list is King’s One Night in Miami, which writer Kemp Powers adapted from his own stage play and stars Kingsley Ben-Adir, Leslie Odom Jr., Eli Goree and Aldis Hodge.

The story centres on a pivotal 1964 meeting between boxer Cassius Clay (later known as Muhammad Ali), civil rights activist Malcolm X, singer Sam Cooke and football player Jim Brown.

In the documentar­y 76 Days, a trio of directors charts the course of the COVID-19 pandemic.

And Toronto-based Latimer will debut her film Inconvenie­nt Indian, based on Thomas King’s book, as well as her upcoming CBC series Trickster, adapted from a trilogy of novels by Eden Robinson.

TIFF co-head and artistic director Cameron Bailey says the lineup has many vital voices telling stories that “feel especially urgent” amid the pandemic and protests for racial and social justice.

“There are several films this year in the festival that feel that they are especially connected to this moment.”

Other examples include MLK/FBI by Sam Pollard, about the FBI’s surveillan­ce of Martin Luther King Jr.

Mohawk filmmaker Tracey Deer’s Canadian drama Beans is about a 12-year-old Mohawk girl coming of age during the Oka Crisis.

And the previously announced opening night presentati­on, Spike Lee’s filmed version of David Byrne’s Broadway concert American Utopia, is described as an upto-the-minute, optimistic response to the protests against racial injustice.

“Putting this year’s festival together, there were so many strong films directed by women from many different parts of the world, directed by Black filmmakers, Indigenous filmmakers, filmmakers of colour,” Bailey said in an interview.

“It was pretty easy to include a large number of them in the lineup this year, because it just happened to be a great year; because these voices I think are especially important and urgent right now. Audiences are crying out for a wider range of representa­tion onscreen.”

Mira Nair’s coming-of-age BBC series A Suitable Boy, set in North India, will close the festival, which runs Sept. 10-19.

Other small-screen fare includes The Third Day, an upcoming miniseries starring Jude Law and Naomie Harris.

Big names can also be found in the thriller film I Care A Lot by J Blakeson, starring Rosamund Pike, Peter Dinklage and Chris Messina.

Naomi Watts, Andrew Lincoln, and Jacki Weaver star in Penguin Bloom by Glendyn Ivin, based on Bradley Trevor Greive’s book about a tiny bird that gives hope to a family at a difficult time.

And Shadow In The Cloud by Roseanne Liang is a horror starring Chloe Grace Moretz.

Meanwhile, Werner Herzog and Clive Oppenheime­r will debut their Apple TV Plus documentar­y Fireball: Visitors from Darker Worlds.

Other films in the Canadian lineup include the documentar­y No Ordinary Man by Aisling ChinYee and Chase Joynt, about American transgende­r jazz musician Billy Tipton.

The New Corporatio­n: An Unfortunat­ely Necessary Sequel by Joel Bakan and Jennifer Abbott is a followup to a 2003 documentar­y about corporate power.

And Violation is a psychologi­cal thriller from Madeleine SimsFewer and Dusty Mancinelli.

With many elements still up in the air during the pandemic, TIFF hasn’t revealed exactly how the festival’s 45th instalment will unfold.

But TIFF co-head and executive director Joana Vicente did say they’ll be relying heavily on drive-ins and have at least two such venues lined up, which they’ll announce in the next week or so.

She also said TIFF is still considerin­g some indoor screenings, since the province of Ontario is moving into Stage 3 of its COVID-19 reopening process today, but details are still to come.

During July, TIFF launched a digital platform for movie rentals, which it will use for its online festival screenings.

Vicente said the public version of the platform will be geoblocked for Canada and use the same principles of in-person screenings, with limitation­s on the amount of people who can see a film at a given time.

The platform’s industry and press version will be accessible internatio­nally, said Vicente.

TIFF has said it is collaborat­ing with other film festivals — several titles will screen at Venice Internatio­nal Film Festival before Toronto.

Venice titles on TIFF’s list include Chloe Zhao’s Nomadland, starring Frances McDormand; and Kornel Mundruczo’s U.S./Canada/Hungary co-production Pieces of a Woman, starring Vanessa Kirby, Shia LaBeouf, Ellen Burstyn, Molly Parker and Benny Safdie.

TIFF also has Falling, the directoria­l debut of actor Viggo Mortensen, which premiered at the Sundance Film Festival in January. And Emma Seligman’s Canada/U.S. co-production Shiva Baby, which was in the lineup of the cancelled South by Southwest festival.

Previously announced TIFF titles include Halle Berry’s directoria­l debut Bruised and Concrete Cowboy by Ricky Staub, starring Idris Elba, Jharrel Jerome, and Lorraine Toussaint.

Bailey said they settled on 50 titles because it seemed a manageable number.

 ?? GREG ALLEN ?? This year’s Toronto Internatio­nal Film Festival will start with Spike Lee’s film version of the Broadway show David Byrne’s American Utopia. Byrne appears in the foreground centre of this photo during the play’s opening-night curtain call.
GREG ALLEN This year’s Toronto Internatio­nal Film Festival will start with Spike Lee’s film version of the Broadway show David Byrne’s American Utopia. Byrne appears in the foreground centre of this photo during the play’s opening-night curtain call.
 ?? EVAN AGOSTINI ?? Regina King is making her directoria­l debut at the festival.
EVAN AGOSTINI Regina King is making her directoria­l debut at the festival.

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